MAISON Ë is a contemporary magazine celebrating design, culture, and craftsmanship through carefully curated content. Positioned at the crossroads of design, architecture, fashion, and culture, MAISON Ë explores spaces, objects, and ideas that shape a thoughtful way of life.

With a timeless aesthetic, its visual identity is defined by the prominent use of the Rizoma typeface, from R-Typography, on the logotype and for the headlines. Text typefaces include Chamberí (Extratype) and Suisse Int’l (Swiss Typefaces), with some sprinkles of Dinamo’s ABC Honeymoon.

Tre Mari is an Italian bakery and deli in Toronto’s St. Clair West neighborhood that has been open since 1960. Now in its third generation, they worked with Blok Design to reimagine their identity, packaging, and visual system.

The new identity features my typeface Condor in Compressed and Condensed widths, Displaay’s Avantt and Lineto’s LL Brown, punctuated by moments of Dinamo’s ABC Honeymoon. The logo is typeset in Ivar Headline from Letters from Sweden, with a custom head serif on the A, a featured carried forward from the bakery’s previous logo.

The folks at Blok Design were kind enough to share their motivations:

With this identity our goal was to bring a staple of the community forward without losing who they are. Tre Mari is very much a family business with many different characters all coming together. To express this we knew we would like a diverse typographic language and colour palette that evoked their bold, playful side while still holding their Italian heritage and strong family roots. We felt that the final identity evokes these classic elements of Italian/ European design while still feeling contemporary, fresh and bold.

Golden PMS and embossed typeface for the Visages exhibition, a group show by Almine Rech.

Visages as shown in Gstaad

Founded in the mid-1970s, the Osor Musical Evenings continue to adhere to its primary premise even in the fifth decade of its continuing existence – encouraging the creation of Croatian musical works. The Renaissance Cathedral of Osor, the central stage of the festival, has so far hosted nearly eight hundred concerts with over three hundred works commissioned by the festival from all generations of composers. The festival programmes, in addition to canonical classical music works from all periods, examine works of key figures of modern and contemporary music in Croatia, including Boris Papandopulo, Stjepan Šulek, Ivan Brkanović, Miroslav Miletić, Igor Kuljerić, Stanko Horvat, and others.

The visual identity for the 49th edition was designed by Neva Zidić using Stroy Grotesk and Stroy Mono by Hot Type with Dinamo’s ABC Honeymoon.

A selection of pages from the A4 handouts printed for each exhibition

ISSUES is a contemporary art gallery in central Stockholm, initially set up as an ambulancing space in 2014 by Oscar Carlson, Johan af Geijerstam, Julia Eriksson and Peter Ström.

Between 2014 and 2021 the gallery produced thirteen shows around Stockholm, where the geographical location was of equal importance as the artist. For Issues #3 in 2015, Ryan Trecartin’s work CENTER JENNY was shown in the local Mediamarkt store on all 196 TV screens simultaneously. For Issues #4 in 2017, a group exhibition took place in an (at the time) empty space on Södermalm shaped like a display window, where the artworks were rotated every fifteen minutes in order to let that specific space come to its fullest.

Because of these new physical and geographical locations, the visual identity for the gallery was changed each time, adopting different typographic references to the current space.

In 2021 a more permanent space on Vattugatan 13 was found, turning the gallery into a commercial one in a fixed location – at least for the time being.

A permanent design system was introduced with the new space, where the location was less important – almost the opposite, as the new space was in a location almost unheard of even for the most hardcore Stockholmer, in an area filled with governmental buildings.

The design system takes its starting points in concrete poetry and early computer art (mainly ASCII) using Vincent Chan’s Quadrant Text Mono, complemented with the addition of a typeface and treatment picked for every artist – giving each artist their own visual identity connected to the space. Each typeface and treatment picked either refers to the artist’s practice or is connected to the idea of a place in downtown Stockholm – or in some cases, both.

The grid is based the word “ISSUES” written 16 by 10.5 times on an A4 sheet — because, you know, too many ISSUES…

The visual identity for ISSUES 4 took its typographic starting points in the typeface Eurostile found at the logo of a left over vacuum cleaner in the space.

The new space at Vattugatan 13 uses Quadrant Text Mono on all its signage and printed matter, as well as on the website and social media.

Insta stories using frame-by-frame tap animations, mixing ASCII and logo typography in ABC Honeymoon

Selected front and back covers from the A4-sized catalogue that comes with each exhibition.

Covers featuring Brush Script, Crowbar, Horizontal, and Jannon

Insta stories featuring P22 Arts and Crafts, Antique Olive Nord, Purple Haze, and PC Myungjo

For most of the shows, merchendise has been made in order to promote the shows with and to the local community and scene that ISSUES is part of. Reflective wests for Henning Hamilton using ABC Maxi Round, gym bottles for Hampus Wernemyr in Jannon, hats for Zoe Barca in Monaako, and candy, T-shirts and mugs in Quadrant Text Mono.

For DOWNTOWN ISSUES 2 in September 2023, one T-shirt with a typographic identity was designed for each participating artist printed in a single copy only. Seen here is a selection of the almost 70 T-shirts in total.

A few examples: The typography for Elis Monteverde Burrau with Tesla references the big amount of Teslas in the neighbourhood (and indicates where this Swedish poet might be heading in the future?). The typography for Georg Nordmark in Amsi references local pet food chain Arket Zoo because of Georg’s interest in animals in his art. The typography for Militza Monteverde Burrau uses Dinamo’s ABC Honeymoon and connects to her organic sculptures in glass. The typography for Ilja Karilampi links to his meme lord status via its use of Impact. Siri Carlén was treated with the never-to-be-released Småländsk Antikva by Konst & Teknik – which started around the same time Siri was a student of Konst & Teknik at Konstfack. Viktor Fordell got a Ford logo knockoff typeface because of... you know... Ford.

The non-personal T-shirts come with one front cover and three different back versions: The big 2 is based on the most downtown building Stockholm offers, parking house Parkaden and its beautiful brutalist numbering system and fascade. “DOWN TOWN” refers to local clothing brand Our Legacy WORK SHOP that is often seen on T-shirts around town. A version of the T-shirt with all the artist names overprinted was made in an extra limited edition of only five copies. All T-shirts printed in white ink on black fabric by Everynight Studios.

Fonts in USE!