Site-specific installation by Tomo Tomo, commissioned by the Olympic Museum in Lausanne and YesMilano in the Metro 5 station of Portello, Milan.

Fundamentals was developed for the Olympic Winter Games 2026 in Milan and Cortina. The installation highlights the four disciplines hosted in Milan – ice hockey, figure skating, speed skating, and short track speed skating – bringing sport and art together.

Through a series of large-scale illustrations, the installation reveals key movements, rules, historical facts, figures and the stories of champions. Drawing on images selected from the Olympic Museum’s collections and reinterpreted in a graphic style inspired by Futurismo, the metro station becomes a place of discovery woven into everyday life.

The installation blends together moving images, infographics, and visually striking typography. Fully composed in Söhne Fett and Söhne Mono Kräftig by Klim Type Foundry.

A project curated by Zero.

A safety campaign for Transport for London, designed to spotlight potential hazards across the network. Led by Ali Augur at VCCP London, the design and art direction made the most of short, punchy headlines within a portrait format. To emphasise impact, Obviously was used for its variable weights. The font is robust even when skewed or angled, always holding its strength and clarity.

Illustrator Andrew Hudson was brought on board to create the textured and colourful visuals that run throughout the campaign, adding depth and personality to the message.

London Transport has always relied heavily on income from commercial advertising revenues – monies made by selling advertising space on vehicles, stations and structures. In the 1930s the Commercial Advertising Department were themselves prolific advertisers in relevant trade journals (here in Art & Industry) and issued much publicity themselves. As in keeping with the company’s strong ethos of ‘fitness for purpose’ even humble press adverts have a real sense of style about them as seen here.

Advertising escalator panel spaces this advert, both graphic and text, plays cleverly on ‘steps’ – steps on the escalator and the advertiser’s next steps. It is thoughtfully set out, typographically, and the graphic captures escalators, passengers looking and a ‘step’. It is by Eckersley-Lombers, the pre-war partnership of designers and artists Tom Eckersley and Eric Lombers who also produced many posters and panel/car posters for LT as well.

The last line is very fine: The LT roundel symbol and “You can't get away from it”!