The cover artwork for Joyce Meyer’s Blessed in the Mess: How to Experience God's Goodness in the Midst of Life's Pain, which is a book about finding peace and blessing amongst life’s hardships.

The title of the book is set in Lydia, Colophon’s digital revival of Lydian’s bold condensed style. The secondary typeface is Brandon Grotesque.

First American edition of Edoardo Albinati’s La scuola cattolica, a novel based on the 1975 Circeo massacre. It was translated from the Italian by Antony Shugaar and published by Farrar, Straus and Giroux as The Catholic School in 2019.

The type-only book jacket uses Lydia, Benjamin Critton’s digital interpretation of Lydian Bold Condensed. It was designed by Rodrigo Corral, who was also seminal in the reevaluation of (regular-wide) Lydian around 2010, see for example his design of The Barbarian Nurseries from 2011.

Lydia is also used on the title page. The interior design was done by Abby Kagan.

The paperback edition (Picador, 2020) uses the same basic design.

Lydia, Colophon’s digital revival of the condensed styles of Lydian, used in tracked-out caps and together with Akzidenz-Grotesk for the titles of Beloved Stranger.

“Which is the path to choose when one is blinded by ambition?” The obsession of an underground boxer challenges his relationship and marks his own destiny.

Written and directed by Gasser Brothers and edited by Xavi Trilla (Martes), the film was nominated for the Young Director Award Shortlist 2019. Title sequence by Treintaseis.

Old Town Tavern is a local pub in Clapham, London, serving an extensive beer selection and Mexican food in the refurbished space that housed the historic North Pole pub from the 1860s to the 2010s.

Designer Kelly Shield found lively harmony in a strategic mix of angular typefaces (Lydia, Harbour, Study), smoothed out with a clean geometric sans (Walsheim).

Poster series designed by Caterina Bianchini for Axe on Wax, a London based record label with artists like Chaos in the CBD, Boo Williams and Marlon Hoffstadt. The posters use a variety of fonts, including several freebies or system fonts, with Pretorian being a recurring theme.

The open-source Eczar paired with Pretorian, all in distorted caps

The blue type appears to be Flames, a free digitization of Mecanorma’s Dreamline.

Lydia is a digitization of the Bold Condensed weights of Lydian.

The big type appears to be outlined Grease, a highlight version of Cooper Black.

Alias Harbour was one of the typefaces used for posters the Gotta Shine launch in New Orleans. It was also used separately as 3-D display type, on t-shirts, and as one of the stickers given away with the shoes.