<?xml version="1.0" encoding="UTF-8"?>
<rss xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:atom="http://www.w3.org/2005/Atom" version="2.0">
  <channel>
    <title>Condensed Title Gothic No. 11 in use</title>
    <link>https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11</link>
    <description>Condensed Title Gothic No. 11 in use. An all-caps typeface released by Inland Type Foundry in 1905. [The Inland Printer] It was a companion to the previous year’s Condensed Gothic No. 10, which included a lowercase, but ATF continued to produce No. 11 much longer than its forebear. [McGrew 1993] Designer unknown. Monotype’s New Gothic Condensed and Gothic Condensed Title were very similar.

Irby (Walden Font Co., 2013) appears to be a digital interpretation. See also Toronto Gothic (E-phemera, 2003).</description>
    <atom:link xmlns:atom="http://www.w3.org/2005/Atom" href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11.rss" type="application/rss+xml" rel="self"/>
    <language>en</language>
    <copyright>Copyright 2026 , FontsInUse.com LLC</copyright>
    <pubDate>Sun, 19 Jul 2026 22:08:15 +0000</pubDate>
    <lastBuildDate>Sun, 19 Jul 2026 22:08:15 +0000</lastBuildDate>
    <ttl>3600</ttl>
    <item>
      <title><![CDATA[The Wild Sound of New Orleans by Tousan album art]]></title>
      <link>https://fontsinuse.com/uses/72089/the-wild-sound-of-new-orleans-by-tousan-album</link>
      <description><![CDATA[Contributed by <a href="/contributors/79478/lvisvaz">Luis Vazquez</a><br/><a href="https://fontsinuse.com/uses/72089/the-wild-sound-of-new-orleans-by-tousan-album"><img src="https://assets.fontsinuse.com/static/use-media-items/268/267831/upto-700xauto/69b60f50/s-l1600.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.ebay.ch/itm/313578752841" target="_blank" rel="noopener">www.ebay.ch</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Records By Mail</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/5488/caslon-no-471-and-540"><img src="https://assets.fontsinuse.com/static/renders/6/5488/400/4/69f7581a/caslon-no-471-and-540.png"/></a><br/><a href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11"><img src="https://assets.fontsinuse.com/static/samples/14/13581/440/4/667fdc37/condensed-title-gothic-no-11.png"/></a><br/><a href="https://fontsinuse.com/typefaces/7251/unidentified-typeface"><img src="https://assets.fontsinuse.com/static/samples/1/591/440/4/570e2042/unidentified-typeface.png"/></a><br/><br/><p>Tousan was the name used by <a href="https://en.wikipedia.org/wiki/Allen_Toussaint">Allen Toussaint</a> early in his career. This album with instrumentals was released by <a target="_self" class="entity-link" href="https://fontsinuse.com/tags/3934/rca-records" data-entity-code-id="3934" data-entity-code-type="Tag">RCA Records</a> in 1958. The cover photography is by <span><span>Nolan A. Marshall.</span></span></p>

<p>The typography combines <strong><a href="https://fontsinuse.com/typefaces/5488/caslon-no-471-and-540">Caslon No. 540 Italic</a></strong> with what looks like <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11" data-entity-code-id="32177" data-entity-code-type="TypeEntity">Condensed Title Gothic No. 11</a></strong>. The tall gothic caps used for “WILD” are from an unidentified typeface.</p>

<p>[<a href="https://www.discogs.com/release/915930-Tousan-The-Wild-Sound-Of-New-Orleans-By-Tousan">More info on Discogs</a>]</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/72089/the-wild-sound-of-new-orleans-by-tousan-album">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/72089/the-wild-sound-of-new-orleans-by-tousan-album</guid>
      <pubDate>Sun, 21 Sep 2025 07:39:57 +0000</pubDate>
      <author>Luis Vazquez</author>
    </item>
    <item>
      <title><![CDATA[Curtis Fuller  – Soul Trombone album art]]></title>
      <link>https://fontsinuse.com/uses/26832/curtis-fuller-soul-trombone-album-art</link>
      <description><![CDATA[Contributed by <a href="/contributors/948/minecreek">Garrison Martin</a><br/><a href="https://fontsinuse.com/uses/26832/curtis-fuller-soul-trombone-album-art"><img src="https://assets.fontsinuse.com/use-media/90187/upto-700xauto/69b54299/1/jpeg/fuller-soul-trombone-frontcover-1800-ljc.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://londonjazzcollector.wordpress.com/2013/11/10/curtis-fuller-soul-trombone-1961-impulse/" target="_blank" rel="noopener">londonjazzcollector.wordpress.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11"><img src="https://assets.fontsinuse.com/static/samples/14/13581/440/4/667fdc37/condensed-title-gothic-no-11.png"/></a><br/><br/><p><a href="https://en.wikipedia.org/wiki/Soul_Trombone"><cite>Soul Trombone</cite></a> is an album by American jazz trombonist <a href="https://en.wikipedia.org/wiki/Curtis_Fuller">Curtis Fuller</a> featuring performances recorded in 1961 for the <a href="https://fontsinuse.com/tags/16097/impulse-records">Impulse! label</a>. From <a href="https://en.wikipedia.org/wiki/Soul_Trombone">Wikipedia</a>:</p>

