Global brand identity by Vilnius-based andstudio for the new Mostai Padel Club using Marlfield coupled with ABC Solar on all media.

Photos by Vytautas Dranginis and Vincas Čygas.

La Petite Boisson is a young, committed natural apple cider brand rooted in the heart of the Norman bocage, in Castillon-en-Auge, Pays d’Auge, France. Built on principles of organic farming, hand harvesting, and additive-free apple processing, the brand launched its first product – Le Titi, a cider named in homage to the Parisian working-class spirit – as a small-batch release distributed exclusively to select restaurants that share the same dedication to quality. This debut was followed by a 100% organic apple juice line, Jus de Pomme LPB, which extended the brand’s commitment to nature-conscious, artisanal production. Most recently, La Petite Boisson introduced Vesper, a new 100% organic cider whose visual identity carries a deeply personal touch – centered around Vesper, the owner’s dog, now an affectionate and defining symbol of the brand. Each product line is cultivated through traditional pre-orchard methods that actively promote biodiversity, where trees, grass, and animals coexist within a living ecosystem.

The visual identity across all three product lines was conceived by French creative studio Le Piret à Venir, whose bold and distinctive design approach mirrors the brand's character at every stage. As the logotype and primary visual typeface, La Petite Boisson employs Base Neue, a typeface crafted by Power Type. Supporting typefaces include Editorial New and Helvetica or similar. Together, the brand identity, typography, and product philosophy cohesively articulate a single clear proposition: “Be Brighter, Drink Cider.”

The Vesper label uses Base Neue Super Condensed.

In JapanEasy Kitchen, Tim Anderson shares easy recipes, centred on a selection of go-to Japanese ingredients.

See also JapanEasy, Vegan JapanEasy and JapanEasy Bowls & Bento from the same series.

Alias Harbour is used for cover type. The Japanese font is Hiragino Kaku Gothic.

TT Neoris Pro has become part of the brand identity for Supersuite: our expressive font is used on the company’s website and product packaging.

​Supersuite is an American perfume and body care brand. The simultaneously clean and original TT Neoris Pro perfectly complemented the vibrant, modern design without overwhelming it. It is paired with the condensed Bebas Neue and a custom script logotype.

Branding and identity for Broad Leaf Spirits, a boutique offshoot of Michigan-based craft beer juggernaut Brewery Vivant, forged as a passion project of the restaurateur to explore non-traditional brewing and distilling techniques.

The design brief was an open invitation for experimentation and play. On-site conversations led to discoveries. The team’s philosophies and external positioning? A group of self-proclaimed mad scientists who share a love for cassette futurism and bygone electronics.

50+ unique graphics were created using a modular synthesizer and oscilloscope. Sounds from the synthesizer’s patch bay were plugged into the oscilloscope and captured at 1/50th shutter speed for analog light trails and haze.

The fuzzed-out 8-bit Unknown font signals the spirit type (vodka, gin, mezcal) while Futura supports with legible sans-serif copy and descriptors. Accessible technology for those who are blind or have low vision was incorporated by printing Braille DIN as raised text with a double-hit of spot gloss.

ABC Social​​​​​​ Condensed combined with NM WWC for The Sport of Tomorrow | Team WWC Capsule by BBUC Sports. Photographed by Lukas Gansterer in 2022.

Scapegrace is a distillery located in Central Otago, New Zealand. In 2023, ten years after the launch, One Design refreshed the visual identity using Banto and Calibre as the main typefaces. The bottle labels and can designs additionally use at least two unidentified sans serifs. It’s unclear whether the wordmark uses a font or not. The website was made by General Studios.

Sesame oil isn’t new, but Sooki’s approach to it is. In the United States, it’s often treated as a background ingredient, something you reach for at the very end rather than something you build a meal around. Joseph and Hannah Choi of Sooki Foods came to us with a different point of view. They wanted to introduce a premium Korean sesame oil that highlights its depth, versatility, and cultural roots, while still feeling approachable and relevant to a broader audience.

We built a brand that brings sesame oil forward. Grounded in Sooki’s family story and traditional production methods, the identity balances heritage with a more modern, expression. The result positions Sooki as something you don’t tuck away in a cabinet, but keep out on the kitchen counter.

Taboocha is a Hong Kong-based kombucha enterprise that introduces itself as follows:

The story of Taboocha began in 2014 when sisters Lisa and Patricia started experimenting with the wild world of kombucha as their go-to home remedy for health fix-ups.
[…] Within a few years, Taboocha has made its journey from kitchen to local markets, bottles to kegs, making friendly appearances at your neighbourly cafes, restaurants and shops, while spreading the love for local sustainable growth.

Gaya is used in all-lowercase letters for the name and in all caps for the flavor. The Chinese typeface is yet unidentified.

