About type

“Each alphabet is charming in its own way” poster2020

• Edik Ghabuzyan

Contributed by Sandoll Inc.

Louis Hoell and the making of the Eckmannschrift, Poem Pamphlet No.42020

• Jérôme Knebusch

Contributed by Jérôme Knebusch

Deutscher Buch- und Steindrucker, Vol. 25 No. 81919

Photo(s) by Kirsten Solveig Schneider on Flickr.

Cast It 32019

• Tipiblu
• CAST Foundry

Contributed by CAST

Cyrillize it by Yana Vekshyna2020

• Yana Vekshyna

Contributed by Alex Slobzheninov

Type Club poster2015

• Max Phillips
• Signal Type Foundry

Contributed by Max Phillips

Erhard Ratdolt’s Index characterum, the earliest known type specimen, Poem Pamphlet No. 32020

• Jérôme Knebusch

Contributed by Jérôme Knebusch

Monotype advertisement in Offset 7 (1926)1926

• Bauhaus

Contributed by Dan Reynolds

A is A is A exhibition booklet and catalog2020

• Marcello Jacopo Biffi

Contributed by Marcello Jacopo Biffi

A is A is A exhibition at Marsèll Paradise2020

• Marcello Jacopo Biffi
• From outer Space

Contributed by Marcello Jacopo Biffi

TypeThursday BCN, January 20202020

• Valerio Monopoli

Contributed by Craig Stainton

Neo-Tribe 2020: When a society moves apart for a moment2020

• Leedotype
• Dohee Lee
• Hyunwoong Kang

Contributed by Sandoll Inc.

Wingdings & Wingdings 2. Explicades en HK Groteskc. 2020

• Lali Rossy

Contributed by Lali Rossy

Arcade Game Typography by Toshi Omagari2019

• Leo Field
• Darren Wall

Contributed by Leo Field

Entre parágrafos by Cyrus Highsmith2017

• André Maya
• Rafael Dietzsch
• Estereográfica

Contributed by Estereográfica Editorial

Robert Thorne and the origin of the ‘modern’ fat face, Poem Pamphlet No. 22020

• Jérôme Knebusch

Contributed by Jérôme Knebusch

“Our Letters Kick Your Letters’ Ass 24/7” posterc. 2012

• Anonima Impressori

Contributed by Matt Kelsey

Alphabet and Image 6, January 19481948

• Robert Harling

Photo(s) by Kirsten Solveig Schneider on Flickr.

FontGoggles2020

• Just van Rossum

Contributed by Stephen Nixon

Typographische Mitteilungen, Vol. 27, No. 12, December 19301930

• unknown

Contributed by Kirsten Solveig Schneider

Type Life magazine #1, Special Lab (v2)c. 2018

• Swiss Typefaces

Contributed by Swiss Typefaces

GUITAR2020

• Rob Stenson

Contributed by Stephen Coles

WhatFontIs (2019)2019

• Alexandru Cuibari

Contributed by Alex WhatFontIs

Klingspor-Kalender 19241923

• unknown
• Gebr. Klingspor

Contributed by Stephen Coles

Sidebearings.com2019

• Robert Toman

Contributed by Robert Toman

Typotopografie magazine 10, Hamburg2019

• Manuel Kreuzer

Contributed by TypeMates

Communication Graphics by Wendell C. Crow1986

• Wendell C. Crow

Contributed by Jack Grimes

Typojanchi 20192019

• Myungsang Yu
• Jin Dallae
• Park Woohyuk

Contributed by Benoît Bodhuin

Ékezetek (Diacritics) thesis2019

• Laura Csocsán

Contributed by Laura Csocsán

Papierfabrik Fleischer letterheadc. 1960

• unknown

Contributed by Stephen Coles

“Ärger und Verdruß” ad by Gebr. Klingspor1930

• Gebr. Klingspor

Photo(s) by Kirsten Solveig Schneider on Flickr.

Variable Type. An Introduction into the Future of Typec. 2019

• Wesley Barnes

Contributed by Alex Slobzheninov

Shoplifters 8: New Type Design, Actual Source2019

• Actual Source

Contributed by Valentin Buisard

Transfers are not stickers2019

• Alessandro Latela
• Giorgia Florenzano

Contributed by Alessandro Latela

New Aesthetic, The Curation of Independent Type Design2019

• Leonhard Laupichler

Contributed by Leonhard Laupichler

All fonts look the same2018

• Timmy James
• Trent Kokich
• Matilda Stein

Contributed by Giordano Zatta

“Die moderne Typographie” ad, D. Stempel AG (1930)1930

• D. Stempel AG

Photo(s) by Kirsten Solveig Schneider on Flickr.

Footnotes, issue C2019

• Mathieu Christe
• La Police

Contributed by Mathieu Christe

Gotico-Antiqua, Proto-Roman, Hybrid. 15th century types between gothic and roman2019

• Jérôme Knebusch

Contributed by Jérôme Knebusch

Designing Printed Books in the 16th Century in Poland in the Context of European Design2019

• Urszula Gireń

Contributed by Urszula Gireń

Schreibschrift, Zierschrift und angewandte Schrift, Klinkhardt & Biermann adc. 1955

• Klinkhardt & Biermann

Contributed by Florian Hardwig

Graphisme en France 20192019

• Traduttore, traditore
• Rozenn Voyer
• Clément Faydit

Contributed by 205TF

Alphabet and Image 3, December 19461946

• Robert Harling

Photo(s) by Kirsten Solveig Schneider on Flickr.

The Annex of Universal Languages2019

• Edgar Walthert
• The Palace of Typographic Masonry

Contributed by Edgar Walthert

A selection of types / Auswahl guter Typen / Une sélection de caractères1958

• Rudolf Hostettler

Photo(s) by Philipp Messner on Flickr.

On the Road to Variable: The Flexible Future of Typography2019

• TwoPoints.Net

Contributed by Two Points

New Bulgarian Typography 2013c. 2013

• Vassil Kateliev

Contributed by Vassil Kateliev

Typetura introduction articles2019

• Scott Kellum

Contributed by Scott Kellum

“The Impact of Impact” typeface advert brochurec. 1965

• Ken Dickinson
• Stephenson Blake

Contributed by Thiago

Conways Photosetting adc. 1974

• Conways

Contributed by Mathieu Triay

1/2 magazine, vol. 1 (2014)2014

• Anna-Maria Kandales-Vorobeva

Contributed by Maria Doreuli

The Era-Leader: ad for advertising1921

• unknown

Contributed by Stephen Coles

Type Life #2, SangBleu Typeface Legacyc. 2017

• Swiss Typefaces
• Studio Jimbo

Contributed by Swiss Typefaces

Gerard Unger overleden, de Volkskrant website2018

• de Volkskrant

Contributed by Matthijs Sluiter

Typ-ound manifesto poster2016

• Jae Ee

Contributed by Aamina Ganser

Free School is Free Space2018

• Branko Stanojević
• Nenad Dickov

Contributed by Stephen Coles

Un musée, un logotype2018

• Bureau 205

Contributed by 205TF

Type Life #3c. 2018

• Swiss Typefaces

Contributed by Swiss Typefaces

Tipos Latinos 6th Biennale catalogue2014

• Luis Romanque
• Leonidad Loyola Valenzuela
• María de los Ángeles Briones

Contributed by PampaType Team