TT Fellows is used in the interface of Crossout. The logo uses Mandatory.

From the game’s About page:

Crossout is the post-apocalyptic MMO Action game in which you can craft your unique battle vehicles from a myriad of interchangeable parts, ride them directly into combat and destroy your enemies in explosive PvP online battles in the air and on the ground.

The magazine logo uses Flood, see the post about issue 28.

This 56th issue of the French cinema magazine La Septième Obsession is dedicated to American filmmaker John McTiernan, with a 100-pages focus on the subject with movies reviews (Die Hard, Predator, etc,), an interview with French film director and screenwriter Arnaud Desplechin, and various thematic essays.

Like in most issues since 2020, texts are set in Lyon and Surt, while titles use an all-caps Grandmaster. The cover title seems to be set in NYC. This typeface is similar to ITC Machine as used for McTiernan’s 1987 movie Predator. There is also a free font called Predator Movie that copies the uppercase of NYC.

Call of Duty 4: Modern Warfare is the fourth installment in the Call of Duty franchise. It is the first to be set in the modern times, straying away from its World War 2 roots. The game’s overall look is heavily based on 2000s military (movies) aesthetics. The typography reflects this with imposing, geometric typefaces that evoke a feeling of power and a maybe tinge of futurism, since the game takes place in a fictional 2011.

The series’ logo used Impact, with bevel and chrome effect applied. The “Modern Warfare” text is set in Bank Gothic, which is glowing green and is likely a reference to night vision goggles. A majority of the user interface uses ITC Conduit Regular for both short and long text. It is complimented with Carbon Bold, which is used sparingly for important information.

The briefing cut-scenes between each chapter use Eurostile’s normal and extended width for most information. 3X5 is additionally used for small text and can be found at the top right of most cut-scenes.

Modern Warfare 2 (2009) and Modern Warfare 3 (2011), along with the remasters largely follow the same stylings, so this use can still be applied to those games.

Game logo

Main menu for the arcade mode

The first cut-scene you watch in the game. Eurostile Extended Bold can be seen used for both big and small text. 3X5 is seen above.

Learning the basics at the target range. Carbon is used to display newly added mission objectives and the occasional button prompt. ITC Conduit is seen below.

When looking at friendly characters, their name appears and is set in Carbon. Here, Captain Price is belittling Soap for his name.

Multiplayer HUD. Carbon is used with the exception of the compass and the amount of grenades you have stored.

Loading screen in multiplayer

Choosing a loadout before a match

An iconic part of Call of Duty is how every chapter starts with a title card, establishing time and place along with mission details. Carbon is used, glowing bright green.

Punk2, released on March 26, 2020, is the debut studio album by American musician Brakence (real name Randy Findell). The album's graphics, color palette, and typefaces all followed a similar style, with geometric and 70s-style typefaces used in the songs' titles. Versacrum NF and Wes Wilson are used exclusively in uppercase, while Roller Poster appears in both upper- and lowercase. Additionally, each of these typefaces features a lowercase set shaped with the appearance of uppercase characters.

“Rosier” single cover. The title is set in Versacrum NF and the small text appears to use Roller Poster (in lowercase).

“Fuckboy” single cover

“Fwb” single cover

“Dropout (remix)” cover

Digestive

Maple is a Canadian jewelry company specialized in recycled sterling silver, either as such or plated with 14k gold. A distinctive trait of this brand is their recurring use of type as an ornament through the years. The fonts are either embossed (and oxidized) or debossed in the surface of the jewelry, or can even serve as a full 3D object for the base of some pieces, like the M or Freak rings and bracelet. Note that the Freak ring is not a simple extrudation of Cheee but a properly sculpted inflation of the letter shapes.

Among the fonts they used, we can name a few occurrences of Digestive by Jérémy Landes, Cheee by James Edmondson (both released through OH no Type Co.), Victor Moscoso by Keith Bates, Hendrix by David Nalle, Blackmoor by David Quay, Collegiate FLF by Casady & Greene, and at least two more unidentified ones.

