For my master’s thesis, I dove deep into the ways that artificial intelligence represents identity. After conducting hundreds of studies utilizing generative AI, what I found was that the nuance of the human experience is flattened, and that stereotypes and bias found in the real-world get amplified and distorted by the machine.

To bring these results to life I developed a pop-up exhibit and talk, as well as a book summarizing my findings. Typography played a crucial role distinguishing the human elements from that of the machine. Mixing typefaces and hindering legibility became a tool to get visitors to engage with the exhibit studies more closely.

Developed as part of ArtCenter College of Design MFA in Graphic Design program.

This artist’s book explores memory, migration, and belonging through drawing, writing, textile art, and archival research. Tracing the artist’s grandfather’s journey from a mountain village in southern Poland across post-war Europe, it layers personal reflection with political history, landscape studies, and family artefacts.

The typographic design combines the contemporary serif ABC Gaisyr (with Mono) by Fabian Harb (Dinamo) with the ornate Amster Versal Iluminada by Francisco Gálvez Pizarro (PampaType). This pairing creates a dialogue between modern clarity and historical ornament, underscoring the book’s negotiation of past and present. Chapter headings are hand-drawn, inspired by frescoes on the arcaded ceilings of Via Indipendenza in Bologna, which add a gestural, site-specific element.

The book juxtaposes text with archival photographs, reproductions of artworks, and full-bleed visual material. Layouts range from dense text spreads to spacious pages with floating captions, creating rhythm and breathing room. Images are annotated with precise figure labels, recalling both the language of academic research and the intimacy of a family album.

Printed digitally on Munken Pure 100g/m² and Pashmina Light Grey 120g/m², each copy is hand-bound with silk and wool. The materiality emphasizes tactility and fragility, echoing the themes of displacement and endurance.

Made in an edition of 5 at the Faculty of Fine Art, Music and Design, University of Bergen, 2025.

Daisy is a 16mm short film created by director David J Adams in late 2023, featuring model Daisy Parker, together with poems that she wrote and then read.

The graphics were designed by London-based creative studio and publisher Cash & Carry. The title is set in Plain Form's Ready Active, sporting a bold red and a slight three-dimensional effect, as if traced with lipstick – or written in blood. Credits and subtitles use Dinamo's Gaisyr Mono with its recognizable ‘butterfly’ serifs.