<blockquote>
<p>The Allmusic review by Ken Dryden awarded the album 4 stars stating “The solos on this hard bop disc are superb, with Fuller giving his musicians plenty of room, while his own work is first-rate. Three of the six pieces are originals and even if they never caught on, there is no filler present anywhere”.</p>
</blockquote>

<p>[<a href="https://www.discogs.com/master/208494-Curtis-Fuller-Soul-Trombone-And-The-Jazz-Clan">More info on Discogs</a>]</p><br/><a href="https://fontsinuse.com/uses/26832/curtis-fuller-soul-trombone-album-art"><img src="https://assets.fontsinuse.com/use-media/90188/upto-700xauto/69b54299/1/jpeg/fuller-soul-trombone-rearcover1800-ljc.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://londonjazzcollector.wordpress.com/2013/11/10/curtis-fuller-soul-trombone-1961-impulse/" target="_blank" rel="noopener">londonjazzcollector.wordpress.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/26832/curtis-fuller-soul-trombone-album-art">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/26832/curtis-fuller-soul-trombone-album-art</guid>
      <pubDate>Sat, 10 Aug 2024 11:59:48 +0000</pubDate>
      <author>Garrison Martin</author>
    </item>
    <item>
      <title><![CDATA[Perez Prado and His Orchestra – Big Hits by Prado album art]]></title>
      <link>https://fontsinuse.com/uses/46164/perez-prado-and-his-orchestra-big-hits-by-pra</link>
      <description><![CDATA[Contributed by <a href="/contributors/948/minecreek">Garrison Martin</a><br/><a href="https://fontsinuse.com/uses/46164/perez-prado-and-his-orchestra-big-hits-by-pra"><img src="https://assets.fontsinuse.com/static/use-media-items/229/228209/upto-700xauto/69b5d9e8/lp_big-hits-by-prado_perez-prado-and-his-orchestra_0_0000.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://archive.org/details/lp_big-hits-by-prado_perez-prado-and-his-orchestra_0" target="_blank" rel="noopener">archive.org</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Internet Archive</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11"><img src="https://assets.fontsinuse.com/static/samples/14/13581/440/4/667fdc37/condensed-title-gothic-no-11.png"/></a><br/><a href="https://fontsinuse.com/typefaces/235175/plain-gothic-no-6011"><img src="https://assets.fontsinuse.com/static/samples/14/13567/440/4/667c32f7/plain-gothic-no-6011.png"/></a><br/><a href="https://fontsinuse.com/typefaces/303/news-gothic"><img src="https://assets.fontsinuse.com/static/renders/1/303/400/4/6a5cd522/news-gothic.png"/></a><br/><a href="https://fontsinuse.com/typefaces/35/franklin-gothic"><img src="https://assets.fontsinuse.com/static/samples/8/7745/440/4/600bc9f1/franklin-gothic.png"/></a><br/><a href="https://fontsinuse.com/typefaces/7759/century-expanded"><img src="https://assets.fontsinuse.com/static/renders/8/7759/400/4/6a536055/century-expanded.png"/></a><br/><br/><p><strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11" data-entity-code-id="32177" data-entity-code-type="TypeEntity">Condensed Title Gothic No. 11</a></strong> in red and blue and with <a target="_self" class="entity-link" href="https://fontsinuse.com/tags/8239/inline-images" data-entity-code-id="8239" data-entity-code-type="Tag">inline images</a> for a best-of compilation by <a href="https://en.wikipedia.org/wiki/P%C3%A9rez_Prado">Pérez “King of the Mambo” Prado</a> (1916–1989), released in 1960. Tony Wilds reviewed <cite>Big Hits by Prado</cite> for <a href="https://www.allmusic.com/album/big-hits-by-prado-mw0000859463#review">AllMusic</a>:</p>

<blockquote>
<p>Big Hits actually is a powerhouse anthology: the first definitive, stereo collection of mambo hits. All were re-recorded for stereo in “new arrangements” as the jacket advertises. A couple originally were recorded in stereo, e.g., “Patricia” and “Why Wait,” but were not available in stereo, even as late as 1960. The most desirable selections are “Guaglione” and “Paris”; the latter may have been non-LP until this (Francis Bay covered it to even greater effect). Overall, the presentation is not as strong as it could be. A later issue has the tunes in different order and with the trademark organ mixed higher. Still, Big Hits is easy to find and very worthwhile.</p>
</blockquote>

