Seamless Data is a New Zealand integration platform for utilities, local government, and other asset-rich organisations. The website positions the company around system connection, workflow automation and resilient operations, with dedicated sections for local government, utilities, FME products, case studies and training.

The site combines technical product messaging with a more human layer about trust, partnership and long-term support. Its structure moves from platform overview to sector-specific applications, product modules, testimonials and case studies, giving the business a clear B2B sales flow grounded in infrastructure and public service use cases.

Both the logo and the website use Store Norske Skandia from Skriftkompani.

Da Pietro 1955 is a restaurant in Piazza Duomo, Como, with a new website designed by Memesi. The site presents the restaurant as both a historic institution and a contemporary culinary brand, moving between heritage, menu, cocktail bar and guestbook content while foregrounding interiors, dishes and the atmosphere of the square.

The Heritage page frames Da Pietro as Italy’s first tavola calda and Como’s oldest family-owned establishment, giving the website a strong historical spine rather than treating heritage as secondary brand material.

The website uses Store Norske Skandia from Skriftkompani. The logo appears to be custom(ized).

Document Drafter is a Danish document automation platform for law firms and corporate legal teams. The website frames automation as a way of embedding legal expertise into documents rather than reducing it to templates, using lines such as “Ideal for impatient perfectionists” and “Built-in brilliance”.

Product sections focus on Word-native drafting, Microsoft integration, end-to-end workflows and Agentic AI, while customer logos, security certifications, metrics and testimonials build trust across a technical B2B sales flow. The company page adds a founder-led profile and Danish locations in Copenhagen and Aarhus.

The website uses Store Norske Skandia from Skriftkompani.

SweatPals is a social fitness platform for discovering and hosting classes, clubs, retreats and other wellness experiences. The website brings together participant-facing discovery and host-facing business tools, with sections for studios and gyms, clubs, retreats, testimonials, app downloads and booking demos.

The website uses Store Norske Skandia from Skriftkompani and Raw from Out of the Dark.

Real Mushrooms packages its mushroom supplements in a calm, earthy system of bottles and pouches, using warm neutrals, product-specific illustrations and a clear distinction between powders, capsules, blends and pet products. Across the range, the design accommodates long product names, certification marks, beta-glucan claims and serving information without losing a quiet overall feel.

Typefaces in use are Store Norske Leif and Store Norske Skandia from Skriftkompani.

Oogwereld – Campagne Januari 2026 is a campaign for Oogwereld, the group of high-end opticians in the Netherlands and Belgium. Designed by Studio Busser, the campaign uses close-up eyewear photography, cropped portraits and warm-toned social media graphics to promote up to 50% off selected frames.

Typography pairs Store Norske Skandia from Skriftkompani with Martina Plantijn from Klim Type Foundry. The sans-serif and serif combination gives the campaign both clarity and softness, balancing promotional messaging with a more fashion-led tone.

Orfeus Publishing has published Historien om den norske løve, a richly illustrated book by historian Knut Johannessen. Designed by Halvor Bodin, the book follows Norway’s coat of arms from its beginnings as a royal emblem in the 13th century through centuries of unions and key political moments such as 1814 and 1905, and into present-day use.

The visual material spans everything from coins, banknotes and stamps to folk art, uniforms, banners, bookbindings, sheet music and the royal standard.

The book uses typefaces from Store Norske Skriftkompani, and is primarily set in Store Norske Leif Regular at 9/13 pt., supported by Store Norske Gangster and Store Norske Skandia Condensed. The mix gives the book a confident editorial voice, with clear hierarchy across long-form text, captions, and display elements.

Sunnfjord Miljøverk (Sunnfjord Environmental Agency) is a municipally owned waste management company serving Sunnfjord, Fjaler, Hyllestad, and Askvoll in Norway. Responsible for around 29,000 residents, it collects and transports waste to a main facility at Einestølen (Hesjedalen), where materials are sorted and prepared for reuse, recycling, or safe disposal. Several recycling stations and an administrative office in Førde support efficient service throughout the region.

The recent visual identity for Sunnfjord Miljøverk, designed by Feed design studio in Oslo, underscores the company’s mission to promote environmental responsibility and community well-being. The design employs a thoughtful pairing of typefaces: Youth from AllCaps and Store Norske Skandia from Skriftkompani. Youth brings a fresh, contemporary energy to the brand, signalling optimism and forward-thinking ideals, while Store Norske Skandia provides clarity, approachability, and a sense of trustworthiness. Notably, Skandia was designed by Arve Båtevik, whose name is derived from Båtevika, located in the area where Sunnfjord Miljøverk operates and serves the local community through its waste management services. This typographic connection adds a layer of regional identity to the visual system.

