Nicéphore and its alternative glyphs on Fanette Mellier’s cover

Art direction and editorial design by studio deValence for the Prisme Collection, directed by Tony Côme and Alexandre Dimos. The collection gathers long-term interviews of graphic designers, scenographers, architects, typographers, object and fashion designers, who share their experiences, memories, and working process. Prisme offers fundamental sources for understanding the role of the designer, told by designers themselves.

Shown here are the first three books published in this series. The cover and headlines are set in Nicéphore, while the footnotes and captions appear in Pachinko. Additionally, each edition features distinct typefaces for the body text: Tongari for Fanette Mellier (2021), Media for Étienne Robial (2022), and JJannon with Perec for Rudi Meyer (2023).

Published by Éditions B42.

For the creation of the visual identity of the Ron Mueck exhibition at Fondation Cartier, deValence focused on the monumental nature of the artist's work.

It was this physicality that they transcribed onto all graphic media to create a coherent overall project: creation of communication media, design of digital communication, signage and monitoring of the original creation of a soundtrack with composer Pablo Altar.

The main typeface used for all design is Nicéphore. The serif used for secondary information is Untitled Serif.

Sarelly Creativo Lab is the beauty branch of Sarelly, a Mexican brand that seeks to offer an unprecedented experience of fashion, makeup and personal expression. They create versatile pieces that reflect your mood, while celebrating beauty beyond appearance, using fashion and makeup as powerful and fun tools to express your true self.

The Sarelly logo is based on Nicéphore with a custom initial s. “Creativo lab” is added in Gortex.