<p>[<a href="https://www.discogs.com/master/400133-Perez-Prado-And-His-Orchestra-Big-Hits-By-Prado">More info on Discogs</a>]</p><br/><a href="https://fontsinuse.com/uses/46164/perez-prado-and-his-orchestra-big-hits-by-pra"><img src="https://assets.fontsinuse.com/static/use-media-items/229/228210/upto-700xauto/69b5d9e8/lp_big-hits-by-prado_perez-prado-and-his-orchestra_0_0001.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://archive.org/details/lp_big-hits-by-prado_perez-prado-and-his-orchestra_0" target="_blank" rel="noopener">archive.org</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Internet Archive</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>The large grot caps on the back cover appear to be <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/235175/plain-gothic-no-6011" data-entity-code-id="235175" data-entity-code-type="TypeEntity">Plain Gothic No. 6011</a></strong>. <a href="https://www.discogs.com/artist/3222890-Watson-Wylie">Watson Wylie</a>’s liner notes and the track list are set in <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/303/news-gothic" data-entity-code-id="303" data-entity-code-type="TypeEntity">News Gothic</a></strong>. Additional fonts include <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/35/franklin-gothic" data-entity-code-id="35" data-entity-code-type="TypeEntity">Franklin Gothic</a></strong> and <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/7759/century-expanded" data-entity-code-id="7759" data-entity-code-type="TypeEntity">Century Expanded</a></strong>.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/46164/perez-prado-and-his-orchestra-big-hits-by-pra">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/46164/perez-prado-and-his-orchestra-big-hits-by-pra</guid>
      <pubDate>Sat, 29 Jun 2024 05:30:00 +0000</pubDate>
      <author>Garrison Martin</author>
    </item>
    <item>
      <title><![CDATA[Chords in Photo-Diagram Form series by Mel Bay (1960s)]]></title>
      <link>https://fontsinuse.com/uses/53368/chords-in-photo-diagram-form-series-by-mel-ba</link>
      <description><![CDATA[Contributed by <a href="/contributors/12/florian-hardwig">Florian Hardwig</a><br/><a href="https://fontsinuse.com/uses/53368/chords-in-photo-diagram-form-series-by-mel-ba"><img src="https://assets.fontsinuse.com/static/use-media-items/190/189931/upto-700xauto/69b5a1a2/91IdGHNSt%252BL.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.amazon.com/Tenor-banjo-chords-photo-diagram-form/dp/B0007GYOC2" target="_blank" rel="noopener">www.amazon.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p><cite>Tenor Banjo Chords in Photo-Diagram Form. </cite>The informal script for “Mel Bay” is unidentified.</p><br/><a href="https://fontsinuse.com/typefaces/39498/orplid"><img src="https://assets.fontsinuse.com/static/samples/2/1823/440/4/570e210f/orplid.png"/></a><br/><a href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11"><img src="https://assets.fontsinuse.com/static/samples/14/13581/440/4/667fdc37/condensed-title-gothic-no-11.png"/></a><br/><a href="https://fontsinuse.com/typefaces/74745/futura-condensed"><img src="https://assets.fontsinuse.com/static/renders/87/74745/400/4/6a4756ab/futura-condensed.png"/></a><br/><a href="https://fontsinuse.com/typefaces/35/franklin-gothic"><img src="https://assets.fontsinuse.com/static/samples/8/7745/440/4/600bc9f1/franklin-gothic.png"/></a><br/><a href="https://fontsinuse.com/typefaces/95593/venus-extended"><img src="https://assets.fontsinuse.com/static/renders/300/95593/400/4/6a565e7c/venus-extended.png"/></a><br/><a href="https://fontsinuse.com/typefaces/4/futura"><img src="https://assets.fontsinuse.com/static/renders/1/4/400/4/6a59e88b/futura.png"/></a><br/><a href="https://fontsinuse.com/typefaces/6/lydian"><img src="https://assets.fontsinuse.com/static/renders/1/6/400/4/6a22b905/lydian.png"/></a><br/><a href="https://fontsinuse.com/typefaces/7340/brush-script"><img src="https://assets.fontsinuse.com/static/renders/8/7340/400/4/6a115e88/brush-script.png"/></a><br/><a href="https://fontsinuse.com/typefaces/942/flash"><img src="https://assets.fontsinuse.com/static/renders/1/942/400/4/698c3e83/flash.png"/></a><br/><a href="https://fontsinuse.com/typefaces/903/cloister"><img src="https://assets.fontsinuse.com/static/renders/1/903/400/4/6a29471b/cloister.png"/></a><br/><a href="https://fontsinuse.com/typefaces/7251/unidentified-typeface"><img src="https://assets.fontsinuse.com/static/samples/1/591/440/4/570e2042/unidentified-typeface.png"/></a><br/><br/><p>Mel Bay’s series of music education books with “chords in photo-diagram form”, or “picture &amp; diagram form”, was first published in the 1950s, <a href="https://www.amazon.com/Guitar-chords-photo-diagram-form/dp/B0007DUR6C">see an issue dated 1959</a>. The series design shown here was introduced around 1961.</p>

