Lots of Futura Display (Paul Renner, 1932), mostly in capitals, on the uncredited cover design for the Greatest American Waltzes sung by Connie Francis (b. 1937), released by MGM Records in 1963. The photograph is by John Engstead.

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Ludlow’s Bodoni Black on the cover of Sigmund Romberg Melodies And Popular Waltz Favorites. The album was “recorded in Europe” by the Viennese Symphonic Orchestra, and released in the United Sates by Plymouth Records. Illustration by Norman Graber.

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All-caps Playbill for the title and all-lowercase Tempo Bold for the track names, on the cover of Viennese Waltzes as released by Merit Records (M-300-2) in 1952. Ludlow’s Futura follower is here used with its alternate monocular a. The cover is signed by Einhorn.

Playbill for the cover of an undated (mid 1950s?) record with waltzes by Johann Strauss Jr., Plymouth Records P12-61. Cover design by Norman Graber. “Long Playing” is in Franklin Gothic, “one hour of” is lettering.

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Color variant.

The Kursiv halbfett (1934) and fett (1935) styles of Imre Reiner’s Corvinus, used in mostly all caps on an undated (late 1950s?) cover, framing a painting by Auguste Renoir from 1864. Romance of the Waltz contains Viennese waltzes recorded by the Radio Vienna Grand Symphony, conducted by Max Schönherr. Grand Award Records 33-312.

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