CookEase is a meal-kit brand built around the idea of making home cooking effortless, joyful and accessible to everyone. CookEase blends convenience with warmth, removing the stress of planning and preparing while still giving customers the satisfaction of cooking a fresh, delicious meal.

The CookEase type system pairs Dida and Avenir Next to balance personality with structure. Dida brings a playful, expressive quality to headlines, adding warmth and character to the brand while Avenir Next provides clarity and rhythm across ingredient labels, quantities and instructions.

Together, the combination allows the brand to feel energetic yet organised, ensuring the packaging remains easy to navigate while retaining a strong, recognisable presence.

The ingredients on the bottom right are set in Marker Felt.

Digital posters for Jose Berrio’s 2021 solo exhibition Diseño Para Música at the Planetario de Bogotá. The second image is for a concert by Nicolás y Los Fumadores that took place as part of the show.

The titles are set in Dida, while smalle text uses two weights from Syne.

From Seoul-based Studio fnt:

Petit Planet is a concept and identity of the kids’ division of The Hyundai [one of the most widely known and established department stores in Korea]. studio fnt developed its brand identity that encompasses both lingual and visual aspects; from the brands’ name to the individual graphics. Petit Planet refers to each kid, like a mini-universe, small but with infinite possibilities. The name also aims to convey a sense of experiential space that children and families can visit to enjoy as though an adventure.

The logo design benefits from the contrast of the really bold letters and the very small inner space between them, and this characteristic of contrast is emphasized in the various uses of graphic devices. Through this, we wanted people to reflect upon their conception of SMALL and BIG because everything is relative, and therefore this contrast can symbolize possibilities.

The logotype is set in Dida. The accompanying fonts used for English and Korean text are yet unidentified [edit: it’s Sandoll Hoyoyo, see comments].

Tour and concert posters for Chicano Batman with Divino Niño and Inner Wave. For the title of the poster, designer Jose Berrio chose Dida. Smaller text including for the dates and venues is set in Alegreya.

For W Magazine’s “The Music Issue”, Jose Berrio created “album covers inspired by the music of four different hit shows: Atlanta, Yellow Jackets, Bridgerton and Euphoria.” The Atlanta title is set in Dida, with caps from Platform for “Soundtrack”. The “Parental Advisory” sticker uses Garage Gothic. Yellow Jackets is an homage to Prodigy’s Fat On The Land album cover, complete with outlined Keedy Sans. The “Warning” sticker on the Euphoria cover combines Druk with Noto Sans, and the font used for Bridgerton is Ayer, supported by what looks like Helvetica.

Art direction by Ivana Cruz.

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Traverses School by My Little Paris offered a complete program of online courses and practical exercises, delivered by entrepreneurs, artists, inspiring authors and adventurers, to help us gain confidence in our own creativity. The school closed its virtual doors in December 2023.

The visual identity combines two typefaces. Titles and numbers are set in Dida. The accompanying serif used in roman and italic styles is Wulkan.

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Stationery and goodies for Starville, a resort located in Jeju Island, Korea, designed by Maum Studio. From the designers’ portfolio website (auto-translated from Korean):

We planned, designed and produced goods for Starville, a resort located in Jeju Island.

A night in Starville facing the stars. In order to look at the stars and remember the constellations, we proposed items that can be used to create and keep a character based on the constellation concept.

Logotype and titles are set in Dida, with the zodiac names added in all-caps Futura Extra Bold. The typeface(s) used for secondary information, in English and Korean, is yet to be identified.

Art Direction: Yoonji Lee
Design: Sori Lim, Yoonji Lee

African raw soap – or black soap, as it’s usually known – has yet to have made it as the beauty industry’s new it item. Our goal was to streamline all of Abe Dua’s benchmarks into a coherent brand identity that can get instantly acknowledged by consumers beyond Africa, where black soap is an everyday staple. Ahead of the product’s world beauty expo launch, our goal was to emphasize the soap’s Ghanaian legacy, its rich history and the variety of compositions depending on what place it comes from

