FH Total is the brand typeface of Etaire, a workspace and office founded in 2024 in Copenhagen. From their About page:

Etaire means companion. We create bags and jewelry with unified shapes and elements, intended to be worn and kept close.

RT Rondelle in use by Studio Anderhalden for the identity, packaging and website of Kornmühle Sachseln, a regional grain mill from Unterwalden creating prospects for sustainable agriculture in Central Switzerland.

Microdosify is a premier online source for high-quality microdosing gummies and capsules in Canada. Similar to a resilient plant emerging from a small seed, it has evolved from a place of personal adversity into a powerful catalyst for positive transformation. Their mission extends beyond merely offering microdosing products; they are spearheading a comprehensive mental health revolution, one dose at a time.

BROKLIN partnered with Microdosify to develop a colourful brand identity including the design of a new website that sets it apart in the market. The new visual system needed to reflect the company’s values and beliefs, as well as its mission to make use of the precious resources nature provides. It was crucial for the design to appear elegant and stylish, appealing to a discerning, adventurous, and health-conscious audience. We employed a variety of colours for different flavours, inspired by the name and organic ingredients. The logomark was redesigned with a thick, consistent stroke weight, resulting in a modern, clean, and balanced appearance.

Typography plays a key role in the project. Accompanying the logo is a new sans-serif wordmark set in PolySans Median Wide by Gradient, which matches the logomark’s stroke weights and serves as the primary typeface. For both Microdosify lifestyle and product photography, the team developed two distinct approaches to reflect the health-related aspects of positive transformation and the brand itself. A bright, clean background photography style is used to convey clarity, highlight details, and build trust. At the same time, the real-life approach helps create an emotional connection and shows how the product fits into a customer’s everyday life.

Born in Melbourne, MAAP builds performance cycling gear with a sharp eye for style, function and detail. Since 2014, the brand has fused fashion, graphic design and technical expertise to push the culture of riding forward—on and off the road.

The visual identity reflects this hybrid DNA. TWK Everett and TWK Everett Mono, designed by Nolan Paparelli and published by WELTKERN®, form the foundation of MAAP’s typographic system. These two utilitarian grotesks offer clarity, rhythm and modern restraint, whether used for bold headlines or technical specs. They are paired with Rhymes, a confident serif by Jakub Samek (Maxitype), which adds tonal contrast and editorial flair.

Passenger Clothing is a UK-based sustainable outdoor apparel brand, founded in 2012 by Richard and Alexa Sutcliffe. Since 2023, Storica is used for the logo.

Sunnfjord Miljøverk (Sunnfjord Environmental Agency) is a municipally owned waste management company serving Sunnfjord, Fjaler, Hyllestad, and Askvoll in Norway. Responsible for around 29,000 residents, it collects and transports waste to a main facility at Einestølen (Hesjedalen), where materials are sorted and prepared for reuse, recycling, or safe disposal. Several recycling stations and an administrative office in Førde support efficient service throughout the region.

The recent visual identity for Sunnfjord Miljøverk, designed by Feed design studio in Oslo, underscores the company’s mission to promote environmental responsibility and community well-being. The design employs a thoughtful pairing of typefaces: Youth from AllCaps and Store Norske Skandia from Skriftkompani. Youth brings a fresh, contemporary energy to the brand, signalling optimism and forward-thinking ideals, while Store Norske Skandia provides clarity, approachability, and a sense of trustworthiness. Notably, Skandia was designed by Arve Båtevik, whose name is derived from Båtevika, located in the area where Sunnfjord Miljøverk operates and serves the local community through its waste management services. This typographic connection adds a layer of regional identity to the visual system.

Wasted transforms discarded materials into purposeful design, reimagining waste as the raw material of the future. From landfill to living room, each object serves a purpose: to inspire a more conscious way of living.

Designed by Max Lamb and hand-crafted by local artisans, Wasted blends global vision with traditional craft, reshaping our perspective and relationship with waste through the power of circular design.

The zine features 100 pages with dimensions of 145×270 mm. It comes with an exposed binding and was printed by Harapan Prima, Jakarta, on E-flute corrugated cardboard (cover)
and 90g/m² book paper (content) with grinded edges.

For the typography, Exposure and Geist Mono are paired with a self-designed script typeface, working title: Desa Font.

EverYou uses Orange Squash for its website and branding, including the logo and all marketing materials. Formerly known as Tender Loving Care (TLC), established in 1995, EverYou provides high-quality wigs, headwear, and recovery products to support individuals undergoing cancer treatment. These products help patients feel like themselves through hair loss and other side effects of treatment.

EverYou works with the American Cancer Society to ensure each product meets the needs of cancer patients. With the use of Orange Squash, EverYou creates a warm, welcoming identity that helps patients feel supported and empowered during their cancer journey.

In 2023, the Downtown Albany Business Improvement District revitalized its visual identity to reflect the city's dynamic growth and modern appeal. The branding employs Compilation Grotesk, a variable sans-serif typeface designed by Felipe Calderón, known for its adjustable height axis that brings flexibility and a fresh aesthetic to typographic compositions. This choice underscores Albany’s commitment to innovation and community engagement.

This catalog for the graduates exhibition of the AdBK Nürnberg, an art academy in Nuremberg, Germany, is both a collection of individual booklets and a bag. The individual booklets with wire stitching contain works from the entire course of study of the students at the academy. The challenge was to have both individual booklets for the artists during their exhibition and to combine a conglomerate of these in a catalog. The idea for the bag arose from having a free hand for a drink and still being able to carry the catalogue. The design is a kind of file folder with metal stitching for the individual booklets. Punched holes are incorporated so that the whole can be used as a bag. The cover pocket is a chrome sulphate cardboard, the inner part is glossy picture print.