Digestive

Digestive

Victor Moscoso

Digestive

Digestive

Cheee

Cheee

Cheee

Cheee

An unidentified slab serif with similarities to City

Hendrix (outlined)

Collegiate

Blackmoor

Unidentified typeface

The graphics of the music video of the song “Amerigo Bestpussy” by La Becaria include a title created in 3D with Victor Moscoso (K-Type) complemented with other texts in Sud (VJ-Type) and in Windsor (Elisha Pechey, William Kirkwood).

California is a surfing paradise, and this retro style typographic poster is a bucket list of all the legendary spots in the Golden State to get barreled. Includes classics like Malibu Pier and San Onofre, as well as terrifying spots left only to the pros like Mavericks (65+ waves). The “California Surf Check” poster is designed by Amy Hood of Hoodzpah and the fifth edition is available in the Hoodzpah shop for purchase.

Volume MTL: Art and the Book is Montreal’s annual celebration of art publishing and artists’ book. The visuals developed for Volume 3 were first conceived for the website. Imagined as a book layout, the homepage evokes a full flat cover with its title on the front, the spine, and the back. The glyphs V and 3, used as a logotype for the event, adorn the cover as an abstract background.

The typeface Sprat reminds the sharpness of the number 3, while the softness of Sinkin Sans matches with the curves of the V.

In The Space and Adelaide Flowers are two albums released January 8th, 2021 by Idiosyncratic Mushroom. The latter is a more folkier record, taking influence from 1960s psychedelic rock such as Jefferson Airplane, Joni Mitchell, CSNY, and The Beatles during their psychedelic moment and when George delved into sitar.

Midsummer Adrift, November 29, 2020, ft. Davida.

A selection of recent album artwork for my solo project Idiosyncratic Mushroom, where I experiment in the psychedelic rock umbrella genre.

Nightmare EP, December 2020, ft. Olde English, Dieter Steffmann’s version of Mariage, mostly in all caps.

“The Compassionate Ones”, December 2020, pairing Roberta and Otoboke, both in green with a red contour. Otoboke is an interpretation of Davida, with distorted letterforms and rough contours, made by Ray Larabie.

Cosmic, December 2020, bringing together Doobie (Rebacca Alaccari’s digitization of Hoopla) and Roberta.

Out of Body EP, December 2020, ft. Davida and the left-leaning Victor Moscoso., a font made by Keith Bates based on the 1960s psychedelic poster lettering by Victor Moscoso.

This protest message from Led By Donkeys was ploughed into a field at Manor Farm, Wiltshire, UK. Via Eye magazine, who comments: “That’s what I call big type.”

It’s big indeed: At a cap height of 40 meters (that’s almost 113,386 PostScript points), it’s said to be the largest-ever Brexit protest message. Technically, this is not type, of course, but lettering, built up from several “strokes” made with the rather unusual tool of a plough. I’ll go out on a limb and claim this piece still qualifies for Fonts In Use. To me, it looks like a clear case of lettering derived from a typeface. The typeface that the letterforms were modeled after what appears to be Century Gothic Bold. See the comments for details.

The text card shown towards the end of the clip is set in K-Type’s Keep Calm. This font family is based on the lettering that was used for the now famous World War 2 poster originally designed in 1939.

The poster of the exhibition Le Jardin Soupiré is made with Victor Moscoso as the titling typeface and ITC Souvenir for smaller text.

The former is based on the 1960s psychedelic poster lettering by Victor Moscoso, which in turn is inspired by Smoke. Both fonts evoke Art Nouveau, or more specially their 70s revivals, which were made due to an interest in Art Nouveau in this decade.

Art Nouveau was deeply linked to grass, blossoms and various gracile shapes and this has a lot to do with the title Jardin Soupiré which means “Garden’s sigh”.

Typeset in what looks like K-Type’s Magical Mystery Tour with slightly modified O’s.