“Think Love” is the title of the 14th edition of the monthly music listening sessions organized by Puing Records, Seoul, South Korea, where we listen to songs selected based on a main theme, share related stories, and our thoughts. In this event, I was responsible for designing motion graphics, print-out posters and leaflets for the theme.

Playlist
Intro
“The Dog’s Point of View” – Chiyoonhae

Side A
1. “Dandelion Seed” – Chiyoonhae
2. “Café Speed” – JORDANN
3. “The Girl Is Mine” – Michael Jackson with Paul McCartney
4. “B-A-B-Y” – Carla Thoma

Side B
5. “Within” – Daft Punk
6. “I Am the Walrus” – The Beatles
7. “Debra” – Beck
8. “Ballrooms of Mars” – T. Rex
9. “Up” – Sing Street
10. “Sweet Is the Night” – Electric Light Orchestra
11. “Motorcycle” – The Light and The Salt
12. “Heroes” – David Bowie
plus Bonus Track

Backroom is my private listening room here in Phoenix. I have listening sessions and art shows in there so I wanted to create a shirt in which sales could help support the sessions we have. I worked with the incredibly talented Scott Agustin to come up with this design.

Apero Records & Wine is a weekly event at Café Mancuso in Bordeaux, France. I created posters and flyers using Neue Helvetica.

“The Alan Parsons Project” is the title of the 12th edition of the monthly music listening sessions organized by Puing Records, Seoul, South Korea, where we listen to songs selected based on a main theme, share related stories, and our thoughts. In this event, I was responsible for designing motion graphics, print out posters and leaflets for the theme.

“New Wave” is the title of the eleventh edition of the monthly music listening sessions organized by Puing Records, Seoul, South Korea, where we listen to songs selected based on a main theme, share related stories, and our thoughts. In this event, I was responsible for designing motion graphics, print out posters and leaflets for the theme. The fonts in use are OS Same by Orange Slice Type and Sandoll GothicNeo3 by Sandoll.

sjgraphie

After nine editions of semi-private sessions for which a set of eight invitation cards were distributed by hand, “We are listening to a record” is going public.

Since 2019 Stephan Blumenschein has organized this gathering of listening to a record in different spaces in Amsterdam and Vienna. The publication We Were Listening To Records is giving a taste of the past events and presents reflections and intentions that developed along the way. Designed by Bram van den Berg and with an essay by artist Flora Valeska Woudstra. She writes: “In my experience, trip time appears from and through listening to the body, the act of listening opens something up, lifts some of the veil of normative time, just as it does during the we are listening to a record session.”

Stephan Blumenschein (1983) is an Amsterdam-based artist. In his practice he takes up the spatial as a subject through the investigation of physical as well as imaginary spaces. He focuses on the spatial experience and the way the “social” is defined by how we work with and through space. How we enter and manoeuvre through the different layers and relations of space, leave and return again? His work has been shown and published a.o. at P////AKT, Marwan, New Jörg, ventil-records and A*Desk.

Bram van den Berg is an Amsterdam-based graphic designer who graduated in 2015 from Gerrit Rietveld Academy. He works mainly in the cultural sector and has a strength in using typography as a central voice in his design.