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The typography for this EP uses Decima Mono, just like for the previous album Syro, which was likewise designed by The Designers Republic. On these minimalist covers the typeface stands out a lot. While Syro references the look of receipts, the negative monospaced text for this record resembles a computer terminal.

From Wikipedia:

Computer Controlled Acoustic Instruments pt2 is the ninth EP by the British electronic musician Richard D James. It was released under the pseudonym Aphex Twin on 23 January 2015 on Warp. It is meant as a companion piece to his fifth studio album, Drukqs (2001).

It received mixed reviews and placed in several international record charts, including the United States Billboard Dance/Electronic Albums chart, where it peaked at number one.

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Source: www.discogs.com License: All Rights Reserved.

Decima Mono in use for the primary logo for Pause Fest Australia. Similar to SXSW, it is a conference focusing around technology, design and innovation. The main typeface used for the website is Gotham in Bold and Book weights.

Li-iL was established in 1910 as manufacturer of medical baths. In 2013, their Dresdner Essenz® cosmetic brand received an all-embracing overhaul by kakoii, featuring a versatile and fresh typographic palette.

The new logo is in Julia Sysmäläinen’s FF Mister K Informal (2011), with customized capitals and some extra stroke weight. Products from the bathing and body care segments use the narrow caps of Neubau Grotesque (2009, with round-top ‘M’ and ‘N’). The package designs of health products and sauna oils combine the more conservative seriffed ITC Weidemann with the lively caps of ITC Zemke Hand. For the children sub-brand Dreckspatz, all-caps Neubau Sans (with angular ‘M’ and ‘N’) is paired with Zemke Hand.

From Wikipedia:

Syro is the sixth studio album by Aphex Twin, the alias of British electronic musician Richard D. James, released on 19 September 2014 on Warp. It was James’s first album under the Aphex Twin name since Drukqs (2001). […]

Syro’s cover artwork was designed by the Designers Republic, a graphic design studio that provided designs for previous Aphex Twin releases, including the 1999 single "Windowlicker" and the compilation album 26 Mixes for Cash. The cover art resembles a receipt, with the official Aphex Twin logo and album title printed upon it. According to Creative Review, the receipt on the album cover details the production and promotional costs of Syro, “from courier charges to photoshoot expenses, expressed per disc and tailored for both vinyl and CD versions.”

Ian Anderson, the founder of the Designers Republic, noted that the final concept for the album cover was conceived after receiving a number of suggestions from James. Among James’ other suggestions for the album’s packaging was “the idea of pressing the album or a single track into the fabric of the cover, effectively as a deboss”, or using various images of the raw vinyl pucks from which all copies of Syro are pressed. These suggestions were implemented into Syro’s final LP packaging, with James’ wife Anastasia Rybina credited for additional design and “puckography”.

[More info on Discogs]

Two 26″×36″ posters designed for the Art of Public Health collaborative project between the Yale School of Public Health and the Yale School of Art, where graphic design MFA students are teamed to public health students to author and design posters, in this case for the issue of medical errors, developed by Yotam Hadar and Nicholas Berlin.

The main texts are hard facts regarding medical errors, set in Decima Mono, while the side column consists of recommendations for safer health care by the Agency for Healthcare Research and Quality, set in Century Old Style.

More info about the Art of Public Health initiative and exhibition.