Бела Тарр: время после is the Russian translation of Béla Tarr, le temps d'après, first published in French in 2011 and known in English as Béla Tarr, the Time After. It’s the second edition in the Garage Screen series dedicated to film. The book is a unique retrospective of the work of the outstanding Hungarian director and a manifesto of the theory of cinema of Jacques Rancière.

The compiling editors were Marina Sidakova and Daria Loginopulo
. Konstantin Eremenko and Julia Boitsova 
provided the book design, using William and Suisse Int’l. Vladimir Semenkov 
took care of the pre-press. The book was printed by Imprint Lab.

„Параллельная архитектура“ оттепели и застоя. Визионеры последнего советского тридцатилетия / “Parallel Architecture” of the Thaw and Stagnation Periods: Visionaries of the Final Three Soviet Decades by Andrey Bokov is dedicated to the unknown and informal design and intellectual activities of Soviet architects of the 1960s–1980s.

From publisher Garage (Museum of Contemporary Art):

«Parallel architecture» was a result of personal and group activity by architects who did not fit into the system of large design institutes and standard projects. Parallel architecture comprised pictures of the future, individual responses to the challenge of the time, new images and meanings that, over time, would become popular and generally accepted. The book discusses those involved in parallel architecture and the forms their activity took, including participation in competitions, working at the seminars Senezhskaya Studio and Interdesign, designs for the City of the Future and children’s architectural studios.

Design by Konstantin Eremenko using Suisse Int’l (Ian Party) for headlines, while body copy is set in CoFo Robert (Liza Rasskazova) and Suisse Int’l.

From publisher Garage:

Dina Vierny (1919–2009) was the muse of the great French sculptor Aristide Maillol, a gallery owner, and a collector. Born in Chisinau, she emigrated to France in 1926, where she mingled with the Paris-based Russian intelligentsia. During World War II, Vierny was part of the Resistance, helping refugees to cross from France to Spain. She was arrested twice and spent six months in prison, being released only thanks to Maillol’s efforts.

Following the sculptor’s death, Vierny became the guardian of his works, and in 1947 she opened a gallery in Paris. In 1959, she visited the Soviet Union for the first time, where she met nonconformist artists such as Ilya Kabakov, Erik Bulatov, and Vladimir Yankilevsky, whose work she would later exhibit in Paris.

The book was publihed in Russian as Дина Верни «История моей жизни, рассказанная Алену Жоберу», in an edition of 2,000 copies. Text is set in two typefaces from Paratype: Newton and Pragmatica.