Magic Canoe is a non-profit charitable organization whose mission is to build solutions to the polycrisis that are locally-driven and draw on deep wells of creativity, natural abundance, and local knowledge.

The identity was designed by Vancouver-based Zak, using IvyOra Display Thin for headlines and IvyOra Text for body text, combined with Futura PT for navigation. The logo is based on Times New Roman.

We created a distinctive identity for photographer and art director Dondre Green that uses a combination of typography, layout, and colour to present a contemporary and expressive look for his brand and website. Born and raised in the Bronx with roots in Jamaica, Dondre’s creative vision captures the essence of culture, identity, and artistry. His identity and website are designed to reflect his unique perspective and bold creativity.

We chose Base&Bloom from NaumType as the primary header font, while Blaze Type’s Area and Ivy Foundry’s IvyOra serve as complementary fonts. The logo is a modified version of Abide by Barrett RM Type.

The monograph Seçkin Pirim 2000–2024 offers a comprehensive selection of Seçkin Pirim’s œuvre from the early 2000s to the present, tracing the evolution of his practice from the beginning of his career to today.

Each editioned copy of the publication features a unique cover designed and executed by Pirim himself as an original extension of his artistic practice. Structured around a chronological examination of Pirim’s œuvre in three periods, the book does not treat these phases as isolated or independent stages, but rather as a continuum of constant evolution shaped by the artist’s ongoing inquiries and explorations into the art of sculpture.

Enriched by curator Tommaso Tovaglieri’s analysis of the transformations in Pirim’s work and art historian Ebru Nalan Sülün’s essay situating the artist’s production within the history of sculpture in Turkey, the book also features Pirim’s personal reflections on each period as well as selected excerpts from previously published texts on his work. Edited by Erdem İlgi Akter, published as a bilingual edition in Turkish and English, the book stands out as a collector’s item.

Son of a Tailor is a clothing company built on the principles of expert craftsmanship, simple Danish design, sustainable production methods, and making custom-fit clothing for men.
The visual identity was made by Andreas Langhorn using IvyOra Display for headlines with IvyOra Text and Oatmeal Sans for text. System85 serves for the logo.

Vertica is a dedicated e-commerce agency with 150 employees. The company has offices in Copenhagen and Aarhus, Denmark. They provide information technology and services.

The identity work was made in-house by Daniel Doktor, who has the title of UI Design & Business Development. The design includes a typewriting effect that highlights the text as you scroll down the page. The font family used for headlines is IvyOra in a large size, mostly set in Thin and Light. IvyOra is paired with GT Planar for text.

Matt Kipper is a creative director based in Portland, Oregon. His website features IvyOra Text Regular and Regular Italic.

Trove Group is a parent agency with four specialist agencies that streamline the process for the shared client vision. For the new design of Trove, Power Shifter Digital chose to use IvyOra Display and Text, combined with Inter.

This January is a creative agency in Washington, D.C.

Born on 01/03/2020 and originally called January Third, the company is named for the special optimism you feel at the very beginning of a new year – that anything is possible, that this year is *the* year.

But after our country had a very bad day on January 6th, we felt compelled to rename and rebrand. The new This January brand offers a new look but the same fresh start feeling. The brand features a suite of types including IvyOra and Universal Sans with a logo modeled after Surt Expanded.

In 2013 Jen and Jeff founded Tonic Site Shop, offering customizable templates for websites and Canva.

The redesigned Tonic Site Shop website features IvyOra Display for headlines, quotes, with IvyOra Text for other bits like the newsletter call to action. IvyOra is combined with Sweet Sans and HK Grotesk for text and navigation.

The first use of IvyOra comes from designer Amanda Weiss who describes the project as follows:

While designing the cover for A Song over Miskwaa Rapids, I had my mind set finding on a thin display typeface. The problem I faced when researching was that many of the display typefaces had thinner weights that were beautiful on their own, but were getting lost due to their contrast, as well distracting from the other cover elements. IvyOra’s Light weight was the perfect balance—not only is it elegant, but had just the right weight and contrast to stand on its own without overpowering the rest of the design. I set the title and author in lowercase to help soften the larger type size, taking advantage of the round, inviting shapes of the lowercase vowels and most importantly, the double-story g.

Fortunately, the robins ended up being the very clear answer for many reasons. We wanted something light, beautiful, and uplifting. It's not hard to see where the inspiration came from after reading the opening sequence:

“Beautiful morning,” the robin said to himself, “and time to begin. Opiichii, opiichii niin!”
His song, a solitary voice repeating several rounds of his wake-up song, Opi chii, opii chii niin; opiichii, nagamo daa! was joined by other robins who woke and joined, each flying to a branch that swayed with the bird’s weight and the sweetgrass-scented breeze from the swamp side of the LaForce land.

Art direction by Rachel Moeller. The book will be published by University of Minnesota Press in November 2023.