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    <title>Dogma 95</title>
    <link>https://fontsinuse.com/tags/9740/dogma-95</link>
    <description>Examples of fonts in use tagged with “Dogma 95”</description>
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    <language>en</language>
    <copyright>Copyright 2026 , FontsInUse.com LLC</copyright>
    <pubDate>Sat, 18 Jul 2026 23:39:05 +0000</pubDate>
    <lastBuildDate>Sat, 18 Jul 2026 23:39:05 +0000</lastBuildDate>
    <ttl>3600</ttl>
    <item>
      <title><![CDATA[L’Enfant Terrible]]></title>
      <link>https://fontsinuse.com/uses/14572/l-enfant-terrible</link>
      <description><![CDATA[Contributed by <a href="/contributors/10221/xavigarcia">Xavi Garcia</a><br/><a href="https://fontsinuse.com/uses/14572/l-enfant-terrible"><img src="https://assets.fontsinuse.com/use-media/44491/upto-700xauto/69b516f9/1/jpeg/9a820343701879-57f9569e24941.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/10221/xavigarcia">Xavi Garcia</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/10534/atlas-grotesk"><img src="https://assets.fontsinuse.com/static/renders/102/10534/400/4/6a3269ef/atlas-grotesk.png"/></a><br/><a href="https://fontsinuse.com/typefaces/4345/optima-nova"><img src="https://assets.fontsinuse.com/static/renders/5/4345/400/4/69815b45/optima-nova.png"/></a><br/><br/><p>Lars von Trier is much more than a film maker. He has managed to become a character himself, and be recognized not just for his work. Constant provocation and certain obsessions have contributed in creating an iconic figure difficult to ignore.</p>

<p>This book is not a biography. This book is not a filmography. It tries to explore the mind of Lars von Trier and give a multiple perspective around him. It digs into his influences in different moments of his life, how he made his most iconic movies, and what other important people felt when working with him.</p>

<p>The book is divided in two parts, before and after Dogme 95, which is one of his biggest provocations. Each part has four chapters regarding an obsession or issue that is important to him and one of his movies. Each chapter has three parts, one about him in that moment, one about the movie, and an interview with someone who had worked with him at the time.</p>

<p><em>Project developed during the <a href="http://www.elisava.net/en/studies/postgraduate-graphic-design-and-publishing-projects">Postgraduate Diploma in Graphic Design and Publishing Projects</a> at <a href="http://www.elisava.net/">ELISAVA School of Design</a> (Barcelona), under the direction of <a href="http://joseproman.com/">Josep Román</a> (<a href="http://affaireprojects.com/">Affaire Studio</a>). This is a non-commercial project.</em></p>

<p><em>All content belongs to the authors.</em></p><br/><a href="https://fontsinuse.com/uses/14572/l-enfant-terrible"><img src="https://assets.fontsinuse.com/use-media/44492/upto-700xauto/69b516f9/1/jpeg/5bc7db43701879-57f9569e1fea2.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/10221/xavigarcia">Xavi Garcia</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/14572/l-enfant-terrible"><img src="https://assets.fontsinuse.com/use-media/44493/upto-700xauto/69b516f9/1/jpeg/49787343701879-57f9569e26d80.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/10221/xavigarcia">Xavi Garcia</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/14572/l-enfant-terrible"><img src="https://assets.fontsinuse.com/use-media/44494/upto-700xauto/69b516f9/1/jpeg/e6a10b43701879-57f9569e21986.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/10221/xavigarcia">Xavi Garcia</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/14572/l-enfant-terrible"><img src="https://assets.fontsinuse.com/use-media/44495/upto-700xauto/69b516f9/1/jpeg/fa39d143701879-57f9569e27485.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/10221/xavigarcia">Xavi Garcia</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/14572/l-enfant-terrible"><img src="https://assets.fontsinuse.com/use-media/44496/upto-700xauto/69b516f9/1/jpeg/f7f03343701879-57f9569e27d4d.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.behance.net/gallery/43701879/LEnfant-Terrible" target="_blank" rel="noopener">www.behance.net</a></span>&nbsp;</b><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/10221/xavigarcia">Xavi Garcia</a></span>. </span><span><span class="fiu-attribution__credits fiu-text--captioning">All images belong to their authors</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/14572/l-enfant-terrible">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/14572/l-enfant-terrible</guid>
      <pubDate>Thu, 13 Oct 2016 08:04:48 +0000</pubDate>
      <author>Xavi Garcia</author>
    </item>
    <item>
      <title><![CDATA[The Confessions]]></title>
      <link>https://fontsinuse.com/uses/14302/the-confessions</link>
      <description><![CDATA[Contributed by <a href="/contributors/9946/camilo-roa">Camilo Roa</a><br/><a href="https://fontsinuse.com/uses/14302/the-confessions"><img src="https://assets.fontsinuse.com/use-media/43385/upto-700xauto/69b515f5/1/jpeg/8a8f7540961407-5793b4e4cddd2.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/9946/camilo-roa">Camilo Roa</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span>Artwork&nbsp;by&nbsp;<a href="https://fontsinuse.com/contributors/9946/camilo-roa">Camilo Roa</a>. </i><br/><a href="https://fontsinuse.com/typefaces/118/harbour"><img src="https://assets.fontsinuse.com/static/renders/1/118/400/4/6a2fac97/harbour.png"/></a><br/><a href="https://fontsinuse.com/typefaces/31833/maison-neue"><img src="https://assets.fontsinuse.com/static/renders/367/31833/400/4/6a22b4f8/maison-neue.png"/></a><br/><a href="https://fontsinuse.com/typefaces/4553/times-ten"><img src="https://assets.fontsinuse.com/static/renders/14/4553/400/4/6a15a466/times-ten.png"/></a><br/><br/><p><cite>The Confessions is</cite> an exposé on how the directors and supporters of the filmmaking movement <a href="http://en.wikipedia.org/wiki/Dogme_95">Dogme 95</a> broke their own rules. These confessions develop throughout the traditional steps of a Catholic Confession, therefore revealing the paradox between rule making and rule breaking.</p>

