Michael van Praag, former chairman of the Royal Dutch Football Association (KNVB) and the football club AFC Ajax, has written his memoirs, together with Willem Visser. “Behind the scenes of football” was published by Inside. The cover design by Studio Wesseling brings together two typefaces available from Retype Foundry’s Brutal Types: Brinkhuis and Kurversbrug.

You Can’t Make This Up was an exhibition by and about the work of Silke Schönfeld held at Hartware Medien Kunstverein (HMKV) in Dortmund:

You Can’t Make This Up is a fitting title for Silke Schönfeld’s solo exhibition at HMKV. Her films are political reflections that often take place in unexpected spatial and temporal contexts, seamlessly moving between documentary and fiction.

Ten Ten developed the appearance of the exhibition, consisting of high-contrast typography combined with stills from Silke Schönfeld’s films. Various media such as exhibition signs, catalog, posters and digital campaign motifs were created for this visual identity.

Exhibition view and signage

From the University of Texas Press:

Gone With The Wind is one of the most popular movies of all time. To commemorate its seventy-fifth anniversary in 2014, The Making of Gone With The Wind presents more than 600 items from the archives of David O. Selznick, the film’s producer, and his business partner John Hay “Jock” Whitney, which are housed at the Harry Ransom Center at the University of Texas at Austin. These rarely seen materials, which are also being featured in a major 2014 exhibition at the Ransom Center, offer fans and film historians alike a must-have behind-the-camera view of the production of this classic.

On the half-title and title pages, Medusa is used with swash initials and terminal forms, as well as flourishes from its Ornaments style. The italic caps are likewise from Medusa – these are provided as small caps. The author names use Ashbury in italic (Steve Wilson) and roman caps (Robert Osborne). The dust jacket features Finura, with Transat used for “Harry Ransom Center”.

Photos: Turner Classic Movies. See more images on Derek George’s portfolio website.

Westerly is a literary magazine that has been produced at the University of Western Australia since 1956. It currently publishes two issues a year, releasing its first online special issues in 2016. The journal maintains a specific focus on the Australian and Asian regions, but has published literary and cultural content from international authors. The magazine publishes fiction, poetry, cultural, autobiographic, and scholarly essays, and interviews.

Since the 2016 redesign, all typography uses Laski Slab. From the Chil3 website:

The brief: Refresh the design for well-loved 60-year-old literary magazine.
The solution: A new typeface to reduce the word count and e-pub versions bring the magazine up-to-date.

Not a classic agency brochure, but a customer magazine about self-representation.

As a communication agency, Bruce B. wanted to go a different way: Not depicting what one does, rather conveying what one thinks. Therefore: a magazine concept for customers and potential customers, which should inspire and entertain. Relevance through content. An example of the mindset and method of the agency. Self-representation, which boldly plays the game.

The brief was to develop the book design and production of Perth’s Presbyterian Ladies’ College (PLC) centenary book, written by author and journalist, Susan Maushart. The design of this book should break the norms of school history books, be brave bold and modern.

We worked closely with the client, UWA Publishing, and the author to bring this beautifully rich (and at times very amusing) history to life. Although this book has a fairly formal structure in terms of its 11 chapters, every page engages the viewer with different standout images, stories and factoids. The spirit of camaraderie, innovation and achievement are strong elements throughout the book in line with PLC’s 100 year history.

Scope: Book design and production of 416pp quarter bound with tartan marker ribbon. The typeface used throughoiut the book is Laski Slab, designed by Paula Mastrangelo and Ramiro Espinoza and released with ReType in 2014.

Here & Now is the magazine of The Academy of Urbanism. It is designed by Richard Wolfströme. The publication’s main typefaces are Laski Slab and Laski Slab Stencil from ReType.