The Toronto Transit Commission
(TTC) has used a geometric sans for station signs – typically
sandblasted into the walls – since the subway’s first line was
opened in 1954. In its original form, it comprised capitals (A–Z),
numerals, a basic set of punctuation incl. an ampersand, and an
arrow. There are drawings dated December 1960. Internally known at
the TTC as the Station font and commonly referred to as “the TTC
font”. [Clark
2007] “Toronto Station” is just a moniker, used for the lack of
an official name.
The designer is unknown. One possible candidate is Philip Butt,
a draughtsman in the TTC’s architectural department during the
construction of the subway, who signed drawings made in 1954.
[Bateman
2018]
In 2013, the alphabet/typeface was revised by Ian Dickson and
the Design and Wayfinding team at the TTC. The updated version is
called Bloor-Yonge. As of 2015, it’s used on the
official company letterhead, in the Ride Guide, and on the monthly
Metropass. [Bateman More…
The Toronto Transit Commission (TTC) has used a geometric sans for station signs – typically sandblasted into the walls – since the subway’s first line was opened in 1954. In its original form, it comprised capitals (A–Z), numerals, a basic set of punctuation incl. an ampersand, and an arrow. There are drawings dated December 1960. Internally known at the TTC as the Station font and commonly referred to as “the TTC font”. [Clark 2007] “Toronto Station” is just a moniker, used for the lack of an official name.
The designer is unknown. One possible candidate is Philip Butt, a draughtsman in the TTC’s architectural department during the construction of the subway, who signed drawings made in 1954. [Bateman 2018]
In 2013, the alphabet/typeface was revised by Ian Dickson and the Design and Wayfinding team at the TTC. The updated version is called Bloor-Yonge. As of 2015, it’s used on the official company letterhead, in the Ride Guide, and on the monthly Metropass. [Bateman 2015]
Toronto Subway (2004) is a digital interpretation by David Vereschagin, based on rubbings and photographs of the original signs. It has four weights and expands the character set, notably adding a lowercase.