<p>The publisher’s name is presented in <a target="_self" class="entity-link" href="https://fontsinuse.com/type_designers/570/hans-bohn" data-entity-code-id="570" data-entity-code-type="TypeDesigner">Hans Bohn</a>’s <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/39498/orplid" data-entity-code-id="39498" data-entity-code-type="TypeEntity">Orplid</a></strong> with its round-top forms for <strong>A</strong> and <strong>M</strong>. Various bold sans serifs of narrow proportion were employed for the main title, including <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11" data-entity-code-id="32177" data-entity-code-type="TypeEntity">Condensed Title Gothic No. 11</a></strong> (tenor banjo), <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/35/franklin-gothic" data-entity-code-id="35" data-entity-code-type="TypeEntity">Franklin Gothic</a> Extra Condensed</strong> (mandolin), and <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/74745/futura-condensed" data-entity-code-id="74745" data-entity-code-type="TypeEntity">Futura Condensed</a></strong> (baritone uke). The subtitle is added in <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/95593/venus-extended" data-entity-code-id="95593" data-entity-code-type="TypeEntity">Venus Extended</a></strong>, and the publisher’s address in <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/4/futura" data-entity-code-id="4" data-entity-code-type="TypeEntity">Futura</a> Bold</strong>.</p>

<p>From <a href="https://en.wikipedia.org/wiki/Mel_Bay#Mel_Bay_Publications">Wikipedia</a>:</p>

<blockquote>
<p>After the war, Bay was asked to write instructional material on the guitar for GIs wishing to learn music under the GI Bill. When he approached the three major music publishers in New York City, they turned him down, saying there was no future in the guitar. In 1947, he formed Mel Bay Publications and wrote the first book, <em>The Orchestral Chord System for Guitar</em>. This book is still in print under the title <em>Rhythm Guitar Chord System</em>. His <em>Modern Guitar Method</em> was written shortly after in 1948. After the success of Elvis Presley in the early 1950s, the guitar became more popular, helping to ensure the success of the company. For years Bay traveled from town to town, talking to guitar teachers and players, and showing them his publications. He claimed to have known every guitar teacher in America on a first-name basis.</p>
</blockquote>