The Rencontres de Lure is an annual gathering held in the village of Lurs, in the French Alpes-de-Haute-Provence department, bringing together typographers, graphic designers, and lettering artists for a week of talks, workshops, and typographic culture. Founded in 1952 by Maximilien Vox, it remains one of the most intimate and inspiring events in the European type scene.

For the 72nd edition (2024), I had the pleasure of designing labels for small bottles of organic Lavandin essential oil; a scented souvenir with a typographic touch, so attendees could carry a piece of that remarkable week with them.

The oil comes from Bleu Provence distillery, and each label sits on a deep blue glass bottle; an elegant, almost medicinal object that called for something both refined and warm. The design pairs Le Cygne as the display typeface with Fraunces used in both roman and italic, for the body and secondary information.

Nestled in Nassau, Bahamas Botanicals is more than a distillery – it’s a tribute to the islands’ lush natural bounty. Since 2008, founders Andy and Juan have turned local plants, herbs and fruits into handcrafted spirits that capture the essence of the Bahamas.

Rooted in generations of Bahamian tradition, the project celebrates native plants long valued for medicine, nourishment, and beauty. By working closely with local farmers and researchers, Bahamas Botanicals transforms this heritage into a source of national pride – much like other countries’ signature spirits. The distillery’s mission extends beyond fine craftsmanship. It’s about empowering local growers, preserving agricultural heritage and building a sustainable future for Bahamian communities and the economy.

Each bottle embodies the islands’ vibrant spirit: sun, soil and sea distilled into a singular Bahamian experience: Bahamian Farming in a Bottle.

Design by Typesense Graphic Design with illustration by Studio Gudulab and Channarong Pherngjanda. Printing by Graficas Vidal & Armadans.

Illustrated and animated poster for Club-Mate France by French illustrator Clémence Gouy, who comments:

The illustration pays a tribute to the drink’s popularity among the urban creative scene and night life, trusted compagnon to all-nighters

Clémence used a blurred version Aukera by Alexandre Créquer for the typographic work.

Ama Terra is a bio-social farm that promotes a high quality of life through sustainable agriculture. The project was founded in 2010 by the non-profit association Cooperativa Sociale Ama Aquilone. Its protagonists are the people involved in the cooperative itself, who continue their commitment in the Piceno Hills, where the organization is based. The products created through sustainable social agriculture reflect a deep care for the environment. For this reason, Ama Terra represents a unique reality, promoting an agricultural model that encourages conscious consumption while safeguarding rural heritage, supporting the local economy, and fostering social well-being. This creates a virtuous circle connecting nature, work, territory, and social ethics. For the Ama Terra organic product line, simple and anti-ornamental labels were designed. The visual identity was developed through typography and illustration, which become the main expressive elements across the entire product line.

The illustration is based on the simplification and the abstraction to the geometric figures of the elements that constitute the oil: the leaf, the olive and the drop of oil. The various parts recompose distributing proportionally along all the front label. This geometric translation of the shapes is also recalled in typography; hence a grotesque signature was chosen, without graces, designed on the basis of geometric figures such as circles and squares. This typographic design is therefore able to guarantee a nitid and highly readable result, also in contexts hardly readable. The label is printed on textured ivory paper in four-colour process. A gold lamination ennobles the parts representing the heart of the fruit, recalling the logo of Ama Terra that is a growing grain seed.

Maldita Envidia (meaning “Damn Envy”) is a Mexican dressing brand whose visual identity, crafted by Guadalajara-based Estudio Cariño, playfully subverts the concept of envy, framing it as a positive drive for culinary discovery. The branding is designed to stand out on crowded retail shelves, drawing inspiration from the high-contrast, hand-painted cardboard signs found in traditional Mexican street markets.

For its brand identity, the studio says:

The graphic identity was developed the same way a dressing is prepared: with small touches—sometimes just a pinch, sometimes bold and dominant.

In order to do that, the wordmark uses Pouler by Alexandre Créquer, with some custom ligatures and a variation on the A for the logotype. In addition, they used Balacar from The Designers Foundry, GT Haptik from Grilli Type, and Quick Writers by Letterhead Studio. GT Alpina carries longer texts.

Packaging for a haircare line by Michael Ahlmeyer, featuring Cosi Azure (Nikolas Type) in large display settings, accompanied by ABC Favorit (Dinamo) and an unidentified serif typeface.

Across the cartons, stacked type compositions form the phrase “The Aesthetics of Chemistry,” establishing the primary graphic element of the series. Vivid product colors vary throughout, while the typography remains the constant.

Hany’s Harvest’s packaging and visual identity features three typefaces from Faire Type. Print is used for big headlines, Print Text for subheads, and Sprig Sans for all the body copy.

