“A three-dimensional all-cap font for title use,
Thorowgood Sans Shaded was released by the Fann Street
Foundry of W. Thorowgood & Co.
in 1839. Interestingly, it more closely resembles Figgins’
Four-Line Emerald Sans-Serif Shaded of 1833 than Fann
Street’s own Grotesque Shaded of 1834 (with light and
shadow reversed).” — HiH
This typeface was available from VGC as Sans Serifs
Shaded [N. Florendo] and from Letraset as Sans
Shaded or Sans Serif Shaded [Tom
Vinelott]. Photo-Lettering offered Sanserif Shade
Blockshadow A and B (the former with thinner outline)
and the grunged Batten Shaded (2 styles).
In addition to HiH’s digital version (used for the sample),
there is also a freebie (of poor quality) by
Dieter Steffmann. RMU’s More…
“A three-dimensional all-cap font for title use, Thorowgood Sans Shaded was released by the Fann Street Foundry of W. Thorowgood & Co. in 1839. Interestingly, it more closely resembles Figgins’ Four-Line Emerald Sans-Serif Shaded of 1833 than Fann Street’s own Grotesque Shaded of 1834 (with light and shadow reversed).” — HiH
This typeface was available from VGC as Sans Serifs Shaded [N. Florendo] and from Letraset as Sans Shaded or Sans Serif Shaded [Tom Vinelott]. Photo-Lettering offered Sanserif Shade Blockshadow A and B (the former with thinner outline) and the grunged Batten Shaded (2 styles).
In addition to HiH’s digital version (used for the sample), there is also a freebie (of poor quality) by Dieter Steffmann. RMU’s Maszynista adds two styles and a lowercase, but its shadow is less pronounced. Pizzadude’s Ultinoid is a weathered variation.
