Mammoths may be extinct but their name lives on, and this time representing a very bold clothing brand that is essentially a wearable provocation. With Mamuti Edgewear, you can state your mind with a shirt, cap or pencil case, and the minimalistic design allows the messages to really speak volumes.

It was so refreshing designing without any censorship or restraints, and the typography complemented the brave attitude perfectly. As a special treat, manicule's index finger was turned into middle finger.

Mathilde Kœnig is the creative mind behind the elegant and minimalist visual identity for Hugo Saulnier-Blache’s organic wine range, produced in Montlaur, France.

Drawing inspiration from the natural quality of the wines, Mathilde designed sleek and refined labels that emphasize simplicity and sophistication.

She carefully selected the Flexible typeface by Art Grootfontein to add a modern yet timeless touch to the branding, ensuring the wines stand out on the shelf while reflecting their artisanal roots. The secondary typeface is BR Hendrix by Brink.

Crab Champions is an upcoming third-person shooter developed by Irish music producer and game developer Eoin O’Broin, also known as Noisestorm. The premise of the game is based on his hit single titled “Crab Rave”, which comes with a 3D animated music video featuring dancing crabs. This quickly became a meme and internet sensation upon its release. The song garnered over 160 millions of views on YouTube, and millions more plays across all music streaming platforms. The game was first announced on 1 April 2019 and a beta was released in 2023. From over 10,000 reviews on Steam, 98% are positive.

Crab Champions branding and in game UI uses Brik and Shape typefaces.

Founded in 1989, Africolor is a music festival centered around African music and the impact it had/has on music worldwide. The festival wants to offer an auditory experience showcasing the outcome of merging and combining music from all parts of Africa, which ultimately is the consequence of historical and political upheavals such as forced urbanization as well as migrations (chosen or not).

Since 2017, Montreuil-based studio God save the screen designs a new visual identity for the festival each year, with no exception as to its 30th anniversary in 2019.

This look is built around green and red. They are almost always seen next to each other as they serve as backgrounds or even as filters on pictures, making them monochromatic.

Trash is broken down and translated onto a grid to create an intriguing rippling effect reminiscent of sonic waves within headlines.

The overall identity opts for contemporary accents, getting it away from stereotypical exoticism, recalling the festival’s wish to aim for experimentation and freshness while digging into the history of African music.

The accompanying sans serif used for body copy is BR Shape [see comments].

Elle Bower Johnston’s Wayward Bodies is a show exploring our bodies and the messy places they meet the world.

A podcast where Elle discusses embodiment, body liberation, creativity, healing, and how we show up as our whole selves. You can expect a mix of solo musings and conversations with excellent humans, with a lens of queerness, anti-oppression, body liberation and lots of space for the nuance of being a human.

The typefaces used are Boris, an open source typeface, and Segma. Design by Liz Bisoux (Studio Partyline).