weiter bilden 3/2020, “Haltungen”

weiter bilden. DIE Zeitschrift für Erwachsenenbildung is academically rigorous and practice-oriented – serving as both a magazine and a medium for reflection. The journal is published four times a year by Deutsches Institut für Erwachsenenbildung – Leibniz-Zentrum für Lebenslanges Lernen (DIE), Bonn.

Each issue focuses on a specific theme from the field of adult and continuing education. Shown here are the issues 3/2020, “Haltungen”, and 4/2020, “Krise & Chance”.

Design by Christine Lange, using Rational and FF More. The production, publication and distribution is handled by wbv Media GmbH, Bielefeld.

weiter bilden 3/2020, “Haltungen”

weiter bilden 3/2020, “Haltungen”

weiter bilden 4/2020, “Krise & Chance”

weiter bilden 4/2020, “Krise & Chance”

weiter bilden 4/2020, “Krise & Chance”

weiter bilden 4/2020, “Krise & Chance”

weiter bilden 4/2020, “Krise & Chance”

weiter bilden 2/2018, “Debatte”

weiter bilden. DIE Zeitschrift für Erwachsenenbildung is academically rigorous and practice-oriented – serving as both a magazine and a medium for reflection. The journal is published four times a year by Deutsches Institut für Erwachsenenbildung – Leibniz-Zentrum für Lebenslanges Lernen (DIE), Bonn.

Each issue focuses on a specific theme from the field of adult and continuing education. Shown here are the issues 2/2018, “Debatte”, and 4/2018, “Fakt Fake”.

Design by Christine Lange, using Rational and FF More. The production, publication and distribution is handled by wbv Media GmbH, Bielefeld.

weiter bilden 2/2018, “Debatte”

weiter bilden 2/2018, “Debatte”

weiter bilden 2/2018, “Debatte”

weiter bilden 2/2018, “Debatte”

weiter bilden 2/2018, “Debatte”

weiter bilden 4/2018, “Fakt Fake”

weiter bilden 4/2018, “Fakt Fake”

weiter bilden 4/2018, “Fakt Fake”

weiter bilden 4/2018, “Fakt Fake”

weiter bilden 4/2018, “Fakt Fake”

Poesia no Centro is a poetry festival promoted by Megafauna, a bookstore in São Paulo, Brazil. The visual identity and scenography allude to the city’s signage and urban cacophony, anchored in the use of the Plaak typeface by the type foundry 205TF, also present in the bookstore’s visual identity.

The graphic design consists of a simple structure of boxes and vertical bars with moving typography superimposed on the work of guest photographer Mauro Restiffe. In the scenography, the lines become industrial shelving structures, the boxes become animated LED signs and the photographs become large-format posters.

The program booklet uses FF More and Acumin for text.

A fundamental text in the history of queer literature, Asas (English: Wings; Russian: Крылья) is the first Russian novel to openly address homosexuality.

With the air of a formative novel, the plot has as its protagonist the young Ivan Smúrov, or Vánia, who leaves the countryside to study in Saint Petersburg, where he goes to live with a tutor's family and is introduced into a cultured upper-class environment. In it, Stroop stands out, a refined and easy-going man, who does not hide the nature of his relationship with other men and will become a kind of mentor, at the same time feared and admired by the boy.

This project was inspired by the adornments, stained glass, objects and tiles of traditional Russian baths (banyas), an environment frequented by characters in the novel and by the author himself, Mikhail Kuzmin. The red background is reminiscent of Russian imperial theaters, frequented by artists from the country’s Silver Age. The silver elements connect with an eccentric description of Kuzmin: “A ‘silver’ man”, according to Marina Tsvetáieva. The folding screen on the cover evokes the subtlety of the homoerotic representations of Asas, in which everything happens in the details and small gestures, revealing or masking the characters’ passions.

This limited and exclusive edition of Asas uses ToY by Swiss designer Philipp Herrmann (for the titles and cover) and FF More by Polish designer Łukasz Dziedzic (for the main text).

Asas was published by Editora Carambaia.

Combined project report and entrepreneurship magazine for Risør and Arendal municipalities in the south of Norway. The undersized cover and playful typography convey the enthusiasm hopefully instigated by the project.