Business cards

Branding and website for SisInBiz, the FINTA network of the Swiss music industry.

Since 2017, SisInBiz has been connecting FINTA individuals in the Swiss music industry. With the founding of the association in 2026, the moment had come to step forward with a clear public presence – and an identity that does justice to the network. The community as a living structure: the way it forms, expands and mutually supports itself becomes tangible as an animated element on the website. The logo mark carries this idea forward as an organic form. The wordmark provides the counterpoint – present, direct, unambiguous. This contrast runs through the entire visual identity: between playful serifs and bold italics, between a reclaimed pink and a powerful bordeaux.

Website

Greeting card

Footer

Frizbee by Typeverything is used across the branding of Bahrain-based brunch and breakfast spot Popina. Their visual identity was designed in 2024 by Zeal Studio, combining approachable typography with a playful, fresh and contemporary look and feel. The restaurant closed doors in autumn 2025. Frizbee is complemented by Cabinet Grotesk and a yet unidentified typeface used for Arabic.

The Henryk Wieniawski Musical Society (Towarzystwo Muzyczne im. H. Wieniawskiego) of Poznań brings together scholars, culture animators, artists, promoters of musical life and music lovers. It continues the tradition of the oldest secular musical association in Poznań, which was established on 2 May 1885. For a number of years, the Society has been one of the foremost organizers of musical life in Poznań. It has inspired several events of international calibre – including the famous International Henryk Wieniawski Violin Competition – hosted numerous concerts, meetings and workshops run by outstanding artists, chamber ensembles and symphonic orchestras. Wieniawski Society fosters the memory and disseminates knowledge of its patron. It collects documents and memorabilia, as well as publishes works on his life and work. The Society also provides young musicians – violin players in particular – with different forms of promotion.

The new graphic identity was inspired by the musical notation. The elliptical shape derives directly from this of the note, while the horizontal lines constitute a reference to the staff. The new logo focuses on metaphorical representation of space. It is a space both for music itself, and for the individually experienced emotions associated with it. Depth lies in what is profoundly subjective and directly experienced by the listener. The syllable-separated name of the association creates a rhythmic composition. Owing to its responsive and dynamic structure, adjustment of spacing between the two key elements of the sign symbolically creates space for multidimensionality of music.

The design was made by Matylda Awdziejczyk, Anna Małecka, and Anna Holik (art direction), with motion and strategy by Adam Chyliński. The project was managed by Daniel Naborowski.

Compass Studio is a digital marketing agency based in Barangaroo, Australia.
TMRRW Studio was in charge of creating their new visual identity.

They used Flexible as main typeface for their communication, in addition to Reckless Neue for the subheadings and Cabinet Grotesk for the body copy.

Homepage (top)

Homepage (bottom)

Personal portfolio of Matt Imling – freelance web designer and developer collaborating with agencies, businesses, and individuals to create impactful online experiences.

Erika Guddemi is a young artist and visual designer with a minimal and colorful style. Her projects range from UX-UI design to pyrography, which she also teaches in workshops, courses and events.

Her visual identity has been created by focusing on her versatility and ability to adapt from the digital world to the artistic one. The K, the distinctive letter of her name, has been modified in order to recreate a tip that recalls a pyrography, but also an arrow or a pencil. The oblique and on the contrary position is intended to underline the sense of dynamism and playfulness, which can also be found in the color palette and typographic choice.

Gruppe am Park created the visual identity of Schach Landesverband Oberösterreich, the Regional Chess Federation of Upper Austria, with an accessible and playful visual system. Based on a pair of fonts – Plage (from lift-type) for the logo and Cabinet Grotesk (from Indian Type Foundry – the all-black-and-white visual identity is punctuated with illustrations that perfectly match the typographic choices.

From Gruppe am Park’s website:

Chess is boring and completely out of date. Moreover, chess players are arrogant and nerdy. Confronted with these clichés, the question arises: How can the sport of chess and the Upper Austrian Chess Federation be made accessible and attractive to a younger target group and brought back into the public eye?

Festeme, the Spanish Musical Theater Festival, is presented as a unique initiative that celebrates and encourages the creation of original productions within the theatrical-musical genre.

It’s a national reference that had its first edition in Córdoba from October 13 to 16, 2022. A cultural and creative explosion that served as an intersection and platform for professional artists of theater, music, dance, literature, design, etc. More than a festival, it’s a collective, collaborative and multidisciplinary creation movement for artistic promotion and innovation.

We have worked on elements such as the pentagram and concepts such as the movement that we capture graphically through the use of asymmetric horizontal lines that interfere and add dynamism to the identity. In addition, the typographic presence is very important. The use of Galgo and Cabinet Grotesk provide the composition with closeness and personality to the event, making it very recognizable.

Photos by India Gitana.

Espace Adélard is an artist residency offering an immersive experience for artists in the city of Frelighsburg, Canada. Artists are invited to work on their projects while at the same time engaging with the local community – whether it’s school children, merchants, or any part of the population – around workshops and discussions about art. The name of the gallery is an homage to Adélard Godbout, Québec’s prime minister in the 1940s, who was an agronomist and took several progressive measures including the right to vote for women and mandatory schooling for children from age 6. As he grew up in Frelighsburg, the idea came quite naturally to associate the name Adélard to this artistic space, a name that evokes a care for nature, patrimony and education.

For the 2021 season, Espace Adélard commissioned Jolin Masson to design their program poster. The gray background enhances the colorful paintings by this year’s residents, making it a sober yet poetic informative poster. We find this elegant sobriety in the use of Newsreader from Production Type and Cabinet Grotesk from Indian Type Foundry. Newsreader was designed by Hugues Gentile and Jean-Baptiste Levée with the idea of a typeface for text on screen and long-form reading, which brings a bookish aspect to the typeface for its text versions, as used in this poster. Cabinet Grotesk, on the other hand, is a contemporary sans with a slight contrast, a typeface that has personality without taking center stage. Both of the font families are open-source [edit: Newsreader is open-source, Cabinet Grotesk is free for commercial use, but not open-source, see comments]. Another thing they have in common is the subtle design: brought together, they create a form of sophisticated simplicity in the poster that make its design “evident”. This obviousness suits Espace Adélard: a place where artists take the time to work on their art, and where art isn’t sacralized by the institution.