Vosto5: Snaha je patrná (“Vosto5: The effort is evident”) offers an insight into the guts of Prague-based theater ensemble Vosto5 in a creative crisis at the peak of their careers. A docufiction book, a readable dada collage about members of the ensemble, including vast pictorial archive from the group's long history. Written by Martina Sľúková.

The publication measures 150×210 mm, spans 168 pages, and comes in a softcover with a PVC foil dust jacket.

Pierre Jeanneau used Moore in a series of posters for Hotdogger Surf Festival, screen printed by Frenchfourch in Paris.

Klaara is a Telegram bot that acts as a personal assistant. Each week, it connects its users with people who share similar interests and goals, based on their profile. The aim is to make human connection simple and enjoyable.

The visual identity uses two typefaces: Moore by OTT is used for the logo, and GT America Mono is used for all text.

The project was founded by Klara Razumeyko and the creative direction was led by Polya Boronina.

Hey Kids, Watch This! is a new book designed by Studio Elana Schlenker and Jordi Ng and illustrated by Anna Haifisch. The book features over a hundred kid (and parent)-friendly films, activities, and a family film tracker to rate and record your impressions of each movie.
The project is produced and edited by the film and TV production company A24.

The poster for the 2024 edition the Magic Barbès festival titled “United” was designed by French graphic design studio Image Format, based in Paris and Marseille.

Magic Barbès is a collaborative festival created by FGO Barbara and driven by dedicated individuals who work tirelessly throughout the year to offer a wide range of activities and collective experiences to everyone in the Goutte d’Or community, whether they live there, work there, or simply pass through. This event brings together professionals and volunteers to breathe life into the urban fabric of the area. Expect concerts, tournaments, panel discussions, meetings, workshops, and even a cultural olympiad! It's a celebration of joy, harmony, and well-being where everyone is welcome to join in the fun.

A series of posters by Parisian graphic designer Pierre Jeanneau, made for Joël Pommerat’s theatrical creations Contes et légendes and La Réunification des deux Corées at the Théâtre de la Porte St Martin in the 10th arrondissement of Paris.

Posters and flyers designed by Ghent designer Ward Vossaert (Wurdex) for Belgian event organizer Planet Groove and their last three music events in Ghent, Kortrijk, and London.

2023 greeting cards designed by Pierre Pierre, featuring blue foil and embossing on colored paper. Atelier Pierre Pierre is a Paris-based design studio run by Pierre Pautler, Florent Pierre, Kévin Lartaud and Romain Baraton.

Cookit packaging designed by Odds Studio for Gramme 11, a restaurant in the 11th district of Paris that also offers products for sale like this cookie recipe preparation kit. Moore is paired with the restaurant’s standard typeface, Founders Grotesk.

This poster was made for a talk I'm giving with the Art Directors Club of Tulsa on April 6, 2023. The design is inspired by old circus posters that playfully mix all sorts of weights, widths, and styles of type; my take is modified and updated to feel a bit more anachronistically modern, with unexpected typefaces like LCD, Moore, and Casserole (Oh No’s “resuscitation” of Davida) adding a 70s and 80s flair to the more traditional slab serifs like Rockwell Condensed and Deming. The image is excerpted from Engenhocas, a vintage Portuguese DIY magazine from the 1940s.

Identity and labels designed by Guillaume Lavallée for LESORR (Les Objets Raymond Raymond), a new clothing brand where all items are handmade in Montreal.

Posters designed by French studio Helmo in 2022 for Fulgurances Laundromat, a restaurant in Brooklyn which hosts foreign chefs in residence throughout the year. Each poster announces the arrival of a new chef at the restaurant.

From The New Yorker:

Fulgurances Laundromat, which is tucked into a refurbished laundromat in Greenpoint and features meals from the imaginations of young talents who are, for the first time, fully in control of their own kitchen.

Essais, 2020–1996 is a collection of essays written by French architect Jacques Ferrier of Ferrier Marchetti Studio. It was published by Sensual City Books in 2021. Olivier Lebrun designed the cover using Moore. The interior is set in Times New Roman Seven and Suisse Int’l. A pdf of the book is available from the studio.

Experience Collective is a poster designed by Emmanuel Crivelli of Dual Room for the project Affichage Public in Switzerland. It’s described as follows:

The individual experiences that make up the collective experience: being is above all a conscious vibration.

Affichage Public was founded in 2015 with the aim of sharing Swiss graphic design as a cultural heritage with as many people as possible. The events of the Affichage Public association highlight graphic design that does not serve a promotional purpose. The posters that are shown illustrate the visual and conceptual creativity of graphic designers from various Swiss cantons.

Dreams is a lifestyle store in Los Angeles’ Atwater Village created by creative entrepreneur Monica Navarro and spatial designer Adi Goodrich of Sing-Sing. Studio Elana Schlenker and Élise Rigollet took care of the branding

The identity is anchored by a strong logotype with softly blurred edges used in concert with a toolkit of eclectic type (an elegant serif, glitchy pixelated font, and bubbly display text) and surreal illustrations by Julia Dufossé that add texture and intrigue to the brand’s communications.

The main fonts in use shown in this post are Moore, WT Kormelink and Lo-Res 15, supported by Tiny. The website uses Twentieth Century, and on social media, Dreams makes recurring use of Swear, Snell Roundhand, Vivaldi, among other fonts (not pictured here).

Shop photography by Ye Rin Mok, Adi Goodrich, Dreams.

Cover photo by Charlotte Krieger

Culture Enjeu is a printed periodical which explores the artistic, financial, political and social issues of culture in Switzerland. It’s designed by Dual Room (Emmanuel Crivelli). The latest issue, number 71 from October 2021, is titled “La vie d’artiste”. The typography combines Moore with Similar. The latter was introduced as Culture Enjeu’s standard typeface in summer 2020.

From the about page (translated):

Culture Enjeu has occupied a unique place in the French-speaking media landscape since its launch in 2004. It is committed to intelligent and balanced coverage of cultural news every three months. Not in the immediacy of the constant flow of cultural offerings, but to focus on the artistic, political and financial issues that underlie the Swiss cultural landscape, and in particular that of French-speaking Switzerland. Thanks to in-depth and informed analyses and surveys that anticipate future political and public debates, Culture Enjeu offers an enlightened view that enriches the perspective of professionals, political representatives and decision-makers. More than an independent publication, Culture Enjeu is a place of exchange and debate, a space of expression which, we hope, will allow us to think about the culture of our country for a long time to come.

Printed programs designed by Timon Chapelain for Mains d'Œuvres, an art center in the north of Paris.

CGI image designed by Horah Inc. for the Bluemarble fashion show in Paris in January 2022.

This longsleeve by Lyon-based clothing brand Reception is named “Antica Focacceria San Francesco” after a restaurant in Palermo, Italy. The art on the back is by Clément Bertrand, making early use of Moore for “Mob”, combined with two weights of Herbus (Bold for “Sicilian Tour”, Regular for the city names). The front has the Reception logo in West Cooper Nouveau Swash and the restaurant’s address in a standard Fraktur.