Several events were organized in November 2024 in the German city of Marburg around the topic of repression on activists and the solidarity organisation Rote Hilfe.

For this, a poster and a folded flyer were designed by moteus, combining Nersans and Darker Grotesque.

CURADOX is a contemporary jewelry brand by Mexican jewelry artist Marina Hernández P.

The aim of this publication is to showcase, besides the yearly collection, all collaborations produced alongside fellow contemporary visual artists. Some include photographic artwork by Fernanda Rivadeneyra, Isabel Cevallos, and Radamés Vargas.

Titles are set in Hershey Noailles Times, matching the brand's graphic identity designed by Yoanna Zarkin; and body text is set in Darker Grotesque.

Capolinea is a cocktail bar with bristot cuisine in Andria, Italy. Warm and welcoming, suitable for any situation in order to allow many friends and new customers to stop and be able to drink elaborate cocktails, beers and ‘refined food’ without falling into the restaurant business.

Their menus use Darker Grotesque throughout. See the full project on Behance.

Mugacu Fest is a music, gastronomy and culture festival that takes place annually in the San Pedro ruins, Viana (Spain). #SuenaMugacu was the alternative to Mugacu fest due to the impossibility of celebrating it due to the Covid-19 pandemic.

The typographic choice consists of two fonts that complement each other optimally. Darker Grotesque is a contemporary grotesque designed by Gabriel Lam and Vietanh Nguyen, inspired by the post-modern and brutalism typographic trends, while Morganite is a retro-looking condensed sans serif font family, designed by Rajesh Rajput.

Mugacu is a festival of music, gastronomy, and culture that is celebrated in the ruins of a church in the beautiful town of Viana in the province Navarra, Spain. They needed a brochure to publicize the festival at BIME (International Music Conference & Festival in Bilbao).

For the typography, I paired the condensed Morganite (Rajesh Rajput, 2018) with Darker Grotesque (Gabriel Lam & Vietanh Nguyen, 2019). Some of the large capitals were modified, alluding to the theme of ruins. The entire brochure is printed with light ink on black paper.