Pyros is used for a book titled Silberner Fluss (“Silver River”). Designer Ellie Hochdörfer describes the project as follows (translated):

Leiko Ikemura's poems and thoughts have made their way into this bound form like the water gushing as it ceaselessly seeks its way. For once, her drawings are not the focal point. To draw the main attention to the written word, the drawings are reduced to the two colors in which the book is printed: neon yellow and indigo blue. the double-volume paper makes turning the pages a cloudy, soft experience.

Exhibition catalog published by Mousse Publishing:

Produced for the first-ever solo museum exhibition by American artist Jennifer Guidi, held at Museo d’Arte Contemporanea di Villa Croce in Genoa, Visible Light is a series of paintings embodying a contemporary reinvention of the spiritual power of abstraction. Using an absolutely personal technique involving sand on canvas and drawing on her deep research into gesture and color, the artist creates two-dimensional sculptures in which light and texture interpenetrate to create remarkable tonal effects and designs. Guidi’s large canvases fill the rooms of the villa with saturated, spectral colors and abstract compositions, evoking new forms of interaction between each vibrant tone and the space it inhabits. The paintings emerge in an intuitive way, without any preliminary design, simply by Guidi repeating the same gesture in an automatic manner, as in embroidery or mandalas. The publication presents a conversation between Jennifer Guidi and Ali Subotnick, a critical text by Ilaria Bonacossa, and extensive visual documentation of the works on view at Villa Croce.

80 pages, softcover, 24×29,8 cm. All typography uses Pyros.

This small photo book is a piece by British artist Joan Ayrton wandering around the sculptures and marble bases of the National Archaeological Museum of Athens. A journey into time, stones and violin-shaped figures.

Slow melody time old was published on the occasion of the eponymous exhibition at gallery Florence Loewy in 2017, in cooperation with Théophile’s Papers. It’s also available from les presses du réel. The typography features an early use of Pyros by Apex Type Foundry. 24 pages, 157×225 mm.