“A three-dimensional all-cap font for title use,
Thorowgood Sans Shaded was released by the Fann Street
Foundry of W. Thorowgood & Co. in 1839. Interestingly, it more
closely resembles Figgins’ Four-Line Emerald Sans-Serif
Shaded of 1833 than Fann Street’s own Grotesque Shaded of
1834 (with light and shadow reversed).” — HiH
This typeface was available from VGC as Sans Serifs
Shaded (N. Florendo) and
from Letraset as Sans Shaded or Sans Serif Shaded
(Tom
Vinelott). Photo-Lettering offered two variations, Sanserif
Shade Blockshadow A and Sanserif Shade Blockshadow B,
the former of which had a thinner outline, presumably for use at
larger sizes. In addition to HiH’s digital version, there is also a
freebie (of poor quality) by
Dieter Steffmann. More…
“A three-dimensional all-cap font for title use, Thorowgood Sans Shaded was released by the Fann Street Foundry of W. Thorowgood & Co. in 1839. Interestingly, it more closely resembles Figgins’ Four-Line Emerald Sans-Serif Shaded of 1833 than Fann Street’s own Grotesque Shaded of 1834 (with light and shadow reversed).” — HiH
This typeface was available from VGC as Sans Serifs Shaded (N. Florendo) and from Letraset as Sans Shaded or Sans Serif Shaded (Tom Vinelott). Photo-Lettering offered two variations, Sanserif Shade Blockshadow A and Sanserif Shade Blockshadow B, the former of which had a thinner outline, presumably for use at larger sizes. In addition to HiH’s digital version, there is also a freebie (of poor quality) by Dieter Steffmann. RMU’s Maszynista adds two styles and a lowercase, but its shadow is less pronounced. Pizzadude’s Ultinoid is a weathered variation.
