Murillo is a solid style that can be combined with
the open and shaded Plantin, resulting in a bicolor
set named Donatello.
Aldo Manutio is Murillo with fancy forms
for several characters (aehnrABDEFHJLMNRUW). It can be combined
with the open and shaded Virgil, resulting in a
bicolor set named Tintoretto.
Designed in-house at Schelter
& Giesecke in 1897 [Wetzig 1926–40] Note that Seemann
accidentally shows Murillo as Aldo
Manutio, Aldo Manutio as
Ratisbona, and Ratisbona as
Murillo.
Preceded by Bramante / Buanarroti (1894), a shaded
variant with hatched fill.
Murillo was also sold by Enschedé as Versierde Schrift Serie 9
(before 1902) and by Urania as
Estienne (before 1908, later by
Augusta)
[Reichardt 2011]
[Piccinini]
Ralph Unger digitized Murillo [sic!] as
More…
Murillo is a solid style that can be combined with the open and shaded Plantin, resulting in a bicolor set named Donatello.
Aldo Manutio is Murillo with fancy forms for several characters (aehnrABDEFHJLMNRUW). It can be combined with the open and shaded Virgil, resulting in a bicolor set named Tintoretto.
Designed in-house at Schelter & Giesecke in 1897 [Wetzig 1926–40] Note that Seemann accidentally shows Murillo as Aldo Manutio, Aldo Manutio as Ratisbona, and Ratisbona as Murillo.
Preceded by Bramante / Buanarroti (1894), a shaded variant with hatched fill.
Murillo was also sold by Enschedé as Versierde Schrift Serie 9 (before 1902) and by Urania as Estienne (before 1908, later by Augusta) [Reichardt 2011] [Piccinini]
Ralph Unger digitized Murillo [sic!] as Aldo Manuzio (RMU, 2017, “redrawn, extended and redesigned for modern usage”) and Aldo Manutio as Tintoretto Fill (Profonts, 2006). Despite some differences, these two digital fonts are used for the sample.
