Identity for Macao Orchestra’s Concert Season 2022–23 created by Untitled Macao:

In celebrating the 40th Anniversary of Macao Orchestra, we are expressing the theme of “Leaping Over to the Future” through graphic design, in an attempt to illustrate the abstract future. Aside from symbolizing the attractive spotlights on stage, the metallic texture of silver also brings along a slight sense of mystery, in which strongly futuristic at the same time. In short, everything is clean yet powerful. This time, the conductor’s baton has been chosen as a symbolic key visual which implies guidance, like a conductor guiding every musician in the band to complete a piece of music during performance. By using repetitive graphics of the baton, not only does it show the strength of unity, the repetitiveness also emphasizes the meaning of “Movement”.

The English titles are set in Love by VJ-Type. The Chinese typeface is yet unidentified [edit: it could be Adobe Ming, see comments].

White Fungus is an art magazine and project based in Taichung City, Taiwan.

Founded by brothers Ron and Mark Hanson in Wellington, New Zealand, in 2004, as a quasi-political manifesto, copies of the first issue were produced on a photocopier, wrapped in Christmas paper and hurled anonymously through the entrances of businesses throughout the city. Now a magazine featuring interviews, writing on art, new music, history and politics, White Fungus takes a dialogical approach to the work it covers. The name of the publication comes from a can of “white fungus” the Hansons found in their local supermarket in the industrial zone of Taichung City. Each cover of White Fungus is derived from a scan of the can.