Large indents

Adventures in Discovery by Tom Purdom (ed.)1969

• Rose Sommerschield

Contributed by Connor Mikita

Farid Belkahia: Pour une autre modernité / For a New Modernity2021

• Huz & Bosshard

Contributed by 205TF

Les Boréades and Plaire by Stéphane Vigny2020

• La Société
• Julien Imbert
• Guillaume Moitessier

Contributed by Jérémy Landes (Studio Triple)

Design & Cultural Diversity thesis by Melvin Ghandour2017

• Melvin Ghandour

Contributed by Alain Papazian

MO de Movimiento2019

• Relajaelcoco

Contributed by relajaelcoco

Elements publication2021

• Offshore Studio

Contributed by Out Of The Dark

Bauhausvorhangstoffe ad from C. E. Baumgärtel & Sohn1932

Contributed by Stephen Coles

Sherwin-Williams house paint ad (1972)1972

Photo(s) by Bart Solenthaler on Flickr.

Wotruba. Himmelwärts – Die Kirche auf dem Georgenberg2021

• Manuel Radde

Contributed by Production Type

Living Museum Wil exhibition2019

• Bureau Collective

Contributed by Nolan Paparelli

Lebbeus Woods: Zagreb Free Zone Revisited catalogc. 2021

• Sven Sorić

Contributed by Sven Sorić

Chevron “Seat belts save lives”ad (1962)1962

• unknown

Photo(s) by Bart Solenthaler on Flickr.

The Word Magazine issue 18, “Silence”2019

• Alliage

Contributed by Nolan Paparelli

fortytwomagazine #5, “Space”2020

• Lars Harmsen
• Julia Kahl
• Azziza El-Yabadri

Contributed by Nouvelle Noire

Anticorps exhibition website, Palais de Tokyo2020

• Léna Araguas
• Alaric Garnier

Contributed by Production Type

Real Feelings catalog2020

• Hauser, Schwarz

Contributed by Sharp Type

Archívna Správa O Stave Vysokej Školy Výtvarných Umení 1949–19892019

• Andrej & Andrej
• David Kalata

Contributed by Swiss Typefaces

Coral Agency identity and websitec. 2019

• Sometimes Always

Contributed by Cristiano Trapani

The Agave Plant for Product Design2020

• Cam Rivero-Lake

Contributed by R-Typography

Visione Oggettiva. L’oggetto della raffigurazione tra la Neue Sachlichkeit e la Scuola di Düsseldorf2019

• Riccardo Savioli

Contributed by Riccardo Savioli

The Life and Painted Work of Francine Schwarzbourg 2019

• Balmer Hählen

Contributed by Alex Slobzheninov

Jaan Toomik – My End Is My Beginning. And My Beginning Is My End2019

• Evgeny Korneev

Contributed by Maria Doreuli

Thoughts Form Matter, Biennale Architettura 20182018

• Felder Grafikdesign

Contributed by Kai Büschl

Cryptic Spell. Phenomenology of Black Metal Aesthetics2019

• Luca Longobardi
• Gloria Favaro

Contributed by Luca Longobardi

bauhaus now magazinec. 2019

• Stan Hema
• Fabian Maier-Bode
• Peer Hempel

Contributed by Fabian Maier-Bode

Panta Rei – Titina Maselli with an intervention by Flavio Favelli2019

• Tipiblu

Contributed by CAST

Napier Street, Edition Office for Milieu2018

• Studio Hi Ho

Contributed by 205TF

Ouessant2018

• Cyril Makhoul

Contributed by Bureau Brut

The Bluest Eye by Toni Morrison (Holt, Rinehart and Winston)1970

• Herb Lubalin
• Jay Tribich

Contributed by Florian Hardwig

Ford Model T advert in the Saturday Evening Post, 3 Oct, 19081908

• Ford Motor Company

Contributed by Thiago

46/b2019

• Laura Csocsán

Contributed by Laura Csocsán

Abjad Orientations2019

• Mohammed Nassem

Contributed by Mohammed Nassem

Umjetnost i vlasništvo danas – John Berger2018

• Hrvoje Živčić

Contributed by Hrvoje Živčić

Robusta Taurinorum2019

• Norma

Contributed by Norma

Gimdalcha2019

• Fabio Bacchini
• Gianluca Ciancaglini
• Giacomo Dal Prà

Contributed by TYPE.WELTKERN®

Offline N°1 — AW20152015

• ECAL graphic design students
• Jonas Berthod

Contributed by Nolan Paparelli

Francis Bacon, Lucian Freud, and the School of London exhibition catalogue2019

• ABCDesign

Contributed by Gayaneh Bagdasaryan

Beatriz Milhazes: Rio Azul2018

• B.A.M.

Contributed by Steph Roden

Tra realtà e illusione: Luigi Ghirri & Moebius2018

• Luca Longobardi

Contributed by Luca Longobardi

Una storia, due racconti2018

• Alessandro Latela

Contributed by Alessandro Latela

Ten Years of OZ. 1963–1973c. 2018

• Giulia Boccarossa

Contributed by Giulia Boccarossa

Raoul Reynolds: a retrospective exhibition catalogc. 2018

• Asia Trianda

Contributed by Blaze Type

Supreme Members Clubc. 2018

• Luke Dodridge

Contributed by Luke Dodridge

Cooperation Luminous2018

• KoeperHerfurth

Contributed by Koeper Herfurth

Procès Contre les Animauxc. 2016

• Axel Pelletanche Thévenart

Contributed by Alessio D'Ellena

Transgourmet’s Käse Magazin2017

• M.I.L.K.
• Jürgen Schwarz

Contributed by TypeMates

Chaire Innovation & Savoir-fairec. 2018

• Rimasùu

Contributed by Swiss Typefaces

Galina Kopaněva. Spatřit a napsat. Filmové kritiky, statě a rozhovoryc. 2017

• Michal Krůl
• Kolektiv Studio

Contributed by Andrew Bell

Never Modern by Irénée Scalbert and 6a Architects2013

• John Morgan Studio

Contributed by Lauren Howerter

An die Musik NYC2017

• Copter Design Studio
• CJ Dunn

Contributed by CJ Dunn

Yearbook 2015–2016, Design Department, Sandberg Instituut Amsterdam2016

• Andrea Karch
• Daniel Seemayer

Contributed by Axel Pelletanche Thévenart

Paris, 80 photographies de Moï Ver1931

• Moï Ver

Contributed by Stephen Coles

The Issue No. 1, “Speculating Systems”2016

• Daniel Seemayer

Contributed by Matthijs Sluiter

Winterreise2014

• David Löwe

Contributed by David Loewe

Memoirs of a Geisha by Arthur Golden1997

• North Market Street Graphics
• Iris Weinstein

Contributed by P.R. Gramly

Tÿpo St.Gallen – Weissraum, St.Gallen (CH), 20–22 September 20132013

• TGG Hafen Senn Stieger
• Roland Stieger

Contributed by Florian Hardwig

How to look at a painting2011

• Sarah Maxey

Contributed by Indra Kupferschmid