This poster was created to promote the exhibition Landscape as Fiction, which presented the outcomes of a semester-long course of the same name at the College for Creative Studies in Detroit. I participated in the course during my Erasmus exchange semester, contributing to a collective exploration of how landscapes can be interpreted, constructed, and reimagined as narrative and speculative spaces.

The exhibition showcased a wide range of student works developed throughout the semester, spanning multiple disciplines and formats. The displayed projects included posters, sculptures, installations, animations, and shadow play, reflecting the experimental and interdisciplinary nature of the course. The exhibition took place in Detroit and was open to the public for about one week.

The poster functioned as the main visual identity and advertising medium for the exhibition. It featured the exhibition title as well as the names of all participating students, emphasizing the collective character of the project. To ensure strong visibility across the campus, the poster was produced and displayed in various sizes and formats. It was hung throughout both university campuses and distributed in both physical and digital form.

In addition to printed posters, a digital version was shown on screens in hallways and shared via social media and bulletin boards across the university buildings. A modified version of the poster design was also used as the cover of a supporting exhibition booklet, extending the visual language of the project beyond the exhibition space.

Through its broad distribution and adaptability across media, the poster played a central role in communicating the concept of Landscape as Fiction and unifying the diverse works presented in the exhibition.

TITLE mag is a print publication that creates a community for young creatives to learn new skills, grow through mentorship, and build a strong network in a hybrid digital environment.
This issue involved the work of 111 individuals.

The theme for issue 006 is “Golden Age”. It was released March 26, 2022 out of Cincinnati, Ohio. Representing our interpretations of elegance, nostalgia, romance, and opulence, these pages are filled with expression from young creatives across the country. Our Editor in Chief said it best:

It feels like being draped in expensive silk and wrapped in glistening pearls. It feels like putting on your fanciest clothes and jewelry for a night out with your closest friends. It feels like the warm glowing light that comes bursting through your window on a summer evening. It feels like looking at old photos that transport you back to a completely different time of life. It feels like writing a love letter to someone you know will write one back to you. It feels like the hug that you never want to end. It feels golden.

This issue featured Sloop Script and Argent Pixel CF as the primary fonts for branded content and spreads. The other fonts highlighted in this post are part of the TITLE mag evergreen branding.

The final print issue is 177 pages, with 27 unique team projects. Issue 006 also includes a Digital Extended Edition, with seven additional digital-only projects and extensions of multiple print editorials.

Intentos por dejarse caer dentro (“Attempts to fall inside”) is a Colombian experimental short film, directed by Jonas Radžiūnas. It reflects on reality and psychologically plays with perception.

For the graphics, we made a comparison between the Rorschach test and the way the subconscious interprets the short film.

The image references the inkblot slides of the Rorschach tests, making the interpretation of the poster subjective and plays a psychological role just like the interpretation of the film. We use a 3D technique to express the experimental and avant-garde character of the film.

The film’s title stems from the idea of ​​exploring the subconscious as a spiral fall. To communicate this in the header, the typography was intervened by prolonging the serifs in a spiral shape.

To support the idea of ​​the Rorschach test, we created a graphic system that works in reflection and symmetry, making reference to how the spots are built and seeking that all the elements in the graph can be reinterpreted.

The context of the short film is marked by the social controversy brought about by the results of the 2018 presidential elections in Colombia and the feeling of uncertainty that began to generate a collective disagreement. This film seeks to question the subjective way in which we perceive life in order to incite a sociocultural change, understanding that we must let ourselves fall inside to change our context.