<p>See more at <a href="http://www.behance.net/gallery/40961407/The-Confessions">Behance</a>.</p>

<p><em>Final class project for the <a href="http://www.elisava.net/en/studies/postgraduate-graphic-design-and-publishing-projects">Postgraduate Diploma in Graphic Design and Publishing Projects</a> in <a href="http://www.elisava.net/">ELISAVA School of Design</a>, under the direction of <a href="http://joseproman.com/">Josep Román</a> (<a href="http://affaireprojects.com/">Affaire Studio</a>). This is a non-commercial project</em>.</p><br/><a href="https://fontsinuse.com/uses/14302/the-confessions"><img src="https://assets.fontsinuse.com/use-media/43388/upto-700xauto/69b515f5/1/jpeg/fef7fa40961407-5793b4e4cf9a0.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/9946/camilo-roa">Camilo Roa</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span>Artwork&nbsp;by&nbsp;<a href="https://fontsinuse.com/contributors/9946/camilo-roa">Camilo Roa</a>. </i><br/><a href="https://fontsinuse.com/uses/14302/the-confessions"><img src="https://assets.fontsinuse.com/use-media/43382/upto-700xauto/69b515f5/1/jpeg/34a21840961407-5793b4e4d00e7.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/9946/camilo-roa">Camilo Roa</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span>Artwork&nbsp;by&nbsp;<a href="https://fontsinuse.com/contributors/9946/camilo-roa">Camilo Roa</a>. </i><br/><a href="https://fontsinuse.com/uses/14302/the-confessions"><img src="https://assets.fontsinuse.com/use-media/43386/upto-700xauto/69b515f5/1/jpeg/ed847440961407-5793b4e4d5785.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/9946/camilo-roa">Camilo Roa</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span>Artwork&nbsp;by&nbsp;<a href="https://fontsinuse.com/contributors/9946/camilo-roa">Camilo Roa</a>. </i><br/><a href="https://fontsinuse.com/uses/14302/the-confessions"><img src="https://assets.fontsinuse.com/use-media/43383/upto-700xauto/69b515f5/1/jpeg/fb112f40961407-5793b4e4d13ec.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/9946/camilo-roa">Camilo Roa</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span>Artwork&nbsp;by&nbsp;<a href="https://fontsinuse.com/contributors/9946/camilo-roa">Camilo Roa</a>. </i><br/><a href="https://fontsinuse.com/uses/14302/the-confessions"><img src="https://assets.fontsinuse.com/use-media/43387/upto-700xauto/69b515f5/1/jpeg/05700a40961407-5793b4e4f4096.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/9946/camilo-roa">Camilo Roa</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span>Artwork&nbsp;by&nbsp;<a href="https://fontsinuse.com/contributors/9946/camilo-roa">Camilo Roa</a>. </i><br/><a href="https://fontsinuse.com/uses/14302/the-confessions"><img src="https://assets.fontsinuse.com/use-media/43384/upto-700xauto/69b515f5/1/jpeg/99600840961407-5793b4e4f37b4.jpeg"/></a><br/><br/><i><span><span class="fiu-attribution__is-own">Photo:&nbsp;<a href="https://fontsinuse.com/contributors/9946/camilo-roa">Camilo Roa</a></span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span>Artwork&nbsp;by&nbsp;<a href="https://fontsinuse.com/contributors/9946/camilo-roa">Camilo Roa</a>. </i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/14302/the-confessions">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/14302/the-confessions</guid>
      <pubDate>Wed, 07 Sep 2016 19:05:09 +0000</pubDate>
      <author>Camilo Roa</author>
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