Pidginization as Curatorial Method: Messing with Languages and Praxes of Curating by Bonaventure Soh Bejeng Ndikung was edited by Steven Henry Madoff and published by Sternberg Press:

In this compelling rethinking of curatorial practice, renowned museum director, curator, and writer Dr. Bonaventure Soh Bejeng Ndikung proposes that Pidgin languages and pidginization as a mode of being and doing offer a decolonialized reinvention of communicative practices—a space in which the boundaries between disciplines of knowledge collapse and sociopolitical, economic, ethical, and spiritual concepts and questions are renegotiated. Written as a series of powerful anecdotes, the book grounds its provocative ideas in personal, cultural, and political histories of challenge and improvisation, and argues, as Ndikung writes, that “pidginized curating is a curating that combines works, ideas, practices, and languages in resistance to canonical conventions, cultural stasis, ossified practices, dead rhythms, and singular forms.”

Designer Bardhi Haliti used Magister [more specifically, Magister ST, see comments] to typeset the book’s headers, subheaders, page headers and body text. The perfect-bound softcover has 64 pages and measures 112×178 mm.

The same typography was used for the other volumes in the “Thoughts on Curating” series, see Curating the Complex & The Open Strike by Terry Smith and Unannounced Voices by Zdenka Badovinac.