The book Storie Spaziali per Maschi del Futuro is a collection of 12 fairy tales written by Francesca Cavallo and illustrated by Luis San Vicente. The book design by Francesca Zucchi features Marcus from MA-MA Type in combination with GT Sectra by Grilli Type.

From Amazon:

The 12 fairy tales take place on 12 imaginary planets. Each one deals with the formation of male identity: from the relationship with the father figure to the management of power imbalances, from the recognition of emotions beyond anger to the courageous exploration of one's own identity, from the discovery of a romance that does not require heroes to the importance of knowing how to take a step back and repair what has been broken, inside and outside of oneself.

The website of Bien Public, a new cultural space located in Bordeaux (France), was designed by Contemple Studio, using Marcus from MA-MA Type together with General Sans from Fontshare.

From Bien Public’s website:

With its modular performance hall, its restaurant, its gallery, its outdoor terrace and its panoramic view of the city, Bien Public intends to stimulate the development of the cultural and festive life of the neighborhood, and become a real meeting place for all Bordeaux residents.

Visual identity designed by Estudio Salmón using Marcus from MA-MA Type together with Monotalic from Kostic.

Commissioned by Visibles, together with Hivos and the LGBTIQ+ Open Data Center, Estudio Salmón developed a campaign whose purpose was to publicize data about violence due to prejudice in Guatemala, its effects within the LGBTIQ+ community, and the results of the justice sector regarding these violations of human rights.

Book designed by Agnès Dahan Studio using Marcus from MA-MA Type together with a serif and a monospaced typeface, both of which are yet unidentified.

From Agnès Dahan Studio’s website:

This collection of amateur photographs, found at a New York flea market in 2004, features men dressed as women. The photos belonged to a certain Susanna who, between 1959 and 1968, opened her door to all those who, like her, secretly cross-dressed. For a few days, they could come and live freely as women on her Catskill estate: Casa Susanna.

Casa Susanna, L’histoire du premier réseau transgenre américain, 1959–1968
was written by Isabelle Bonnet and Sophie Hackett, and published in French by Éditions Textuel in an edition of 3,000 copies. The soft cover has 480 pages with 250 photographs and measures 18×25,5 cm. There will also be an English edition by Thames & Hudson.

Published with the support of the Terra Foundation for American Art and the Fondation Antoine de Galbert.

Visual identity for Claire Ginestoux designed by Por Qué No, using Marcus from MA-MA Type together with Avenue Mono from BoulevardLAB. The palette is completed by Neutraface Text Italic from House Industries.

From the artist’s website (translated):

French artist Claire Ginestoux has always been drawn to nature in all its graphic and colorful forms. Inspired by the natural phenomenon called Superbloom, a spectacular bloom of wild flowers in the California desert, she declines this rare and precious moment in a sensitive and shimmering universe, in an imaginary landscape in her pastels and paintings, in abstract prints or in silk flowers.

Booklet for the Cinémathèque du documentaire designed by Maxime Fittes using Marcus from MA-MA Type on the cover, for headings, quotes, and other display purposese. Text is set in Century Schoolbook, with the Monospace variant used for captions.

Book designed by In The Shade Of A Tree using Marcus from MA-MA Type in combination with Söhne and Söhne Mono by Klim Type Foundry.

From Freigeist Verlag’s website:

Compiling the works of artist Mikhail Karikis made in the past decade, For Many Voices includes both carefully selected images and critical essays in dialogue with his artistic practice. Closely collaborating with children, elderly and disabled people confronted with alarming issues of labour and ecology, Karikis challenges the boundaries between actors and those acted upon, exploring the revolutionary potential of sound and embodied voice. What are the actual desires and demands of those who are mostly overheard? How can their voices be authentically expressed through artistic means? How to avoid speaking on behalf of the seemingly voiceless but let them speak for themselves?

The Swiss bound double book was edited by Hannes Schumacher and Elinor Morgan and published by Freigeist Verlag, Berlin, in 2022.