About type design

33 Letters for Ukraine2022

• Joasia Fidler-Wieruszewska
• Aga Kotowska
• Alina Rybacka-Gruszczyńska

Contributed by Joasia Fidler-Wieruszewska

Zurich Type Design by Rudolf Barmettler (ed.)2020

• Baldinger•Vu-Huu

Contributed by BVH Type

Perspectives on Typography2022

• Inga Paulussen

Contributed by Inga Paulussen

Reviving Ange Degheest, Poem Pamphlet No.62022

• Jérôme Knebusch

Contributed by Jérôme Knebusch

Vocations et dérives de la typographie libre, 2005–20212022

• Thomas Néel

Contributed by Thomas Néel

The Distinguishing Characteristics of a Typeface poster2010

• Arno Kathollnig

Contributed by PampaType Team

Type Design Class website2021

• Viktor Baltus

Contributed by Andrea Tartarelli

Málaga Type v.22021

• Tiquismiquis Club
• Juan Martín
• Roberto Espartero

Contributed by Tiquismiquis Club

AaBbCc – History and Form of the Latin Script2021

• TGG Hafen Senn Stieger
• Roland Stieger

Contributed by Nouvelle Noire

Schrift. Wahl und Mischung by Kai Büschl and Oliver Linke2021

• Kai Büschl
• Oliver Linke

Contributed by Kai Büschl

Women in Type website2021

• Mathieu Triay
• Alice Savoie

Contributed by Mathieu Triay

Rookledge’s International Typefinder (1991 edition)1991

• Suzanne Lobel
• Madkat Studio

Contributed by D Jones

Novo Typo Color Book by Mark van Wageningen2017

• Novo Typo
• Mark van Wageningen

Contributed by Mark van Wageningen

Proco Prozess ad by Wilhelm Huch (1907)1907

Contributed by Florian Hardwig

Schriftindex Adolph Fürst & Sohn1969

• Adolph Fürst & Sohn

Contributed by Philipp Messner

Typefoundries in the Netherlands by Charles Enschedé (1978)1978

• Bram de Does
• Charles Enschedé

Contributed by Blythwood

Femme Type by Amber Weaver2019

• Amber Weaver

Contributed by Production Type

Helvetica in the Streets mug2020

• Amy Hood
• Hoodzpah

Contributed by Jen Hood

Type & Politics websitec. 2018

• Golnar Kat Rahmani

Contributed by Florian Hardwig

20th Century Type Remix by Lewis Blackwellc. 1998

• Angus Hyland
• Simon Piehl

Contributed by D Jones

Gotico-Antiqua, proto-roman, hybrid. 15th-century types between gothic and roman2021

• Jérôme Knebusch

Contributed by Jérôme Knebusch

Support Independent Type – The New Culture of Type Specimens2020

• Marian Misiak
• Slanted Publishers
• Lars Harmsen

Contributed by Threedotstype

Schriftenfächer, 5th edition2020

• Richard Frick
• Samuel Marty

Contributed by Nouvelle Noire

Détour2020

• Marcello Jacopo Biffi
• Filippo Castellano
• Nicola Pietromarchi

Contributed by Marcello Jacopo Biffi

10. Tag der Schrift poster and flyer2013

• Richard Frick

Contributed by Dominique Kerber

“Stop Typographic Pollution” poster2021

• Dafi Kühne

Contributed by Dafi Kühne

“Each alphabet is charming in its own way” poster2020

• Edik Ghabuzyan

Contributed by Sandoll Inc.

Louis Hoell and the making of the Eckmannschrift, Poem Pamphlet No.42020

• Jérôme Knebusch

Contributed by Jérôme Knebusch

Deutscher Buch- und Steindrucker, Vol. 25 No. 81919

Photo(s) by Kirsten Solveig Schneider on Flickr.

Cast It 32019

• Tipiblu
• CAST Foundry

Contributed by CAST

Cyrillize it by Yana Vekshyna2020

• Yana Vekshyna

Contributed by Alex Slobzheninov

Type Club poster2015

• Max Phillips
• Signal Type Foundry

Contributed by Max Phillips

Erhard Ratdolt’s Index characterum, the earliest known type specimen, Poem Pamphlet No. 32020

• Jérôme Knebusch

Contributed by Jérôme Knebusch

Monotype advertisement in Offset 7 (1926)1926

• Bauhaus

Contributed by Dan Reynolds

A is A is A exhibition booklet and catalog2020

• Marcello Jacopo Biffi

Contributed by Marcello Jacopo Biffi

A is A is A exhibition at Marsèll Paradise2020

• Marcello Jacopo Biffi
• From outer Space

Contributed by Marcello Jacopo Biffi

TypeThursday BCN, January 20202020

• Valerio Monopoli

Contributed by Craig Stainton

Neo-Tribe 2020: When a society moves apart for a moment2020

• Leedotype
• Dohee Lee
• Hyunwoong Kang

Contributed by Sandoll Inc.

Wingdings & Wingdings 2. Explicades en HK Groteskc. 2020

• Lali Rossy

Contributed by Lali Rossy

Arcade Game Typography by Toshi Omagari2019

• Leo Field
• Darren Wall

Contributed by Leo Field

Entre parágrafos by Cyrus Highsmith2017

• André Maya
• Rafael Dietzsch
• Estereográfica

Contributed by Estereográfica Editorial

Robert Thorne and the origin of the ‘modern’ fat face, Poem Pamphlet No. 22020

• Jérôme Knebusch

Contributed by Jérôme Knebusch

“Our Letters Kick Your Letters’ Ass 24/7” posterc. 2012

• Anonima Impressori

Contributed by Matt Kelsey

Alphabet and Image 6, January 19481948

• Robert Harling

Photo(s) by Kirsten Solveig Schneider on Flickr.

FontGoggles2020

• Just van Rossum

Contributed by Stephen Nixon

TDC Superscript Scholarship2020

• Bobby C. Martin Jr.

Contributed by Florian Hardwig

Typographische Mitteilungen, Vol. 27, No. 12, December 19301930

• unknown

Contributed by Kirsten Solveig Schneider

Type Life magazine #1, Special Lab (v2)c. 2018

• Swiss Typefaces

Contributed by Swiss Typefaces

GUITAR2020

• Rob Stenson

Contributed by Stephen Coles

WhatFontIs (2019)2019

• Alexandru Cuibari

Contributed by Alex WhatFontIs

Klingspor-Kalender 19241923

• unknown
• Gebr. Klingspor

Contributed by Stephen Coles

Sidebearings.com2019

• Robert Toman

Contributed by Robert Toman

Typotopografie magazine 10, Hamburg2019

• Manuel Kreuzer

Contributed by TypeMates

Communication Graphics by Wendell C. Crow1986

• Wendell C. Crow

Contributed by Jack Grimes

Typojanchi 20192019

• Myungsang Yu
• Jin Dallae
• Park Woohyuk

Contributed by Benoît Bodhuin

Ékezetek (Diacritics) thesis2019

• Laura Csocsán

Contributed by Laura Csocsán

Papierfabrik Fleischer letterheadc. 1960

• unknown

Contributed by Stephen Coles

“Ärger und Verdruß” ad by Gebr. Klingspor1930

• Gebr. Klingspor

Photo(s) by Kirsten Solveig Schneider on Flickr.

Variable Type. An Introduction into the Future of Typec. 2019

• Wesley Barnes

Contributed by Alex Slobzheninov