An exhibition brochure for Julie Lauritzen who took part in the group show A gust of wind wakes us from our slumber at the photography gallery FRAKT in Oslo. The brochure is Risograph printed and features the typefaces Blanchard and Gratitude throughout.

Description of the project by the designers of Paper Paper:

For Testori 100, the first in a series of volumes published by Casa Testori, we designed a visually striking book that collects all the events held during Testori's centenary. The design focuses on celebrating Testori’s polyhedral legacy with a contemporary approach, combining historical references with modern layouts. The book captures the essence of the year’s celebrations while offering a visually engaging and cohesive experience for readers.

The typefaces used are ALT Klarinet, FF Attribute Mono, and Blanchard.

Nordens Paris (“Paris of the North”), by fashion journalist Susanna Strömquist, is a book about the French couture atelier at department store Nordiska Kompaniet 1902–1966, and the result of extensive research; in NK’s archive at Nordiska museet; through interviews and close studies of garments; in the archives of Chanel, Dior, Balenciaga and others. The publication tells the story of the leading establishment for women’s fashion in the Nordic countries during the golden age of haute couture, with newly photographed images of the garments and never before seen black-and-white fashion images from Nordiska museet's archives.

The book is printed on Fedrigoni paper in Italy with gilded edges. Three typefaces from the Commercial Classics collection of Commercial Type – Blanchard, Caslon Ionic and Antique No. 6 – are used throughout and paired with Lyon from the same foundry, for body text.

Nordens Paris / Paris of the North is an exhibition presented by Nordiska museet in Stockholm. It shows the French Couture atelier at Nordiska Kompaniet – the leading establishment for women’s fashion in the Nordic countries during the golden age of haute couture. Malmsten Hellberg has designed exhibition graphics in close collaboration with exhibition designer Marcia Harvey Isaksson. The graphic design follows the book that is produced in connection with the exhibition with grey, black and gold and typefaces from Commercial Classics, featuring Caslon Ionic, Blanchard, Antique No 6, and Caslon Doric Wide. Lab Grotesque (Letters from Sweden) was added for captions where we needed a typeface with good legibility in small sizes.