Phùng Ân Artisan specializes in high-quality homeware that blends contemporary aesthetics with Vietnamese cultural influences. Known for creativity and sustainability, their products showcase traditional materials and techniques, supporting local artisans and preserving Vietnamese heritage.

Phùng Ân collaborated with Layơ Lab to revitalize its brand, enhancing its visual identity to reflect professionalism, modernity, and creativity. Drawing inspiration from the daily work of Vietnamese artisans, they combined traditional yellow hues with eco-friendly Kraft paper to preserve and elevate the rustic nature of Vietnamese handicrafts. This approach honors the enduring value of Vietnamese craftsmanship and preserves cultural heritage for the future, embodying the concept: “present heritage of Vietnamese culture to the future.”

To emphasize sustainability and traditional craftsmanship, the “gold dust” visual element was introduced, featuring random-shaped gold foil patches to enhance product value and sophistication. Customizable in size, space, and color, it combines artistic and contemporary visions.

The product image system, interacting with high-contrast text, highlights craftsmanship and artistry, serving as both an advertising and sales tool. This system showcases the diverse beauty of Vietnamese handicrafts and Phùng Ân’s portfolio. Images can be adjusted to black and white silhouettes to simplify the design.

Novo Mel, founded in 1994, sells organic honey from suppliers in different regions of Brazil to hotels, restaurants and supermarkets on all continents.

The Brazilian rain forest is known for its variety and therefore our honey has many different flavors (orange, eucalyptus, cashew, sugar cane, capixingui, assa-peixe, velame, etc.). (...) Brazilian honeys contain no trace of pesticides, herbicides, heavy metals, radioactivity and other chemicals. (...) Brazilian bees do not require drugs or special treatment, leaving the Brazilian bee products residue free. — Novomel

The organic structure of Candara seems like a reasonable compromise between Chinese poetry and music from early twentieth-century Vienna. The conductor Kenneth Woods discusses the recording on his blog; the cover is Nicholas Roehrich’s Tibetan-inspired painting Star of the Hero.