Testigos del Fin del Mundo is a curated archive of underground Ibero-American music in book form. Its design is boldly inspired by the blogs and streaming platforms that reshaped the music scene in the past decade, featuring tracklists, sidebars, and credits around each review as if you could click on them. The book also includes fun easter eggs, like playlist recommendations from guest contributors. Through 120 album reviews, Javier Rodríguez-Camacho explores influential sounds and scenes, from Mexican ruidosón to Chilean synth pop, deconstructed Venezuelan club music, and more.

This book was recognized as one of the 10 Best Music Books of 2023 by Pitchfork. It was published by Rey Naranjo Editores. The book was designed by Raúl Zea and Isabella Viracachá.

Christmas Special banners for Node Center for the Curatorial Studies in Berlin (English and Spanish branches). The typography uses two typefaces available from Velvetyne Type: Avara, designed by Raphaël Bastide, and Matthieu Cannavo’s Mixo, making good use of its myriad alternate letter shapes. .