“Paragon explores the transitional period between the Bembo and Old-Face style. Rooted in Granjon’s Paragon Italic (1554), it seeks to shape a free and digital interpretation. The typeface derives its name from the traditional Paragon size, a classification that corresponds to approximately 17.5 points. While the Italic is based on a single primary source, the Roman synthesizes Granjon’s style by using three references (Great Primer Romain, Double Pica Romain, and Pica Romain) in the context of the earlier transitional period of the 1530-60s. However, rather than serving as a direct revival, it can be seen as a reinterpretation of a typeface that Granjon himself never cut. Instead, Paragon aims to translate Granjon’s understanding of shapes, perception, dynamics and printing into a contemporary digital context.” — Marcel Saidov

Available on request as of Dec. 2025.