The catalog was made by Lucia Schmuck and Elisabeth Thoma, using Editorial Old and Hofmann, supported by Suisse Int’l Mono (not shown).

The Hydraulic Heritage Interpretation Center of the Colony “Claritas Iulia Ucubi” – Casa del Agua was created to highlight the historical connection between the town of Espejo and water.

Designed by Revel Studio, the visual identity inspired by the peak period of hydraulic system development: the Roman era. Typography, textures, inscriptions, columns, vaults, and capitals shape a unique and versatile visual universe that adapts seamlessly to different formats while maintaining its identity.

The exhibition is housed in the town’s former water reservoir. The design approach focused on adapting panels and display areas to the circular layout, optimizing the limited space for a balanced, accessible, and easy-to-understand experience.

Typography is set in Romie Regular and Italic (designed by Margot Lévêque).

Terminal Design Branding Agency developed the logo, main key visual and photographic style for Misa, using TA Modern Times Rounded. Misa is a Russian brand for leather bags.

From Z.Symonds:

Zoë Symonds is a designer and maker of small leather goods. Each piece is hand made from start-to-finish at her workroom in Rye, East Sussex.

The entire making process uses hand tools exclusively — each piece is hand cut, hand bevelled, hand edged and hand saddle stitched. Saddle stitching takes longer to do by hand than with a machine, but the result is superior in every way — it’s stronger, more flexible, and lasts longer than a machined stitch.

I work at the scale of the hand, designing and making everything myself to ensure there is minimal waste of carefully considered and sourced materials. I aim for each piece to be desirable, functional and have longevity, so that they are cherished and used for a very long time.

Alias Harbour is used for logotype and primary text. On the website, it is paired with ABC Diatype.

The 2024 edition of the Adelaide Biennial of Australian Art, entitled Inner Sanctum, ran from March 1 to June 2 at the Art Gallery of South Australia. Curated by José Da Silva, this biennial explored the complexity of the human condition and the search for intimate and spiritual places, sanctuaries that evoke moments of refuge and reflection. More than twenty artists and poets presented works that revolve around themes of memory, spirituality and collective and personal experience.

To design this project, Base Design used Louize and Louize Display designed by Matthieu Cortat and distributed by 205TF.

The visual identity for the Halftime Orange Wine Festival was designed by Chai Kunpeng (After Path Design), who describes the project as follows:

Organized by thewinepool, the first Orange Wine Festival in China was held at the outdoor basketball court in the north section of Beijing's China World Trade Center. thewinepool's posters were based on a half-symmetrical design based on the keyword of the "basketball court" half of the court. The graphic of the basketball court was used as the soil from which the tools used to make orange wine, such as clay pots and grapes, sieves and scissors, were grown to create a visual image of natural vitality.

The same material was used for both the poster and the derivatives package: PE woven bag, screen printed with environmentally friendly ink. The reason for using the traditional printing method and the specificity of the material is that we are trying to express the organic raw material, the sustainability and the vitality of the brewing method of "Orange Wine" in a more relevant way. The idea is to bring the participants closer to "Orange Wine", "Natural Brewing" and "Freshness".

Typefaces: DaVinci by Virgile Flores and Hosei FW Chikushi Mincho by Founder and Fontworks.

Le Tanneur's FW23 campaign and catalogue, shot by French photography duo Bureau 2A, and art directed by REQUIN. The brand and its catalogue use only two typefaces: Baskerville and LL Akkurat by Laurenz Brunner.

Harwell is the UK’s leading science and innovation campus, located south of Oxford and sitting on a 700-acre estate. Harwell's new identity has been designed by London-based studio DNCO, using solely TWK Everett (by Nolan Paparelli) as a branding typeface.

Here is a short video introducing Harwell’s mission and values. Subscribers of Under Consideration can also see a thorough analysis of Harwell’s rebranding.

Excerpt from DNCO’s project page:

We use science to understand the world around us, and mathematics is its universal language. Inspired by this maxim, we rooted the Harwell brand in scientific and mathematical notation, using a ‘caret’ — a symbol representing an exponent, square, cube or other power — to anchor the visual identity. It encapsulates Harwell as a place that brings people and ideas together, supercharging growth: an exponent to solving the critical problems facing our planet.

The okaydev.co homepage with interactive logo.

Okay Dev is a creative development community with branding designed by Geist. The interactive logo uses Megazoid by David Jonathan Ross with body copy set in Aeonik and Aeonik Mono by CoType.

Thaan Charcoal produces high-quality charcoal using sustainably sourced hardwood. They prioritize eco-friendly practices, ensuring minimal environmental impact. Their innovative production methods guarantee a clean-burning, long-lasting product, favored by top chefs and grilling enthusiasts.

They use Irregardless by OH no Type Co. for headlines on their brand and packaging, pairing it with the monospaced Pitch Sans by Klim Type Foundry for text. The rebrand was carried out by Lazarus.

FIG. – Festival for Illustration and Graphics is an annual event in Sofia, Bulgaria. Description of the project on the festival's website:

Since our first edition in 2021, we have challenged the boundless potential of illustration and graphics by continuously pushing their boundaries and redefining their meaning. Through a carefully curated programme featuring exhibitions, workshops and activities led by both local and international participants we provide a fruitful platform for creative experimentation and exchange.

Designed by Miroslav Zhivkov, using Harber by Benoît Bodhuin.