<p><a href="https://www.melbay.com/Author/Default.aspx?AuthorId=42991">Mel Bay’s books</a> are still in print and – in a different design – available from <a href="https://www.melbay.com/">Mel Bay Publications</a>.</p><br/><a href="https://fontsinuse.com/uses/53368/chords-in-photo-diagram-form-series-by-mel-ba"><img src="https://assets.fontsinuse.com/static/use-media-items/190/189936/upto-700xauto/69b5a1a2/Mandolin%20Chords%281%29.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.ebay.com/itm/312786256313" target="_blank" rel="noopener">www.ebay.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">nhlstuff (edited)</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p><cite>Mandolin Chords in Photo Diagram Form</cite>, 1963.<cite> </cite>The price is here shown in Orplid as well, with grey fill. The <strong>S</strong> in “Chords” appears to be from <a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11" data-entity-code-id="32177" data-entity-code-type="TypeEntity">Condensed Title Gothic No. 11</a>, with the rest of the line in <a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/35/franklin-gothic" data-entity-code-id="35" data-entity-code-type="TypeEntity">Franklin Gothic</a> Extra Condensed, see <a target="_self" class="entity-link" href="https://fontsinuse.com/tags/9464/mismatched-font" data-entity-code-id="9464" data-entity-code-type="Tag">mismatched font</a>. The informal script for “Mel Bay” is unidentified – <a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/22574/laramie" data-entity-code-id="22574" data-entity-code-type="TypeEntity">Laramie</a>, <a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/19143/filmotype-honey" data-entity-code-id="19143" data-entity-code-type="TypeEntity">Honey</a>, and <a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/19142/filmotype-harmony" data-entity-code-id="19142" data-entity-code-type="TypeEntity">Harmony</a> are similar.</p><br/><a href="https://fontsinuse.com/uses/53368/chords-in-photo-diagram-form-series-by-mel-ba"><img src="https://assets.fontsinuse.com/static/use-media-items/190/189934/upto-700xauto/69b5a1a2/BK231_UKULELE%2520CHORDS.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://oldboomercollectibles.com/shop/ols/products/ukulele-chords-in-photo-diagram-form-by-mel-bay" target="_blank" rel="noopener">oldboomercollectibles.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p><cite>Ukulele Chords in Photo Diagram Form. </cite>“Jones Music” on the sticker is in <a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/20771/hauser-script" data-entity-code-id="20771" data-entity-code-type="TypeEntity">Hauser Script</a>.</p><br/><a href="https://fontsinuse.com/uses/53368/chords-in-photo-diagram-form-series-by-mel-ba"><img src="https://assets.fontsinuse.com/static/use-media-items/190/189930/upto-700xauto/69b5a1a2/31352101605.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.abebooks.co.uk/Baritone-Uke-Chords-Photo-Diagram-Form-Vol.1/31352101605/bd" target="_blank" rel="noopener">www.abebooks.co.uk</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Mister-Seekers Books</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p><cite>Baritone Uke Chords In Photo-Diagram Form</cite>, 1961</p><br/><a href="https://fontsinuse.com/uses/53368/chords-in-photo-diagram-form-series-by-mel-ba"><img src="https://assets.fontsinuse.com/static/use-media-items/190/189933/upto-700xauto/69b5a1a2/Baritone%20back.png"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://archive.org/details/baritoneukechord00baym/mode/2up?view=theater" target="_blank" rel="noopener">archive.org</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>The back covers feature a range of period faces. This one has <a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/7340/brush-script" data-entity-code-id="7340" data-entity-code-type="TypeEntity">Brush Script</a>, <a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/6/lydian" data-entity-code-id="6" data-entity-code-type="TypeEntity">Lydian</a>, <a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/903/cloister" data-entity-code-id="903" data-entity-code-type="TypeEntity">Cloister</a>, and <a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/942/flash" data-entity-code-id="942" data-entity-code-type="TypeEntity">Flash</a>. “Fun with the Baritone Uke” pairs Franklin Gothic with an unidentified bold casual sans with flared stems.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/53368/chords-in-photo-diagram-form-series-by-mel-ba">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/53368/chords-in-photo-diagram-form-series-by-mel-ba</guid>
      <pubDate>Sun, 23 Apr 2023 08:32:51 +0000</pubDate>
      <author>Florian Hardwig</author>
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      <title><![CDATA[Ads for Pabst Beer]]></title>
      <link>https://fontsinuse.com/uses/32424/ads-for-pabst-beer</link>
      <description><![CDATA[Contributed by <a href="/contributors/4/stephen-coles">Stephen Coles</a><br/><a href="https://fontsinuse.com/uses/32424/ads-for-pabst-beer"><img src="https://assets.fontsinuse.com/static/use-media-items/111/110050/upto-700xauto/69b55429/LFA_Shepard_0112_001.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://oa.letterformarchive.org/item?workID=lfa_shepard_0020&LFAPics=Yes" target="_blank" rel="noopener">oa.letterformarchive.org</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Collection of Letterform Archive</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>A comical ad for Pabst with a headline set in <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11" data-entity-code-id="32177" data-entity-code-type="TypeEntity">Condensed Title Gothic No. 11</a></strong> and body copy in <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/4/futura" data-entity-code-id="4" data-entity-code-type="TypeEntity">Futura</a></strong>.</p><br/><a href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11"><img src="https://assets.fontsinuse.com/static/samples/14/13581/440/4/667fdc37/condensed-title-gothic-no-11.png"/></a><br/><a href="https://fontsinuse.com/typefaces/4/futura"><img src="https://assets.fontsinuse.com/static/renders/1/4/400/4/6a59e88b/futura.png"/></a><br/><a href="https://fontsinuse.com/typefaces/35/franklin-gothic"><img src="https://assets.fontsinuse.com/static/samples/8/7745/440/4/600bc9f1/franklin-gothic.png"/></a><br/><br/><p>A series of ads designed by Dorothy Shepard in 1937 for Pabst Export Beer, another line from the makers of Pabst Blue Ribbon. The airbrush illustrations are in Shepard’s modern trademark style with streamlined shapes. Headlines and body copy are set on an angle, which was just starting to gain favor in advertising and magazine layouts. The two black-and-white ads include <a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/4/futura" data-entity-code-id="4" data-entity-code-type="TypeEntity">Futura</a>’s distinctive <strong>fi</strong> and <strong>fl</strong> ligatures.</p>

