The Soul Clan was the name of a collective formed in 1966 by soul musicians such as Joe Tex, Ben E. King, Don Covay, Solomon Burke, and Arthur Conley. Initially Otis Redding and Wilson Pickett were in the Soul Clan, but were replaced by Conley and King. ATCO released an album with singles from members of the Soul Clan, along with two of the Soul Clan's songs.

Notable Loring Eutemey of Push Pin Studios designed the cover, opting to use the newly-added Calendar in style F for the album’s name/artist. Calendar F and H are similar, with F having closed bottom apertures in favor of a “solidified” look.

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Prolific cover designer Loring Eutemey used tightly spaced Windsor Bold with alternating word colors for Live and Lively. This pseudo-live album by Joe Tex was released in 1968 by Atlantic Records.

Don Bronstein took the cover photo. “Dial Records Series” is in condensed caps from Eurostile. The sticker highlighting the included hit “Skinny Legs and All” features Inserat-Grotesk (with a plain italic grot in all caps).

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The back cover typography combines Helvetica Black with Trade Gothic. Steve Byrd’s liner notes are set in Melior.

Front cover ft. Gothic

Released in 1977, Bumps & Bruises is an album by R&B musician Joe Tex (1935–1982). It features his last major hit, “Ain’t Gonna Bump No More”.

Photos by Al Clayton. The cover design is uncredited.

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Back cover with the song names in Franklin Gothic

Front cover for the Dutch single release of “Ain’t Gonna Bump No More” from 1977 ft. Futura Extra Bold Condensed on an angle [More info on Discogs]

The back cover advertises the album using Aachen.

Front cover for the German single release of “Ain’t Gonna Bump No More” from 1977 ft. ITC Avant Garde Gothic Condensed on an angle. The artist’s name is lettering. [More info on Discogs]

The Best of Joe Tex was released in 1967 by Atlantic Records in their Dial Records Series. The ninth album by the Southern soul singer, it was already his third best-of compilation. Loring Eutemey designed the album cover, using a photograph taken by Nick Samardge and the then freshly released Davison Impacta.

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The back cover features Anzeigen-Grotesk with News Gothic for Jonathan Cott’s liner notes and Monotype Clarendon Condensed for “Dial Records Series”.

The South African pressing comes with a different cover design featuring a different photograph (of a white woman), but still with Davison Impacta. [More info on Discogs]