The Daydream Fit was an Enschede based emo/noise-rock four-piece, active from 2013 to 2016. Together with Utrecht based bedroom label S/D Records, they’ve released their entire discography on cassette tape, including their EPs Make Me Forget (2013), Traveling (2014), their record album The Daydream Fit (2016) and a handful of singles recorded along the way.

The concept for the artwork of the discography is a reference to the expression “a final nail in the coffin”. Although a discography is in most cases more of a post-mortem release — an epitaph, so to speak — the band admitted that some day they might get back together again to make music. For this reason, the final/fourth nail put in the coffin is left out.

All typography uses Leitura News and Leitura Sans from DSType.

Risograph printed on Superbrut 1.5 150 gsm paper by Knust Press, Nijmegen. On-shell printing and cassette dubbing by T.A.P.E. MUZIK, Leipzig. Released by S/D Records on April 2nd, 2021. Edition of 50.

[More info on Discogs]

A huge plane tree, planted by Napoleon troops, oxygenates the country house Mas Gusó. Light and dark shades from light coming through the leaves become a mosaic that reproduces the plane tree leaf in both, a positive and negative mood.

Identity and signage for Mas Gusó, a farm house with a restaurant, market and wine store in Sant Pere Pescador (Costa Brava, Spain). Two styles of the Leitura type series, Leitura Display and Leitura Sans are used for all typography.

A modified stencil version of Leitura Display is used for the logo, as reference to stencil letterings painted on old wine barrels. This concept is repeated in the range of Mas Gusó wines, where each wine label has its own combination of initials.

History of a Journey – 100 Years of Tourism in Portugal (1911–2011)

With this publication, the National Commission for the Centennial of Tourism in Portugal looks back on the first hundred years of institutionalized tourism and celebrates historical landmarks.

Using Leitura in this project provided us a with a wide range of typographical solutions. The superfamily by Dino dos Santos enabled us to differentiate each section of the book without breaking up the coherence of the design.

photo by André Ngan-Meng