Post Grotesk in use

Originally released on the Incubator label in 2013, in 4 weights plus italics. Re-released with Sharp Type in April 2017, now with 2 more weights (Thin, Black) plus italics.

Foundries

Designers

Josh Finklea

Release Date

2013

Related Typefaces

Sources

Info

Typographica

Post Grotesk in use

Tentacular Festival 20192019

Rebeka Arce

Contributed by Pernoux Loris

Reflections: The American Collection at the Columbus Museum of Art2019

Nonfiction
Neil Wengerd
Zach Wilke

Contributed by Zach Wilke

<cite>Reflections: The American Collection at the Columbus Museum of Art</cite>

Tentacular Festival 20182018

Rebeka Arce

Contributed by Pernoux Loris

Sponsor

Nansen magazine #22019

Eva Gonçalves

Contributed by Or Type

Minneapolis Institute of Artidentity 20162016

Pentagram
Michael Bierut
Emily Oberman

Contributed by Love Lagerkvist

Staff Pick

The Baffler redesign (2016)2016

Pentagram
Eddie Opara
Lindsay Ballant

Contributed by Love Lagerkvist

The Inhabited Pathway. The Built Work of Alberto Ponis in Sardiniac. 2014

Esther Rieser

Contributed by Josh Finklea

Staff Pick

Modeli zajedništva, strategije vidljivosti — 15 godina plateforme2014

Lana Grahek

Contributed by Benoît Bodhuin

Proteinc. 2014

unknown

Contributed by Josh Finklea

Perspecta 47 “Money”2014

Jessica Svendsen
Stefan Thorsteinsson

Contributed by Josh Finklea

Staff Pick

XOXO 20152015

Scribble Tone

Contributed by Lizy Gershenzon

Topics▼

Formats▼

Typefaces▼

Foundries

Designers

Release Date

Related Typefaces

Sources

Info

Post Grotesk in use

Tentacular Festival 20192019

Reflections: The American Collection at the Columbus Museum of Art2019

Tentacular Festival 20182018

Nansen magazine #22019

Minneapolis Institute of Artidentity 20162016

The Baffler redesign (2016)2016

The Inhabited Pathway. The Built Work of Alberto Ponis in Sardiniac. 2014

Modeli zajedništva, strategije vidljivosti — 15 godina plateforme2014

Proteinc. 2014

Perspecta 47 “Money”2014

XOXO 20152015