Inspired by founder Hany’s own wellness journey and grounded in time-honored herbal traditions, Hany’s Harvest was born from a passion for helping others feel their most vital, naturally. Their mission is to empower you to thrive by harnessing the transformative power of functional superfoods – carefully crafted into easy-to-take wellness tonics that make daily self-care both simple and delicious.

Bizzy Cold Brew is a cold brew coffee company founded in 2013 with an obsession for cold brew and a commitment to organic beans with maximum flavor and strength.

In 2025, Bizzy Cold Brew collaborated with Day Job for an all-new identity from strategy to art direction; emphasizing quality ingredients, intense attention to detail, and sustainable business practices. The new look uses natural tones of brown, green, and tan as well as a visual ethos built around always pursuing perfection. Dayjob chose Tarnac by Marc Rouault, available from Sharp Type, as their main typeface to unify their overall identity that drew from vintage woodcuts and archival references. The supporting sans is Schick Toikka’s Dia Light, and the scripty logo appears to be custom drawn.

From information on the label of every “Ready-To-Drink” bottle and "Brew-It-Yourself" bags to their web layout, Tarnac brought a timeless look that merged historical visuals and modern coffee culture sensibilities.

Bottle and label design for the very limited água-pé Pomo de Ouro, made by Juicy.ttf.

Traditionally, água-pé is a very light wine made by adding water to the leftover grape skins, seeds, and stems (bagaço) after regular wine has been pressed, then letting it ferment again. With Pomo de Ouro, that process was made with cider apples.

Art Direction by Francisco Torres and Miguel Mesquita, with design by Mesquita and illustration by José Luis Dias. The chosen typeface is Ramboia by Rui Abreu. Pedro Lopes took the photos.

For more detailed info, check out this Instagram post and feel free to get in touch with the producers.

Duetuffi is an organic vermouth by Italian distillery Rubino Spiriti. From Andrea Castelletti Studio:

Duetuffi (literally “Two Dives”) narrates the encounter of two souls finding their unifying element in water. It is a vertical journey starting from the rarefied atmospheres of the pre-alpine lakes and descending to the scents of the Mediterranean scrub.

The visual identity draws upon early 20th-century imagery, stripping away nostalgia to present a contemporary synthesis. Rooting the project in time is the choice of substrate: Fasson Fleury Antique paper. Composed of recycled material, it transforms the organic nature of the product into a tactile experience, offering a lived-in texture and an imperfect depth that enhances the nobility of the content.

Typography moves across this material backdrop. The use of AM Majella lends the label an editorial elegance: its forms, inspired by tradition yet with a modern, incisive cut, balance the composition with a classical voice.

Center stage, the diver’s gesture. Her swimsuit is not ink, but absence. Thanks to precision die-cutting, the paper yields to transparency, revealing the natural rosy hue of the vermouth. A detail that becomes a visual invitation to slowness: a vermouth to be savoured with grace and a gentle rhythm.

Pixie: A Meeting of Earth, Time, and Visual Enchantment

Pixie is more than a wine. It is an ethereal expression of all that nature holds as invisible, enchanted, and deeply vital. Its name evokes a small magical creature—a forest fairy, associated with the spiritual world of nature, the ancestral wisdom of plants, and the creative force of the universe. It is also the affectionate name given to the muse who inspired this unique wine project, born under the principles of biodynamic agriculture at Quinta da Nossa Senhora da Conceição, in Évora, Alentejo.

This wine arises from an intimate connection with cosmic rhythms. The vineyard is cared for in harmony with lunar cycles, using practices that respect and enhance the vitality of the soil and the energy of ecosystems. Biodynamics is more than an agricultural method—it is a philosophy that sees the earth as a living organism, a system in constant dialogue with the sky and the stars.

It was this concept—the interplay between the visible and the invisible, the organic and the spiritual—that gave rise to the design of the label. The visual identity takes shape in a minimalist, delicately dreamlike composition. At its center rests a small fairy upon a surreal fruit: a symbol of fertility, of dream, and of raw matter transformed—a visual metaphor for biodynamics itself, where subtle, natural forces meet to generate something greater.

Every graphic element was designed to evoke the lightness of the ethereal world while also conveying the depth of natural cycles. The soft color palette, discreet typography, and symbolic illustration create an atmosphere of contemplation and mystery. This label does more than communicate the wine—it invites a sensory ritual: opening the bottle becomes a poetic gesture, a silent toast to the invisible energies dancing between the fertile earth and the starry sky.

Pixie is, in this way, an ode to enchantment. A project that unites wine and design in a coherent and emotional narrative—an invitation to intuition, delicacy, and imagination. Through this visual creation, the brand offers a pause, a celebration of that which can only be felt when we truly learn to see.