<p>These clippings are held in the Dorothy and Otis Shepard Collection at Letterform Archive, some of which and can be seen in the library’s <a href="http://oa.letterformarchive.org/search?dims=Collection&amp;vals0=Dorothy%20and%20Otis%20Shepard%20Collection">Online Archive</a>.</p><br/><a href="https://fontsinuse.com/uses/32424/ads-for-pabst-beer"><img src="https://assets.fontsinuse.com/static/use-media-items/111/110052/upto-700xauto/69b55429/LFA_Shepard_0021_001.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://oa.letterformarchive.org/item?workID=lfa_shepard_0021&LFAPics=Yes" target="_blank" rel="noopener">oa.letterformarchive.org</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Collection of Letterform Archive</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>This headline is set in <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/35/franklin-gothic" data-entity-code-id="35" data-entity-code-type="TypeEntity">Franklin Gothic</a> Condensed</strong>.</p><br/><a href="https://fontsinuse.com/uses/32424/ads-for-pabst-beer"><img src="https://assets.fontsinuse.com/static/use-media-items/111/110053/upto-700xauto/69b55429/LFA_Shepard_0020_001.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://oa.letterformarchive.org/item?workID=lfa_shepard_0020&LFAPics=Yes" target="_blank" rel="noopener">oa.letterformarchive.org</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Collection of Letterform Archive</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/><p>This headline is hand lettered in a style possibly derived from <a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11" data-entity-code-id="32177" data-entity-code-type="TypeEntity">Condensed Title Gothic No. 11</a> used in the color ad above.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/32424/ads-for-pabst-beer">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/32424/ads-for-pabst-beer</guid>
      <pubDate>Fri, 17 Apr 2020 23:26:47 +0000</pubDate>
      <author>Stephen Coles</author>
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      <title><![CDATA[The Three Suns – Christmas Party album art]]></title>
      <link>https://fontsinuse.com/uses/30074/the-three-suns-christmas-party-album-art</link>
      <description><![CDATA[Contributed by <a href="/contributors/948/minecreek">Garrison Martin</a><br/><a href="https://fontsinuse.com/uses/30074/the-three-suns-christmas-party-album-art"><img src="https://assets.fontsinuse.com/static/use-media-items/103/102141/upto-700xauto/69b54cff/suns.png"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.45cat.com/record/epb3056" target="_blank" rel="noopener">www.45cat.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11"><img src="https://assets.fontsinuse.com/static/samples/14/13581/440/4/667fdc37/condensed-title-gothic-no-11.png"/></a><br/><a href="https://fontsinuse.com/typefaces/1591/alternate-gothic"><img src="https://assets.fontsinuse.com/static/renders/2/1591/400/4/6a5cd522/alternate-gothic.png"/></a><br/><br/><p>This LP by the accordion-led instrumental group The Three Suns included a variety of Christmas hits. <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11" data-entity-code-id="32177" data-entity-code-type="TypeEntity">Condensed Title Gothic No. 11</a></strong> for the group name and album title. <strong><a target="_self" class="entity-link" href="https://fontsinuse.com/typefaces/1591/alternate-gothic" data-entity-code-id="1591" data-entity-code-type="TypeEntity">Alternate Gothic</a> No.<span class="nbsp">&nbsp;</span>1</strong> for the song titles. Released in 1952. Very soon, rock-n-roll would come in and change the face of music.</p>

<p>[<a href="http://www.discogs.com/Three-Suns-Christmas-Party/release/4857410">More info on Discogs</a>]</p>

