This 52-page booklet was designed by French graphic artist Fanette Mellier (translated):

The theme of “Innovative Gesture” inspired the graphic design of this annual report. The letters H-E-R-M-È-S are based on emblematic objects: horseshoes, perfume corks, woven leather, padlocks… They unfold in color in the form of an accordion, the reverse side of which is taken up by a composition of monochrome photographs linked to the company's expertise. The principle of graphic lettering is repeated on the dividers inside the publication. The spiral binding is a reference to the codes of administrative documents, here overturned by the sophistication of the finishing.

To compose the text, she made early use of the typeface Album Slab by Thomas Huot-Marchand (205TF).

L'art en jeu is a series of books to help children discover the art of the 20th and 21st centuries. As the pages turn, a work of art is revealed through the unfolding of images, questions, graphic surprises, games... An invitation to look at today's art in a playful way.

L’art en jeu (“Art in play”) is a book series published by Éditions du Centre Pompidou, named after a 1993 exhibition by the same name. Designer Fanette Mellier used the typeface Album Slab by Thomas Huot-Marchand (205TF) for both the book covers and the interior typography.

Énergies Désespoirs. Un monde à réparer (“Energies Despairs. A world to repair”) is the catalogue of the eponymous exhibition initiated and designed by Encore Heureux Architectes and the École Urbaine de Lyon, installed at the Centquatre-Paris from May to August 2021.

The exhibition explores two opposing sides of our contemporary planet:
— The crisis of the Earth’s habitability revealed by more and more signs and documented by science;
— The initiatives, at different scales, which testify to the possible repair of this world damaged by the impact of human activities.

The book, like the exhibition, puts in tension the despair that arises from the observation of environmental damage and the energy that comes from experimenting with ecological reorientation of our ways of living. It includes a text by José-Manuel Gonçalvès, a preface by Jean-Christophe Bailly, an interview with the curatorial team and a set of 120 large-format paintings by the artist Bonnefrite. This work, as a vector of an engaged imagination, seeks to transmit a direct emotion, but also a collective thought.

In order to open up the reflection undertaken in the exhibition and to deepen certain issues raised, the book also includes the answers of fifteen personalities to the question “What is your despair? What is your energy?” and the republication of five articles from the daily online newspaper AOC.

To design this book, Bureau 205 used Album Sans and Album Slab by Thomas Huot-Marchand.

Somewhere between a magazine and a fanzine, A°2021 is an original editorial object co-published by the École urbaine de Lyon and Éditions deux-cent-cinq. It brings together texts by numerous authors from a variety of scientific, literary and artistic fields that allow us to understand the notion of the Anthropocene.

What we propose to call the “Anthropocene” is the historical moment that began after 1945 with the onset of the phase of generalised urbanisation of the planet, during which it becomes undeniable that human activities are having an increasingly strong impact on biophysical systems. These upheavals can be observed everywhere, both globally and locally. To such an extent that the Earth’s habitability for humans and non-humans is being questioned.

The aim here is to revisit thought and social phenomena based on the recognition of this crisis of habitability on an unprecedented scale and to propose avenues for reflection and action so that we can collectively invent new ways of co-habiting.

Ensuring that we can reflect on and discuss these major contemporary issues is a requirement at the heart of the second issue of the magazine and of the Urban School's public service mission.

To design this publication, Bureau 205 have exclusively used fonts distributed by 205TF: Molitor, Muoto and Zénith by Matthieu Cortat; Album Sans and Album Slab by Thomas Huot-Marchand; Cardone by Fátima Lázaro; Romain 20 by Alice Savoie.