Underscoring the natural, organic qualities of the product was our top priority during the design and naming process. The words ‘Abe Dua’ are a direct reference to Ghana’s Adinkra symbol which represents a palm tree and its near-infinite resourcefulness and practicality. In direct parallel with the name, the brand logotype consists of its typographic representation and is rendered in Dida. The icon, however, is a visual depiction of the Adinkra palm tree, instantly evoking traditional wisdom, a simple way of living and awareness of the environment. Further referencing Ghanaian culture, our set of master shapes to be used in all visuals is a nod towards the country’s Kente cloth, traditional hand-woven patterns used universally across West-African history, philosophy and religion. Just like in the traditional Kente, each of our shapes has been assigned its own, symbolic colour, further enforcing the brand’s storytelling. The patterns have been used in packaging design, where each colour and pattern denotes a different soap ingredient, from coconut oil to honey. As wonderfully diverse and eclectic as Ghana’s traditional art, the cheerful, colour-blocked visual style has been utilised in our custom-made set of illustrations.

Art direction: Izabela Piotrowiak
Design and packaging: Weronika Kuc
Photography: Paweł Wyląg and Ake Zorn

Breadwinner is a new technology company that creates tools for detail-oriented bakers—their first product is a smart sourdough jar that monitors your starter.

The friendly blackletter-inspired logo, set in Thomas-Schrift, mashes up the rich history of bread-making in Europe – especially Germany – with the DIY punk ethos of making your own bread from scratch. The supporting typographic system uses Bianco Sans and Bianco Serif. Its triangular serifs mirror the gothic elements of the logo. The contrasting, extra bold and geometric Dida adds a bit of play and drama to the rest of the system.

Cook This Book is the first cookbook by Molly Baz, food editor and recipe developer. Art direction and editorial design by Violaine & Jérémy. Cover and recipes photographs by Peden & Munk.

The Cook This Book logotype is a custom typeface. The book layout uses Dida, Voyage, and Kobe. Body text is set in GT Haptik and Fugue Mono.

A modern guide to becoming a smarter, faster, more creative cook featuring fun, flavorful recipes anyone can make.

Molly breaks the essentials of cooking down to clear and uncomplicated recipes that deliver big flavor with little effort and a side of education, including dishes like Pastrami Roast Chicken with Schmaltzy Onions and Dill, Chorizo and Chickpea Carbonara, and of course, her signature Cae Sal. But this is not your average cookbook. More than a collection of recipes, Cook This Book teaches you the invaluable superpower of improvisation though visually compelling lessons on such topics as the importance of salt and how to balance flavor, giving you all the tools necessary to make food taste great every time.

A new edition of Gustav Meyrink’s famous novel Der Golem (English: The Golem), translated into Portuguese by Petê Rissatti and published by Editora Carambaia, Brazil in a design by Bloco Gráfico.

The book design makes typographic references to the Plakatstil movement and German expressionism poster design, which mark the aesthetics of Central Europe at the time of the novel. On the cover, the title was composed in order to represent the creature that gives name to the book, a man of clay of great proportions.

Dida by Jérémy Schneider, with its robust geometric design, allows this graphic approach. The second font, used in the chapter titles, is Faune. Its design, according to its creator Alice Savoie, “claims a complementary and atypical voice”, and “its strangeness allows it to fully assume its role of disturbing the rhythm”, descriptions that dialogue with the idea of double and the strangeness present in Gustav Meyrink’s fantastic literature. The story is typeset in the distinct GT Alpina by Reto Moser.

The Parisian institution Le Théâtre des Bouffes du Nord commissioned graphic design studio Violaine & Jérémy for the identity of their 2016–17 season. We worked on posters and programs, and type: Dida had been designed for the theater’s 2016 season, to make the identity of the season stronger, and more personal. The black Dida and its slender counterpart Scalie (unreleased) were paired with Giorgio Sans (Commercial Type) and the serif Caslon 540.

The concepts of Surprise and Absurd formed the general theme for this year. Founded in 1876, the theater had an erratic existence and it seemed it would never get off the ground. In 1974 Peter Brook took over and decided to rehabilitate the old building. It is now a fascinating place famous for the accessibility of its stage to the public.

A fictional tour poster for Young Guv, whose name is set in a pile of glyphs using Jérémy Schneider’s Dida. The lyrics to “Roll With Me” on Guv I are swirling around the guitar and set in Austin News (Paul Barnes, Commercial Type).