Large indents

Dezentralschweiz2021

• TGG Hafen Senn Stieger

Contributed by Nouvelle Noire

Ateliês do Rio2023

• ESTUDIO CRU

Contributed by ESTUDIO CRU

Sin Safari Rides2022

• Pablo Panebianco

Contributed by TYPE.WELTKERN®

Things They Do with Ashes and Sand. The Glass Collection of Ray Bär Salisbury2021

• Franziska Burkhardt

Contributed by Lineto

Mesta: Postmigrant Storiesthesis2022

• Andrea Ihl

Contributed by Alain Papazian

Roméo Mivekannin booklet2022

• Fakepaper

Contributed by Fakepaper

(90)antiope logo and issue 1, series 1—192022

• Bonjour Garçon Studio
• Romain Fritiau

Contributed by Margot Lévêque

Mutations2022

• Louis Colin

Contributed by Lucas Le Bihan

Guide déraisonné des collections du Musée de l’imprimerie et de la communication graphique2020

• Bureau 205

Contributed by 205TF

Léo Terrandoc. 2022

• Atelier Benoît Cannaferina

Contributed by Benoit Cannaferina

Nordlied festival 20212021

• off centre

Contributed by Alain Papazian

Obliques evening, Opéra Comique2019

• Baldinger•Vu-Huu
• Xavier Veilhan

Contributed by BVH Type

De dentro a Fuera exhibition catalog2017

• Sublima Studio

Contributed by Nacho Abadía

Contre Exemplaires by HEAR2019

• Julie Bassinot
• Morgat Bry
• Chani Pouzet

Contributed by Juliette Duhé

Il deserto dei Tartari 2020

• Veronica Paoli
• Michele Biondi
• Rachele Bozzato

Contributed by Veronica Paoli

Cabria Para Normal exhibition posters and handoutsc. 2022

• Novagarda Estudio

Contributed by giulia boggio

Ernesto Riveiro monograph2020

• Baldinger•Vu-Huu

Contributed by BVH Type

Prostitution et Société magazine, no. 1622008

• Paule Palacios-Dalens

Contributed by PampaType Team

Elektro Magazine, issue 12022

• Sergio Polvorinos

Contributed by Sergio Polvorinos

Avian Loop, Issue 52022

• Daniel Shaskey
• The Physics Room

Contributed by Daniel Shaskey

I Came For Couscous, issue 012021

• Salina

Contributed by Salina

Une Journée à Lausanne2021

• Studio Frédéric Held

Contributed by Frédéric Held

Adventures in Discovery by Tom Purdom (ed.)1969

• Rose Sommerschield

Contributed by Connor Mikita

Farid Belkahia: Pour une autre modernité / For a New Modernity2021

• Huz & Bosshard

Contributed by 205TF

Les Boréades and Plaire by Stéphane Vigny2020

• La Société
• Julien Imbert
• Guillaume Moitessier

Contributed by Jérémy Landes (Studio Triple)

Design & Cultural Diversity thesis by Melvin Ghandour2017

• Melvin Ghandour

Contributed by Alain Papazian

MO de Movimiento2019

• Relajaelcoco

Contributed by relajaelcoco

Elements publication2021

• Offshore Studio

Contributed by Out Of The Dark

Bauhausvorhangstoffe ad from C. E. Baumgärtel & Sohn1932

Contributed by Stephen Coles

Sherwin-Williams house paint ad (1972)1972

Photo(s) by Bart Solenthaler on Flickr.

Wotruba. Himmelwärts – Die Kirche auf dem Georgenberg2021

• Manuel Radde

Contributed by Production Type

Living Museum Wil exhibition2019

• Bureau Collective

Contributed by Nolan Paparelli

Lebbeus Woods: Zagreb Free Zone Revisited catalogc. 2021

• Sven Sorić

Contributed by Sven Sorić

Chevron “Seat belts save lives”ad (1962)1962

• unknown

Photo(s) by Bart Solenthaler on Flickr.

The Word Magazine issue 18, “Silence”2019

• Alliage

Contributed by Nolan Paparelli

fortytwomagazine #5, “Space”2020

• Lars Harmsen
• Julia Kahl
• Azziza El-Yabadri

Contributed by Nouvelle Noire

Anticorps exhibition website, Palais de Tokyo2020

• Léna Araguas
• Alaric Garnier

Contributed by Production Type

Real Feelings catalog2020

• Hauser, Schwarz

Contributed by Sharp Type

Archívna Správa O Stave Vysokej Školy Výtvarných Umení 1949–19892019

• Andrej & Andrej
• David Kalata

Contributed by Swiss Typefaces

Coral Agency identity and websitec. 2019

• Sometimes Always

Contributed by Cristiano Trapani

The Agave Plant for Product Design2020

• Cam Rivero-Lake

Contributed by R-Typography

Visione Oggettiva. L’oggetto della raffigurazione tra la Neue Sachlichkeit e la Scuola di Düsseldorf2019

• Riccardo Savioli

Contributed by Riccardo Savioli

The Life and Painted Work of Francine Schwarzbourg 2019

• Balmer Hählen

Contributed by Alex Slobzheninov

Jaan Toomik – My End Is My Beginning. And My Beginning Is My End2019

• Evgeny Korneev

Contributed by Maria Doreuli

Thoughts Form Matter, Biennale Architettura 20182018

• Felder Grafikdesign

Contributed by Kai Büschl

Cryptic Spell. Phenomenology of Black Metal Aesthetics2019

• Luca Longobardi
• Gloria Favaro

Contributed by Luca Longobardi

bauhaus now magazinec. 2019

• Stan Hema
• Fabian Maier-Bode
• Peer Hempel

Contributed by Fabian Maier-Bode

Panta Rei – Titina Maselli with an intervention by Flavio Favelli2019

• Tipiblu

Contributed by CAST

Napier Street, Edition Office for Milieu2018

• Studio Hi Ho

Contributed by 205TF

Ouessant2018

• Cyril Makhoul

Contributed by Bureau Brut

The Bluest Eye by Toni Morrison (Holt, Rinehart and Winston)1970

• Herb Lubalin
• Jay Tribich

Contributed by Florian Hardwig

Ford Model T advert in the Saturday Evening Post, 3 Oct, 19081908

• Ford Motor Company

Contributed by Thiago

46/b2019

• Laura Csocsán

Contributed by Laura Csocsán

Abjad Orientations2019

• Mohammed Nassem

Contributed by Mohammed Nassem

Umjetnost i vlasništvo danas – John Berger2018

• Hrvoje Živčić

Contributed by Hrvoje Živčić

Robusta Taurinorum2019

• Norma

Contributed by Norma

Gimdalcha2019

• Fabio Bacchini
• Gianluca Ciancaglini
• Giacomo Dal Prà

Contributed by TYPE.WELTKERN®

Offline N°1 — AW20152015

• ECAL graphic design students
• Jonas Berthod

Contributed by Nolan Paparelli

Francis Bacon, Lucian Freud, and the School of London exhibition catalogue2019

• ABCDesign

Contributed by Gayaneh Bagdasaryan