Fundiciones de Ódena, S.A., or Funosa for short, is a Spanish foundry that produces cast iron components. Founded in 1916 and based in Òdena, Barcelona, the company manufactures parts for multiple sectors, including automotive, agriculture, construction, machinery, and railway infrastructure.

Their new website combines Scope with Inter. The logo is based on Futura Black.

The Master Studio Speculative Software at the Design Department of the Fachhochschule Potsdam is dedicated to the design and exploration of creative, experimental software user interfaces. It is part of a full-time two-year Master’s programme, taught in English.

The informational and promotional website combines Scope with Geologica.

Scope is used as a variable font. The main title and first-level headings make use of live font interpolation, with the vowels in each word changing their width on cursor movement. Sub-level headings and student names are also set in Scope.

Geologica is used for the body copy.

Studio Gourdin designed a wayfinding system for Grundschule Isestraße, a primary school in Hamburg, using Fictional.

The designers write:

Summer 2025 saw Grundschule Isestraße primary school open its doors in Hamburg-Harvestehude. The modernised, historical building offers ample space for learning in an atmosphere of creativity, co-operation and research.

The children are located in spacious compartments, which are designed like small nests, with each team issued with its own identifying “bird sign”. This enables them to find their way around the building whilst also sensing a oneness with the greater community.

Like fledglings, the children practice spreading their wings – borne by familiarity, security and mutual support. Because you need wings if you are going to fly.

Iterra Designs is a product design company focused on creating precision outdoor accessories for overlanding and off-grid travel. The brand describes its approach as driven by iterative improvement and engineering. Their catalog includes carbon-fiber mounts, sink and fridge-system components, heater kits, Starlink mounts, and other equipment built for durability and dependable performance in outdoor and vehicle-based setups. Under the motto “The Outdoors, Engineered,” Iterra Designs develops products intended for people traveling the road less traveled.

Their visual identity makes use of Scope in different styles. On their website, Scope is used for headlines and buttons, while Hiragino Kaku Gothic and Geist Sans are used for body copy.

The Future Simulator is an immersive installation allowing visitors to make decisions on climate-related topics and experience the consequences for humanity.

It is part of the permanent exhibition Klima. Wissen. Handeln! (“Climate. Knowledge. Action!”) at Vienna Museum of Science and Technology, which explores the consequences of climate change as well as our collective capacity to act.

Designed by Stefan Kainbacher and his team together with Studio Freude, the installation combines interactive storytelling, motion tracking and sound to visualize possible futures. The motion design is by Tobias Müller of MDMR.

Scope is used throughout the installation in animated and interactive ways, while the title/logo features a modified version of the typeface.

École Nationale d’Ingénieurs de Metz (ENI Metz, or ENIM) is a French engineering school established in 1960.

In September 2025, the school announced a rebranding designed by Metz-based studio steez.

The new wordmark is set in Scope, with slight modifications to the letters i and M. The tagline uses Sora. Additional typefaces use in the identity include Cal Sans, Plus Jakarta Sans, and Roboto Mono.

Layer Performance is an Aachen-based startup developing software for 3D printing. The company was recognized as Digital Startup of the Year by the German Federal Ministry for Economic Affairs and Energy in September 2025.

Earlier this year, Layer Performance launched a new website that continues the visual direction introduced with their 2022 interim landing page. The design combines Scope and Inter – Scope is used for titles, headlines, and highlights, while Inter is used for body text and longer passages.

Zilok Roams Yosemite is a children’s book written by Lee Peglow and PJ McCabe, and illustrated by Jamie Kwok Sitt. It tells the story of an alien stranded in Yosemite National Park. From the illustrator’s website:

After an unexpected crash-landing in Yosemite, Zilok needs to climb to the top of Half Dome to send a signal home. Along the way he receives some help from the incredible creatures of the forest!

The cover combines Pigeon Post for the title with Fictional for the author and illustrator credits. For the book’s interior text and the back cover, P22 Mackinac is used.

The 6th designed the identity and interior for CRIAS, a “play-space for little ones and a work-and-relax space for their families” in Madrid. They created a playful, illustrative custom alphabet, and combined it with Fictional.

Infinite Colours is a documentary film about the fashion brand Stone Island. The film was directed by Ken-Tonio Yamamoto, with Hassan Rahim and Gustavo Eandi being responsible for the graphic design.

Stone Island presents Infinite Colours, a feature-length film directed by Ken-Tonio Yamamoto about the employee community at its headquarters in Ravarino, deep in the industrial district of Emilia-Romagna, Italy. The docu-poem tells the story of Stone Island from an unparalleled perspective – by the people who make the garments themselves – conveying the spirit of continual research and experimentation that lies at the heart of the brand.

Captions, descriptive overlays, chapter titles and credits are set in Scope, Seta Reta NF and Le Mans Classic.

Lobby für Kinder e.V. (“Lobby for kids”) is a non-profit organization committed to sustainable education and nature-based leisure activities for children and young people.

After their visual identity was redesigned last year, their new website was launched now. It features Fictional for headlines and Poppins for body copy and buttons.

The site was designed by Arne Zoudlik/a90 and developed by Malte Zoudlik.

The new portfolio website of art and creative director Ville Kansanen, villeville.co, combines Scope with Bergen Mono and IBM Plex Sans.

Scope is used for headlines and prominent highlights, while Bergen Mono is used for project metadata in the overview. IBM Plex Sans is used for body copy.

The website of nail artist Kim Cao was designed by Private Yard, using Scope throughout.

My new portfolio website combines Scope with Signifier. The prominent and descriptive site title mixes both typefaces, with Scope set in all caps for highlighted words and Signifier Italic for minor words. The body copy is set in Signifier, while Scope is used for headlines, interface elements, project titles, and credits.

A Space The Metropolis is a Metaverse experience created by MMK Design Studio exhibiting the works of artists Popo Mangun, Mang Moel, and Agugn. Scope is used in visual interface elements throughout the experience. Quoted from MMK’s project page:

Second chapter of the A Space Metaverse series moves high up on a rooftop of an imaginary metropolis where you can find three prominent artists (Popo Mangun, Mang Moel, Agugn) exhibiting their work in a way that has never been done before.

Lobby für Kinder e.V. is a non-profit organization committed to sustainable education and nature-based leisure activities for children and young people.

Their new visual identity designed by a90 features Fictional and Poppins.

Ingenius is a Singapore-based technology company. Their visual identity makes use of the technical aesthetics of Scope.

On their website, Scope is used for headlines, while body copy is set in Work Sans.

Catalizador is a concert series for experimental electronic music in Montevideo, Uruguay.

Graphic designer and illustrator Juan Pablo Palarino combined Scope with a dissolving effect and digital illustrations to create Catalizador’s visual identity.

Sekolah Kebon Kemang is a non-profit community in Jakarta, focused on teaching English to children. The educational materials were designed by Adya Saliha Abidin. They incorporate the previously featured branding into worksheets and are set in Fictional.

Solyd Digital is a Barcelona-based technology agency. For their logo, a modified version of Scope comes to use. Their website pairs Cucina for titles with HK Grotesk for body copy. The service page shows a 3D version of the wordmark’s S in the background.