Swizzy by Rellence and Neue Montreal Mono by Pangram Pangram are used together for Flim.ai, an AI-driven creative project designed by ToyFight.

The pairing combines Swizzy’s clear, precise sans-serif forms, which bring structure and balance, with Neue Montreal Mono’s functional clarity. Together, they support a system built around exploration, contrast, and rapid visual discovery across digital interfaces.

Description of the project by ToyFight:

Flim is an AI-powered visual inspiration platform for creatives, functioning as both a vast library of stills and video clips from movies, TV, and ads, and a suite of AI tools.

Inspired by the cinematic technique of splicing film, we take seemingly disparate elements frames, genres, references, styles, ideas and connect them to form something unexpected, dynamic, and uniquely relevant.

Under the motto “To play (with type) is to resist stasis,” Lisbon-based design studio Desisto initiated typography courses with the intent to share enthusiasm and knowledge regarding type in the Portuguese community.

The first workshop is about Desisto’s very own modular font TBD Brick, the second one is a Masterclass and Workshop hosted by Nikolas Type.

Risograph-printed posters use the grid system of  TBD Brick, paired with the workhorse Neue Montreal Mono (Pangram Pangram) and Solare Intense from Nikolas Type.

Graphic campaign for the Jornada D-Generades 2025 at Disseny Hub Barcelona, designed by Sin Título-1. The campaign delves into the tension that arises in society when established conventions are challenged. It focuses on the discomfort inherent in disrupting traditional patterns and the natural resistance to the new and different.

The typefaces used are Large, in Roman, designed by Alexandre Créquer and Neue Montreal Mono, designed by Pangram Pangram.

The creative direction, art direction, and graphic design were led by Studio Sin Título-1. The motion graphics were animated by Ana Collantes, and the event photos taken by Pep Herrero. The clients were Barcelona Design Hub and Barcelona City Council.

The performance "Los Idiomas" by Alessandra García explores how language shapes our perception of the world and our relationships. Alessandra reflects on oral, physical, and emotional languages and how these forms of expression can either connect or separate us.

What makes this piece unique is that Alessandra doesn’t speak any language. This absence emphasizes the universality of the body and emotions as tools for communication. Through her intonation, movements, and non-verbal communication, the actress becomes the language itself, speaking them all without knowing a single word, turning limitation into strength.

The staging takes place in an intimate space where Alessandra uses words without understanding any language, accompanied by bodily movements that invite the audience to question how language defines our identity.

For the visual identity, we translated the sonority of languages into typography. Using Formula Condensed for the headline “Los Idiomas,” we displaced the sheet during the scanning process, creating a wordmark that reflects vibration and movement, in harmony with the essence of the performance. For the residual information, we used Neue Montreal and Noto Sans (for the Japanese and Arabic parts).

Bough is an independent graphic design studio that provides brand, digital, and print solutions.

The site was developed by Paul Mullen from Bough, built on Framer using Pangram Pangram’s Neue Montreal and Neue Montreal Mono.

The campaign pushed beyond traditional print techniques to reference digital, 3D, and motion in an auspicious way, opening the door to more entrants for the Print Awards.

The PRINT Awards, initiated in 1980, represent a prestigious platform that celebrates exemplary graphic design on an international scale. In its 2024 iteration, the awards encompass 26 distinct categories, including additions such as packaging design and a suite of branding-focused categories. These awards recognize design excellence across a diverse array of mediums, ranging from traditional print mediums to advanced motion and 3D categories.

For 2024, PRINT looks to embrace the future of design–and the merging of tradition and technology. The branding system and motion package The Collected Works assembled showcases the expansive array of techniques and styles, reflecting the diversity of entrants and winners. These renders and animations can be used independently of each other, as well as assembled into a call-for-entries hero video, which can be seen on The Collected Works' case study.

3D elements from the hero video were utilized as static campaign assets on the website, with Pangram Pangram’s Right Didone as hero type for headlines.

Twisting and bending traditional expectations of typography.

Type can move in as many ways as background art.

Example of the website, using Right Didone as a hero typeface.

From the hero video

Type obscured by 3D elements

Victus et amictus is an exhibition at the cultural centre La Térmica in Malaga that presents a comprehensive journey through the creative career of the Mallorcan artist Ela Fidalgo, from her early attempts as a fashion designer to her latest works as a visual artist.

The exhibition catalog showcases a portion of Ela’s artistic creations, along with the pieces featured in the exhibition. In it, we aimed to capture the blend of materials present in the artist’s work; that’s why we used fabric scraps from one of her pieces as a sash for the cover. Additionally, various types of paper have been combined inside the publication to create a dynamic interplay of materials.

The typefaces used in the book are Cucina (with corsiva) by Bretagne Foundry, designed by Lucas Le Bihan, and Mat Desjardins’s Neue Montreal (plus Mono designed together with Amélie Bonet) by Pangram Pangram.

Photos by Ana Beatriz Acosta and Sergio Paqué.