Of the many dubious uses of Zapfino, I contend that this is the Worst Of All Time.

Zapfino is paired with another typeface by Hermann Zapf, Optima Bold.

The website uses Supernett cn for most text. The photograph in the middle shows a sign in Optima with stacked glyphs.

Supernett cn is paired with Brandon Printed and Thirsty Script.

Wiz Khalifa profile in NYLON guys

Book cover design by Eleanor Crow for Faber & Faber

Faber & Faber:

Electric Eden documents one of the great untold stories of British music over the past century. While ostensibly purporting to be a history of that much derided (though currently fashionable) four-letter word, 'folk', Electric Eden is a magnificent survey of the visionary, topographic and esoteric impulses that have driven the margins of British visionary folk music from Vaughan Williams and Holst to The Incredible String Band, Nick Drake, John Martyn and Aphex Twin.

Eleanor Crow’s cover design for Rob Young’s book uses Ivory, paired with Electra for the blurb. Released in 2009 by FaceType, Ivory is inspired by decorated letters found in an illustrated compendium about pomology from 1882. Here, its glyphs were wired up to a power pole, making the Victorian curlicues appear energized.

Faber & Faber’s paperback version (2011) uses a less playful cover design, still with Ivory and Electra.

The accompanying double CD set (Universal, 2012) sticks to Ivory, too, now making use of its separate swashes style for a bichromatic setting. Artwork by Estuary English.

Voubelle
A brand for young women, connected through social media, following the latest trends, in love with fashion brands, extremely original – this was the public that an entrepreneur had in mind. Her plan was to sell clothes that are in line with the latest trends, in unique designs, selected and approved by herself. She approached Anora Campo to help her with the design of the company’s brand.

Brand strategy
After knowing the plans for the company and a market study, we realized that there was a market gap for a brand that unites two aspects: the uniqueness of a large and luxurious brand with the informality and language from brands aimed at young public.

We defined four basic pillars for the brand: exclusivity, informality, status and youthfulness. These pillars have guided the whole creative process and all decision-making.

Brand identity, verbal identity and digital identity
We brought the identity exclusivity expressed in the logo and photography direction, while the youthfulness and informality are expressed by the use of typography, iconography, illustrations, verbal identity in addition to some details the direction of the model in the photos.

Christmas was once a moveable feast celebrated at many different times during the year. The choice of December 25 for the official date of Christ’s birth was made by Pope Julius I, in the 4th century A.D., because this coincided with the pagan rituals of Winter Solstice, or Return of the Sun (on December 20–23). The intent was to replace the pagan celebration with the Christian one.
In ancient times people from all over the world celebrated winter festivals. The Romans celebrated Saturnalia festival honoring Saturn – the god of agriculture. Germanic pagans celebrated Yule or the return of sun god. Many of the modern Christmas traditions such as bedecking houses and churches with tree branches, huge gifting and arranging grand feasts are apparently derived from these pagan celebrations.

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