<p></p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/30074/the-three-suns-christmas-party-album-art">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/30074/the-three-suns-christmas-party-album-art</guid>
      <pubDate>Tue, 24 Dec 2019 21:10:35 +0000</pubDate>
      <author>Garrison Martin</author>
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      <title><![CDATA[Sheb Wooley – “Santa And The Purple People Eater”&nbsp;/ “Star Of Love” single cover]]></title>
      <link>https://fontsinuse.com/uses/24506/sheb-wooley-santa-and-the-purple-people-eater</link>
      <description><![CDATA[Contributed by <a href="/contributors/948/minecreek">Garrison Martin</a><br/><a href="https://fontsinuse.com/uses/24506/sheb-wooley-santa-and-the-purple-people-eater"><img src="https://assets.fontsinuse.com/use-media/80480/upto-700xauto/69b53a64/1/jpeg/R-4261757-1416631491-8676-jpeg.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.discogs.com/Sheb-Wooley-Santa-And-The-Purple-People-Eater-Star-Of-Love/release/4261757" target="_blank" rel="noopener">www.discogs.com</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11"><img src="https://assets.fontsinuse.com/static/samples/14/13581/440/4/667fdc37/condensed-title-gothic-no-11.png"/></a><br/><br/><p>Actor and singer <a href="http://en.wikipedia.org/wiki/Sheb_Wooley">Sheb Wooley</a> released this Christmas sequel to his hit single “<a href="http://en.wikipedia.org/wiki/The_Purple_People_Eater">The Purple People Eater</a>" some months after its success. Wooley was in movies and TV, mostly Westerns. He's also credited with performing the <a href="https://en.wikipedia.org/wiki/Wilhelm_scream">Wilhelm scream</a>.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/24506/sheb-wooley-santa-and-the-purple-people-eater">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/24506/sheb-wooley-santa-and-the-purple-people-eater</guid>
      <pubDate>Mon, 24 Dec 2018 08:49:00 +0000</pubDate>
      <author>Garrison Martin</author>
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      <title><![CDATA[Second City Volume 1, Number 6]]></title>
      <link>https://fontsinuse.com/uses/22401/second-city-volume-1-number-6</link>
      <description><![CDATA[Contributed by <a href="/contributors/948/minecreek">Garrison Martin</a><br/><a href="https://fontsinuse.com/uses/22401/second-city-volume-1-number-6"><img src="https://assets.fontsinuse.com/use-media/71632/upto-700xauto/69b530e1/1/jpeg/SecondCity001_WordPress.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://news.library.depaul.press/full-text/2018/07/05/summer-of-1968/" target="_blank" rel="noopener">news.library.depaul.press</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11"><img src="https://assets.fontsinuse.com/static/samples/14/13581/440/4/667fdc37/condensed-title-gothic-no-11.png"/></a><br/><br/><p><cite><a href="http://depaul.worldcat.org/oclc/17701944">Second City</a> </cite>Volume 1, Number 6 by a group of students from Chicago in late 1968. It mostly covered social issues of the day.</p>

