Glücksbohne – German for “lucky bean” is a coffee shop and roastery in Bremen, Germany. For the logo, visual design and packaging, I used Opposit, paired with Inknut Antiqua.

A rare example of an Arabic logo being adapted to Latin, for the cover of Ahmed el-Maanouni's documentary on the legendary Moroccan band Nass el-Ghiwane. The filmmaker's name (احمد المعنوني) and the film's Arabic title (الحال) are set in the Maghrebi-style SF Mabsut, paying tribute to Morocco’s unique calligraphic heritage. “A film by Ahmed el Maanouni” is set in a font that strongly resembles but seemingly is not Nassim extrabold.

The logo (the band's name in Arabic, ناس الغيوان, seen here in action on a 1972 single) is matched to an appropriately early-1970s synthesis on the Zipper/Sintex continuum.

A well known music journalist and long time friend of White Shoes and The Couples Company (a band from Indonesia), Felix Dass finds himself on a journey to Darwin, Australia together with the band. In this book he writes about his bizarre experiences during their Darwin tour.

It’s been long known that White Shoes and The Couples Company draws inspiration from a variety of retro Indonesian sounds. But the documentation on the Darwin tour portrays a lot of experiences offstage in a casual manner so the challenge is more on how to stay true to the story but still be able to deliver the band’s flavour to their fans.

For the book typography we’ve chosen Druk WIde by Commercial Type for headlines, because of its sturdy and durable qualities. Using a serif font for long-form text is still the way to go, so we've chosen Inknut Antiqua by Claus Eggers Sørensen for the body copy.

The cover was screen printed on colorplan paper. Munken Pure paper was used for the book interior.

Document describing the process to make a small model of the Djinn Chaise Longue by Olivier Mourgue, made from wood "ribs" designed in Rhinoceros 5.0 and cut in a CNC milling machine.

Djinn Chaise Longue was designed in 1964-1965 and it is part of the Djinn set, which is known for appear in the film 2001: A Space Odyssey. The main reason because of Stanley Kubrick's set designer decided to put this furniture in the spaceship's interior is because of its futuristic aesthetics.

The print has 36 pages, its dimensions are 148×210mm and it was designed by Diego Moratalla as a part of a university project done in October 2017.