Paul Made This has redesigned the website and identity for First Round. First Round is a San Francisco-based American venture capital firm that provides seed-stage funding to early-stage technology companies, with a particular focus on sectors like AI, fintech, and healthcare.

The typefaces used are Store Norske Skandia and Store Norske Leif from Skriftkompani.

Handverk has made a portfolio showcase in the form of a small physical archive. All projects are sorted into categories. The archive will be permanently available at their premises at Galleberggata 31, Sande in Vestfold, Norway.

The typeface used is Store Norske Skandia from Skriftkompani.

TOT Studio has redesigned the website for Madrid-based video production company Vietnam Estudio. The typeface used is the bold cut of Store Norske Skandia from Skriftkompani.

Marek Polewski and Janis Gildein have designed a box set for artist Ilit Azoulay, published by Dr. Cantz’sche Verlagsgesellschaft. The cardboard box contains six different stand-alone publications, in a limited edition of 500 copies.

The typeface used is Store Norske Skandia from Skriftkompani.

The publication was edited by Valerie Groth and contains texts by Ilit Azoulay, Shira Backer, Kida Noyman, Sarit Shapira, Estee Balsam, and Nir Shauloff. It contains 174 illustrations on c.251 pages and measures 30.2×21.2×4.2 cm. ISBN 978-3-96912-221-1.

Amado Studio has designed the new website for TWW (Time Works Wonders), a Korean skin care company. The typefaces are Pretendard by Kil Hyung-jin for Hangul, and Store Norske Skandia from Skriftkompani for English text. The brand name is rendered in Albert-Jan Pool’s URW Imperial.

Marianne Plano has designed a website for artist duo Richon–Bender. The typeface used is the light weight of Store Norske Skandia from Skriftkompani.

Description of the duo from their website:

Working between Switzerland and Belgium, Swiss visual artists Basile Richonand Rémy Bender have founded the website Richon-Bender, an open and collaborative laboratory to archive their past projects and share resourcesrelated to their work in progress. They approach in-situ installation art through a great variety of media as a means to read a specific territory through its narratives and resources.

Martin Klaffensteiner has designed a website for sustainable data center company OnZero. The typeface used is the book weight of Store Norske Skandia from Skriftkompani.

OnZero write on their website:

We commence a new era of sustainable Data Centers. By recycling 99% of our excess heat, we achieve groundbreaking efficiency values. This means, we’re not only able to offer HPC co-location services, but also play our role in the energy transition by generating high temperature CO2-neutral waste heat. Additionally, proprietary software allows us to help prevent blackouts by offering our capacities to grid balancing markets.

Principal Studio has redesigned the website and identity for L’ÉLOI, a production company in Montréal. L’ÉLOI describe themselves as “a production company representing some of the world’s most progressive image makers. Our curated teams (...) create high-impact visual content that resonates with audiences worldwide.”

They have used Review from Commercial Type and Store Norske Skandia from Skriftkompani.

Creative Direction: Bryan-K. Lamonde
Web Creative Direction: Bruno Cloutier
Design: Éloïse Carrier
Web Design: Éloïse Carrier, Nick Losacco
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Principal Studio has redesigned the website and identity for L’ÉLOI, a production company in Montréal. They have used Review from Commercial Type and Store Norske Skandia from Skriftkompani. L’ÉLOI describe themselves as “a production company representing some of the world’s most progressive image makers. Our curated teams (...) create high-impact visual content that resonates with audiences worldwide.”

Green Theory is a Canadian planter and site furnishings manufacturing company and design studio.

Burnkit recently redesigned Green Theory's website and identity, using Store Norske Skandia from Skriftkompani.

List-based website portfolio for architecture office JR-Arkitekter from Oslo, designed by Yokoland and Alejandro V. Rojas. The typeface used is the Book cut of Store Norske Skandia.

Ivar Kvaal (b. 1983) is a photographer, publisher and curator based in Oslo, Norway. Kvaal works with a wide range of clients, mainly focused on projects within the cultural field. The website is designed and coded by Alejandro V. Rojas, using the Regular cut of Store Norske Skandia

Ivar Kvaal is represented by Hest Agentur.