Genetwister is a biotechnology company specializing in molecular breeding and bioinformatics for agricultural, horticultural, and ornamental plants.

Their identity, set in Sprig Sans, combines clear typographic structure with bold, expressive illustrations to communicate a mission centered on advancing plant genetics through data-driven research and innovation.

Brand & Board works with executive directors, CEOs, and board members of non-profits to strengthen board engagement and brand effectiveness. The typography-driven identity features Sprig Sans, a geometric grotesk whose friendly tone balances clarity with approachability.

Hany’s Harvest’s packaging and visual identity features three typefaces from Faire Type. Print is used for big headlines, Print Text for subheads, and Sprig Sans for all the body copy.

Inspired by founder Hany’s own wellness journey and grounded in time-honored herbal traditions, Hany’s Harvest was born from a passion for helping others feel their most vital, naturally. Their mission is to empower you to thrive by harnessing the transformative power of functional superfoods – carefully crafted into easy-to-take wellness tonics that make daily self-care both simple and delicious.

From shared cars and scooters to bikes, buses, metros, and trains, Gaiyo’s mission is to enable “greener and cleaner cities,” helping users move more swiftly and intelligently. This vision inspired a bold, architectonic visual identity that blends motion with structure. The extending logo suggests infinite movement—symbolizing Gaiyo’s commitment to an ever-forward journey.

Designed by Gijs Lammers and Yasmine Bouma in collaboration with Gardeners, the identity features Sprig Sans and Irregardless.

Faire Type’s Sprig and Sprig Sans in use for the new visual identity of The Shed.
Adam Studios writes:

We updated the visual identity of The Shed, a hands-on afterschool programme based in Hong Kong. In addition to establishing fonts, palette and guidelines, we also did the illustrations that represent the brand’s core tenet “Me, We, Us” that encourages children to attend to their needs, those of others and those of the planet. This branding process culminated in an update to The Shed’s website, the creation of new social and press templates, and the beginnings of The Shed’s product development phase.

Couturissime, the retrospective of the life and career of French fashion designer Thierry Mugler, made its final stop at the Brooklyn Museum in 2022, where it received a new graphic identity treatment. The weight-modulated typography of the title, marketing, and didactics – set in the pairing of Faire Type’s Sprig and Sprig Sans – reflect the idiosyncratic humanist elegance present throughout Mugler’s work (even in his futuristic “Fembots”). Glossy, translucent wall labels wink at artifice and adapt to the frequent shifts in color and materiality in the many galleries of the exhibition. A bright yellow dominates the marketing materials, chosen specifically by Mugler before his passing. And wisps of smoke both reveal and obscure the title wall lettering, inspired by the clouded catwalk introduction of his masterpiece, “La Chimère” (Fall/Winter 1997–98).