The visual identity for the inauguration of Sesc Franca brings the typographic experimentation of its workshops to large-scale screens and supports. The entire graphic was developed using the procedural animation software Cavalry. BVH Eiffel by André Baldinger and Fanny Hamelin from BVH Type brings the complex architecture of the new building to the visual identity.

In 2014, Baldinger•Vu-Huu designed the visual identity of the Frac Île-de-France, a regional contemporary art fund, spread over three locations. The multi-site aspect of the Frac was one of the main issues. The arrows evoke the different exhibition places and the notion of off-field when they adapt to the limits of a format. For this identity, Baldinger•Vu-Huu worked with BVH Eiffel, which is the Frac’s typeface until now. Since 2014, the Frac identity has been featured in various media and applications: from website and signage to exhibitions, posters, flyers, exhibition books and so on.

On the occasion of the delivery of the new building of the National Australia Bank in Melbourne, realised by the architects Woods Bagot, a new signage was designed by the Australian graphic design studio Pidgeon Ward.

Designed around the triangular shape of the building, the signage is composed with BVH Eiffel, as well as its unique display variant BVH Eiffel Level, which recalls the pattern of the structures used.