Jazz Encouter is album by Will Bradley and His Orchestra, featuring Will Bradley (trombone), Rex Stewart (trumpet), Bud Freeman (tenor sax), Bill Stegmeyer (clarinet), Louis Stein (piano), Barry Galbraith (guitar), Trigger Alpert (trombone), and Paul Kashian (drums). It was released in 1955 by Waldorf Music Hall Records, with cover art by Tracy Sugarman. The same design was also used for a single record, with different colors.

The typography features all-lowercase Filmotype Pixie, and two weights of Vogue with an alternate r. There exist three digitizations of the former, such as Castcraft’s version, David Rakowski’s version, and Dave Farey’s Heatwave.

[More info on Discogs]

From Wikipedia:

Late Night with Conan O’Brien is an American late-night talk show hosted by Conan O’Brien that aired 2,725 episodes on NBC from September 13, 1993 to February 20, 2009. The show featured varied comedic material, celebrity interviews, and musical and comedy performances. Late Night aired weeknights at 12:37 am Eastern/11:37 pm Central and 12:37 am Mountain in the United States. From 1993 until 2000, Andy Richter served as O'Brien's sidekick; following his departure, O'Brien was the show's sole featured performer. The show's house musical act was The Max Weinberg 7, led by E Street Band drummer Max Weinberg.

The logo is set in Filmotype Pixie, originally drawn in the 1950s, and digitized in the early 1990s by Castcraft. In 1993, the year this show debuted, Dave Farey made another digital interpretation for Panache: His Heatwave is distinguished from Pixie by narrower proportions and smaller i dots.

Screen capture of Conan O'Brien logo from the show’s TV intro, in 1995.

“Gimmicks” (No. 11) ft. Filmotype Vessel, an open and shaded variant of Filmotype Arrow, here filled with a halftone pattern, and August.

Covers for various clip books of line art issued in 1955 by Harry Volk Jr. Art Studio, Pleasantville, New Jersey. All typefaces used for these covers were available from Filmotype, with many of them being originals by the American phototype company.

From The Adventures of the Real Tom Sawyer by Thomas B. Sawyer, via Today’s Inspiration:

[…] ex-journalist Harry Volk had come up with the idea of publishing stock artwork – high quality line-drawings of people and objects, generic, any-purpose illustrations and cartoons known in the trade as ‘spots’ – and in Harry’s case as ‘clip-art.’ […] Printed on glossy stock, costing the end-user pennies, these drawings were cut-and-pasted into advertisements, brochures, newsletters appearing all over the country, even used as artwork on packaging, on TV and displayed on billboards. […] For years the Volk Clipbooks of Line Art were ubiquitous, a presence in the art departments of virtually every non-major ad agency, house-organ and art service in the US.

The company was founded around 1952, and the first booklets were published in 1954, initially under the name “Clip Books of Ready-To-Use Art”. Some issues from this second volume still feature that name. See more covers in the Flickr album by Bart Solenthaler, who also maintains The Bart&Co. Historic Clip Art Collection. For more posts on Fonts In Use with information about the typefaces used on the covers of these booklets, see Harry Volk Jr. Art Studio.

“Summer” (No. 13) ft. three weights of Futura.

“Gimmicks” (No. 17) ft. all-caps Filmotype Arctic and Venus Extended.

“Gimmicks” (No. 20) ft. Filmotype April and Alternate Gothic.

“Holidays” (No. 21) ft. Filmotype Lion.

“Hazards” (No. 166) Filmotype Army.

“Mail Order” (No. 170) ft. Filmotype Quiet and Filmotype Lion.

“Sports” (No. 171) ft. Filmotype Army and Venus Bold Extended.

“Women” (No. 177) ft. what looks like Filmotype Randolf, a Didone with bilateral serifs in places where they usually don’t belong. Randolf doesn’t appear in 1955 and c.1958 catalogs, so maybe this is a hand-lettered precursor. Additional typefaces include Commercial Script and Bodoni.

“Foreign Figures” (No. 178) ft. Filmotype Fox. Illustration by Bob Bugg (?). Secondary typefaces include Venus Extra Bold Extended, Futura, Alternate Gothic, and Copperplate Gothic.

“Entertainment” (No. 179). The title is set in Quaker, an inline version derived from the solid Cameo. Quaker’s upright sibling was named Quartz – at Filmotype, names starting with Q identified “novelty” styles.

“Office” (No. 182) ft. Filmotype Pixie and Bodoni.

“Couples” (No. 183) ft. Filmotype Hamlet.

“Sales” (No. 186) ft. Filmotype Havana (or maybe Filmotype Horizon) with Century Schoolbook Italic.

“Atmosphere” (No. 188) ft Latin Wide.

“Zanies” (No. 189) ft. stacked glyphs from Filmotype Wells [edit: rather Latin Wide, see comments] in alternating shades. The text in the balloons was typed on a typewriter.

“Heads” (No. 191) ft. Filmotype Arctic with Alternate Gothic.