<blockquote>
<p>The editors of Second City declared the purpose of the paper in the first issue published on November 23, 1968: “Second City is not intended to be just another ‘underground’ newspaper. Second City is intended to be a voice of the Movement in Chicago… It will be owned and managed democratically by its staff which will represent the entire spectrum of all those engaged in the struggle against war, racism, poverty, oppression, and the denial of civil and human rights.” — <a href="http://news.library.depaul.press/full-text/2018/07/05/summer-of-1968/">Graeme Evenson, DePaul University Library</a></p>
</blockquote><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/22401/second-city-volume-1-number-6">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/22401/second-city-volume-1-number-6</guid>
      <pubDate>Tue, 24 Jul 2018 13:53:00 +0000</pubDate>
      <author>Garrison Martin</author>
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      <title><![CDATA[Goodbye, Columbus by Philip Roth, Brazilian edition]]></title>
      <link>https://fontsinuse.com/uses/21654/goodbye-columbus-by-philip-roth-brazilian-edi</link>
      <description><![CDATA[Contributed by <a href="/contributors/948/minecreek">Garrison Martin</a><br/><a href="https://fontsinuse.com/uses/21654/goodbye-columbus-by-philip-roth-brazilian-edi"><img src="https://assets.fontsinuse.com/use-media/68440/upto-700xauto/69b52d69/1/jpeg/406720.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://www.traca.com.br/livro/406720/goodbye-columbus-e-outros-contos" target="_blank" rel="noopener">www.traca.com.br</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11"><img src="https://assets.fontsinuse.com/static/samples/14/13581/440/4/667fdc37/condensed-title-gothic-no-11.png"/></a><br/><br/><p>Brazilian edition of <a href="http://en.wikipedia.org/wiki/Goodbye,_Columbus"><cite>Goodbye, Columbus</cite></a>, a 1959 collection of fiction by the American novelist Philip Roth. Translated by Luís Horácio da Matta and Álvaro Cabral. Published in 1964 by Editora Expressão e Cultura. Book jacket designer unknown.</p><br/><a href="https://fontsinuse.com/uses/21654/goodbye-columbus-by-philip-roth-brazilian-edi"><img src="https://assets.fontsinuse.com/use-media/68436/upto-700xauto/69b52d69/1/jpeg/ezgif-1-2a28c50012.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://livros.mercadolivre.com.br/livro-goodbye-columbus-philip-roth" target="_blank" rel="noopener">livros.mercadolivre.com.br</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/uses/21654/goodbye-columbus-by-philip-roth-brazilian-edi"><img src="https://assets.fontsinuse.com/use-media/68437/upto-700xauto/69b52d69/1/jpeg/ezgif-1-d8a8573caa.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://livros.mercadolivre.com.br/livro-goodbye-columbus-philip-roth" target="_blank" rel="noopener">livros.mercadolivre.com.br</a></span>&nbsp;</b><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/21654/goodbye-columbus-by-philip-roth-brazilian-edi">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/21654/goodbye-columbus-by-philip-roth-brazilian-edi</guid>
      <pubDate>Wed, 23 May 2018 14:09:14 +0000</pubDate>
      <author>Garrison Martin</author>
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      <title><![CDATA[Human Desire (1954) movie poster]]></title>
      <link>https://fontsinuse.com/uses/20993/human-desire-1954-movie-poster</link>
      <description><![CDATA[Contributed by <a href="/contributors/15251/swarsh">David Smith</a><br/><a href="https://fontsinuse.com/uses/20993/human-desire-1954-movie-poster"><img src="https://assets.fontsinuse.com/use-media/65897/upto-700xauto/69b52b07/1/jpeg/human%20desire-1.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="http://www.dvdbeaver.com/posters/noir/h/human%20desire-1.jpg" target="_blank" rel="noopener">www.dvdbeaver.com</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Photo by HeritageComics.com</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/19137/filmotype-gem"><img src="https://assets.fontsinuse.com/static/renders/36/19137/400/4/6a58c2bd/filmotype-gem.png"/></a><br/><a href="https://fontsinuse.com/typefaces/19135/filmotype-ford"><img src="https://assets.fontsinuse.com/static/samples/18/17070/440/4/6921847f/filmotype-ford.png"/></a><br/><a href="https://fontsinuse.com/typefaces/303/news-gothic"><img src="https://assets.fontsinuse.com/static/renders/1/303/400/4/6a5cd522/news-gothic.png"/></a><br/><a href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11"><img src="https://assets.fontsinuse.com/static/samples/14/13581/440/4/667fdc37/condensed-title-gothic-no-11.png"/></a><br/><a href="https://fontsinuse.com/typefaces/35/franklin-gothic"><img src="https://assets.fontsinuse.com/static/samples/8/7745/440/4/600bc9f1/franklin-gothic.png"/></a><br/><br/><p>Movie poster for <cite>Human Desire</cite>, a 1954 black-and-white film noir directed by Fritz Lang, starring Glenn Ford and Gloria Grahame. It is loosely based on Émile Zola's novel <cite>La Bête humaine</cite>. — <a href="http://en.wikipedia.org/wiki/Human_Desire">Wikipedia</a></p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/20993/human-desire-1954-movie-poster">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/20993/human-desire-1954-movie-poster</guid>
      <pubDate>Wed, 18 Apr 2018 13:59:31 +0000</pubDate>
      <author>David Smith</author>
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      <title><![CDATA[Alfred J. Jordan, Inc. ad]]></title>
      <link>https://fontsinuse.com/uses/7232/alfred-j-jordan-inc-ad</link>
      <description><![CDATA[Contributed by <a href="/contributors/4/stephen-coles">Stephen Coles</a><br/><a href="https://fontsinuse.com/uses/7232/alfred-j-jordan-inc-ad"><img src="https://assets.fontsinuse.com/use-media/21884/upto-700xauto/69b3d713/1/jpeg/jordan-typography.jpeg"/></a><br/><br/><i><b>Source:&nbsp;<span class="fiu-attribution__sourceUrl"><a href="https://archive.org/stream/eighthgraph00newy#page/n655/mode/2up" target="_blank" rel="noopener">archive.org</a></span>&nbsp;</b><span><span class="fiu-attribution__credits fiu-text--captioning">Digitized book contributed by the Solomon R. Guggenheim Museum Library</span>. </span><span>License: <span class="fiu-attribution__license">All Rights Reserved</span><span>. </span></span></i><br/><a href="https://fontsinuse.com/typefaces/4/futura"><img src="https://assets.fontsinuse.com/static/renders/1/4/400/4/6a59e88b/futura.png"/></a><br/><a href="https://fontsinuse.com/typefaces/32177/condensed-title-gothic-no-11"><img src="https://assets.fontsinuse.com/static/samples/14/13581/440/4/667fdc37/condensed-title-gothic-no-11.png"/></a><br/><br/><p>
	“For fine typography in Philadelphia, call on Jordan.”</p>
<p>
	From the <em><a href="http://archive.org/stream/eighthgraph00newy#page/n655/mode/2up">Eighth Graphic Arts Production Yearbook</a></em>, 1948.</p><br/><br/>This post was originally published at <a href="https://fontsinuse.com/uses/7232/alfred-j-jordan-inc-ad">Fonts In Use</a><hr/>]]></description>
      <guid>https://fontsinuse.com/uses/7232/alfred-j-jordan-inc-ad</guid>
      <pubDate>Wed, 23 Jul 2014 22:44:42 +0000</pubDate>
      <author>Stephen Coles</author>
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