NN Knit Grotesk is used together with Anonymous for the website of NKWO. The logo appears to based on Greyhound, with some modifications.

From the About page:

NKWO is an artisanal brand at the forefront of the sustainable fashion movement in Nigeria with the conservation of natural resources and the environment as the label's core values. Guided by THE PHILOSOPHY OF LESS, low impact limited edition and one-off pieces are created from post-consumer textile waste, locally sourced natural fibres and upcycled denim.

The brand is creating meaningful change on the continent by supporting socio-economic development through the NKWO TRANSFORM PROJECT, a social innovation initiative focused on upskilling vulnerable women and working closely with artisans and local makers to introduce more mindful ways of modern garment production.

The identity for the inauguration of the new Sesc 14 Bis found the basis for new graphics in the glass grid of the facade. The bright color palette originates from the vai-vai samba school, which belongs to the surrounding area. NN Knit Grotesk, designed by Rüdiger Schlömer and available from Nouvelle Noire, recalls traditional lace techniques from northeastern Brazil. It is paired with Wigrum from Production Type.

You/Dystopia investigates the theoretical link between artificial intelligence (A.I.) and identity. The project’s goal is to create an exaggerated, yet possible future, both utopia, and dystopia, to reconsider the possibilities of A.I., raise awareness of potential ethical issues arising from A.I, and reflect our current digital behavior and relationship with technology. Furthermore, the project emphasizes the importance of having protections in place to preserve our privacy and security. By doing so, we may assist in ensuring that the benefits of artificial intelligence are realized while avoiding a dystopian future.

The three main typefaces are NN Knit Grotesk by Rüdiger Schlömer, ABC Diatype by Dinamo and Proto Mono by Radinal Riki. Because the project is situated in a hypothetical future with the topic of a fictitious hospital. The fonts represent such basic, futuristic moods and tones, while typefaces like Knit Grotesk operate almost like LED pixels in a screen, where the screen may malfunction or break, displaying strips of horizontal lines adjacent to the screen, which also recall the technology part—A.I of the project.

The project was made in the Bachelor (Hons) program at the Hong Kong Polytechnic University (PolyU), supervised by Charis Poon.

Typeknitting is a methodical plugin for typographic knitting. It explores the graphic potential of various knitting techniques, from Fair Isle, slip-stitch, and shadow knitting, to modular patchwork knitting.

Opening a dialogue between digital typography and the analog craft of knitting, Typeknitting turns to knitters working with text, and visual creators going physical. Developments include workshops, patterns, hand or machine knit editions and typefaces inspired by and made for knitting and other textile techniques.

The website uses NN Knit Grotesk together with Quiosco.

The Future is Blinking was the first exhibition of Museum Rietberg to focus on the work of the earliest local photographers working in West and Central Africa.

Towards the end of the 19th century, together with their clients, they began to produce captivating images in outdoor studios. Future viewers of their images were always kept in mind; the sitters posed as they wanted to be seen by posterity. These images are remarkably different from the work of colonial photographers whose work served to confirm the Other as backward and exotic.

The background image on the poster is made with cyanotype on fabric. This exhibition design represents the first use of NN Knit Grotesk.